This is an analysis of higher education in the past half century, a period of dramatic change and democratization. But it is more than that. The author has been a participant in the struggle to stem the decline in higher education, as it moved from an emphasis on classical liberal values toward relativism and ideological extremism. This volume reflects an awareness of what has been lost, but sees hope for a revival of traditional values as technological change and awareness of failure forces institutions to examine their premise. Herbert I. London has provided here fuel for fundamental redirection in American college and university affairs. Decline and Revival in Higher Education is uncompromising in its concerns, but points the way toward a future linked to the best of the past. The work follows the personal evolution of the author, while at the same time, describes the devolution of university standards in such institutions as Columbia, Duke, the University of California at Berkeley, and New York University. While seeing optimistic trends in oases of traditional programming that can serve as a counterweight to campus orthodoxies, London argues that the dramatic transformation of the academy cannot be denied. The social sciences and humanities in particular have become isolated from mainstream requirements in the nation. London deals with concrete concerns, such as the collapse of classic book programs in the contemporary curriculum, the decline and even vigilante raids on opposition in campus publications, the collapse of moral judgment in favor of pure relativism, the transformation of many museums into a storage houses of debris, and the confusion of coarse language with democratization. These developments lead the author to write this book, for if the culture wars are over, the American people may be the losers.
This elegantly written and richly detailed biography tells the story of Virginia Woolf's last ten years, from the creation of her great visionary novel, The Waves, to her suicide in 1941. Herbert Marder looks closely at Woolf's views on totalitarianism and her depictions of Britain under siege to create a remarkable portrait of a mature and renowned writer during a time of rising fascist violence.An awareness of personal danger, Marder says, colored Woolf's actions and consciousness in the years leading up to World War II. She practiced her art with intense dedication and was much admired for her wit and vivacity. But she had previously tried to kill herself, and she asserted her right to die if her manic-depressive illness became intolerable. Waves and water haunted her imagination; visions of drowning recurred in her work. The Measure of Life suggests that Woolf anticipated her suicide, and indeed enacted it symbolically many times before the event. Marder's account of her death emphasizes the importance of her relationship with her doctor and distant cousin, Octavia Wilberforce. Wilberforce's letters about Woolf's last months, including some previously unpublished passages, appear in the appendix.Staying close to the spirit of Woolf's own writing, Marder traces her evolving social consciousness in the 1930s, connecting her growing concern with politics and social history with the facts of her daily life. He stresses her endurance as a working writer, and explores her friendships, her complex relations with servants, and her activities at the Hogarth Press. The Measure of Life illuminates the unspoken quarrels and obscure acts of courage that provide a key, as Woolf herself believed, to the hidden roots of our existence. By letting the reader see events as Virginia Woolf saw them, Marder's compelling narrative captures both her unique comic spirit and her profound seriousness.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.
This book is a memoir of Herbert London's years at New York University. It follows his personal path from professor and ombudsman to dean of a new 'experimental' college. For anyone eager to learn about the evolution of higher education in the last few decades, this book is indispensable reading.
The Transformational Decade shows the transformation that took place in American life from the attack on the World Trade Center to the emergence of the Obama presidency. It is not a strict history, but rather snapshots of a decade that has fundamentally altered perceptions of the United States. In some respects, this book is modeled after Frederick Lewis Allen’s Only Yesterday and Since Yesterday, acclaimed books that sought to capture the spirit of the 1920s and ’30s. London sees the period from 2001 to 2008 as “post yesterday,” a period that broke with the past, challenged the essence of the free market, and contested America’s role on the world stage. In an effort to limn these snapshots from recent history, London has written several “decade” books: The Overheated Decade, The Counterfeit Decade, and The Decade of Denial. This book, The Transformational Decade, differs in that it represents a separation from the past. London illuminates a decade that he considers to be a new and more frightful period than any in recent American history.
Herbert London's new work places America in the 1990s under the microscope and discovers a country paying a heavy price for the excesses of the past, crippled by the cultural attitudes and rebelliousness of the sixties and seventies. London argues that the baby boomer generation has replaced openness with stealth and honesty with deceit. Far from mere nostalgic musings for a simpler time, Decade of Denial wonderfully captures the zeitgeist of the 1990s from the "dumbing down" of education to the proliferation of crass popular culture. This is an essential book for serious readers of American cultural history seeking to understand the evolution of modern 'manners' and 'morals'.
This 1986 book gives a detailed account of the manuscripts in Cambridge written wholly or partly in the Irish language and contains a highly informative introduction. This comprehensive, rigorously researched volume will be of value to anyone with an interest in Irish manuscripts and bibliography in general.
