REAL invites contributions on the relationship between literature and cultural change. The study of culture has to face the difficulty of not being able to observe its object directly. Its only access is via cultural phenomena as observable products of human activity: artefacts, texts, rites, symbols, forms of conduct. If scholars wish to study cultural change, they need to do so by investigating the changing relationships among these phenomena, the changing connections between social structures, mentalities and the material dimension of texts, artefacts and other objects. While some scholars have rejected the concept of culture because of this indirectness, others – from Malinowski to Luhmann – have attempted to make it theoretically more precise and historically more saturated. Societies change as well as cultures, but they are not the same and they evolve at different speeds.
This compact, indispensable overview answers a vexed question: Why do so many works of modern and postmodern literature and art seem designed to appear 'strange', and how can they still cause pleasure in the beholder? To help overcome the initial barrier caused by this 'strangeness', the general reader is given an initial, non-technical description of the 'aesthetic of the strange' as it is experienced in the reading or viewing process. There follows a broad survey of modern and postmodern trends, illustrating their staggering variety and making plain the manifold methods and strategies adopted by writers and artists to 'make it strange'. The book closes with a systematic summary of the theoretical underpinnings of the 'aesthetic of the strange', focussing on the ways in which it differs from both the earlier 'aesthetic of the beautiful' and the 'aesthetic of the sublime'. It is made amply clear that the strangeness characteristic of modern and postmodern art has ushered in an entirely new, 'third' kind of aesthetic – one that has undergone further transformation over the past two decades. Beyond its usefulness as a practical introduction to the 'aesthetic of the strange', the present study also takes up the most recent, cutting-edge aspects of scholarly debate, while initiates are offered an original approach to the theoretical implications of this seminal phenomenon.
This volume contains a collection of memoirs by Herbert Hoover, concentrating on the Great Depression, its origins, and its effects. Herbert Clark Hoover (1874 – 1964) was an American businessman, engineer and politician who served as the 31st president of the United States from 1929 and 1933.Contents include: “The Origins of The Great Depression”, “We Attempt to Stop the Orgy of Speculation”, “Our Weak American Banking System”, “Federal Government Responsibilities and Functions in Economic Crises”, “Remedial Measures