Illustrated by critical analyses of significant buildings, including examples by such eminent architects as Adler and Sullivan, Erich Mendelsohn, and Louis Kahn, this book examines collaboration in the architectural design process over a period ranging from the mid-19th century to the late 1960s. The examples chosen, located in England, the United States, Israel and South Africa, are of international scope. They have intrinsic interest as works of architecture, and illustrate all facets of collaboration, involving architects, engineers and clients. Prior to dealing with the case studies the theoretical framework is set in three introductory essays which discuss in general terms the organizational implications of partnerships, associations and teams; the nature of interactions between architect and engineer; and cooperation and confrontation in the relationship between architect and client. From this original standpoint, the interactive role of the designers, it examines and reinterprets such well-known buildings as the Chicago Auditorium and the Kimbell Art Museum. The re-evaluation of St Pancras Station and its hotel questions common presumptions about the separation of professional roles played by its engineer and architect. The account of the troubled history of Mendelsohn’s project for the first Haifa Power House highlights the difficulties that arise when a determined and eminent architect confronts a powerful and demanding client. In a later era, the examination of the John Moffat Building, which is less well known but deserving of wider recognition, reveals how the fruitful collaboration of multiple architects can result in a successful unified design. These case studies comprise a wide range of programmes, challenges, personalities and interactions. Ultimately, in five different ways, in five different epochs, and in five different circumstantial and cultural contexts, this book shows how the dialogue between the players in the design process resonates upo
In 1907, more than a decade before the discovery of Tutankhamun s tomb, archaeologistsunearthed remains from the mummification and funeral of the pharaoh, who ruled ancient Egypt in the 14th century B.C. Now in the collection of The Metropolitan Museum of Art, these materials provide physical evidence of burial rites of the now-legendary king, who is making headlines once again after new scientific investigations to determine the cause of his early death. "Tutankhamun's Funeral" includes a classic text written in1941 by Herbert E. Winlock, one of the early 20th century s leading Egyptologists, featuring in-depth analysis of the objects and their significance. In addition, anintroduction and appendix by Dorothea Arnold update the findings with recent scholarship.The book isillustrated throughout with new color photography as well as many historical images and drawings.
On the brink of bankruptcy in the 1970s, New York City has been restored as a center of economic and cultural vitality in the 1980s. But it has also become an increasingly brutal place, where incivility reigns, drugs lace the streets, and crime is so pervasive that most New Yorkers now consider it a permanent fixture, like gray skies and impossible traffic. What is it that continues to draw people to this city of contradictions?Born and educated in New York, Herbert London knows this city of dreams as few do. The Broken Apple is based on his keen observations of New York's social, political, and cultural life over the critical decade of the 1980s. London examines the city's continuing failures, including a city administration unable to meet the most basic citizen needs or to assure safety and security. He sees schools that have become mean-spirited, with teachers unable to teach, administrators unable to maintain order, and students unable to learn. He describes the new slaves of New York as those in search of a place to live, in a city where housing is in shorter supply than in any other major city in the nation. London asks why, despite all this, everything is bigger than life in New York, and finds the answer in New York's role as the nation's communications hub and the measuring rod by which other cities are judged.London writes with knowledgeable affection about this very special place, where the mundane is freely converted into the metaphorical. His book is an excursion, a guide to what is good, what is bad, and what is awful in the city. It is a montage of the years of Mayor Koch, the period many have described as the city's fin de siecle. But it is also a perscriptive book, pointing out what can be done in practical ways to improve life.The Broken Apple will be of interest to urban specialists as well as those for whom New York is an aspiration or a reality. Like the city itself, the book has something for everyone, from visions of political corruption to acts of redemption. Above all, it captures the pulsating rhythm of this unique city
When one thinks of slavery in America, the only thought that comes to mind is Africans picking cotton in the fields of America. What many Americans don't know is that the Irish preceded the Africans as slaves in the early British colonies of America and the West Indies. They toiled in the tobacco fields of Virginia and Maryland and the sugar cane fields of Barbados and Jamaica. For over 179 years, the Irish were the primary source of slave labor in the British American colonies. Proclamation 1625 is the unveiling of the true and untold history of slavery in America. King James I's Proclamation ordering the Irish be placed in bondage opened the door to wholesale slavery of Irish men, women and children. This was not indentured servitude but raw, brutal mistreatment that included being beaten to death. The Irish were forced from their land, kidnapped, fastened with heavy iron collars around their necks, chained to 50 other people and held in cargo holds aboard ships as they were transported to the American colonies. During the early colonial period, free European and free African settlers socialized and married. Intermarriages existed in the colonies for over a hundred years until the birth and evolution of white racism. The Irish and African slaves were housed together and were forced to mate to provide the plantation owners with the additional slaves they needed. The British abolished slavery in 1833. This act emancipated the Irish slaves in the British West Indies. America abolished slavery in 1865. None of this freed the Irish to the degree they wanted because America had classified them as 'colored' and treated them accordingly. It was only after the ruling class accepted them as 'white' that they could finally say: "I'm free, white and 21." Proclamation 1625 is for those who want to know the true and untold history of slavery in America.
A distillation of the thought and research to which Herbert Butterfield devoted the last twenty years of his life to, this book, originally published in 1981, traces how differently people understood the relevance of their past and its connection with their religion. It examines ancient Egypt and Mesopotamia; the political perceptiveness of the Hittites; the Jewish sense of God in history, of promise and fulfilment; the classical achievement of scientific history; and the unique Chinese tradition of historical writing. The author explains the problems of the early Christians in relating their traditions of Jesus to their life and faith and the emergence, when Christianity became the religion of the Roman Empire, of a new historical understanding. The book then charts the gradual growth of a sceptical approach to recorded authority in Islam and Western Europe, the reconstruction of the past by deductive analysis of the surviving evidence and the secularisation of the eighteenth century.
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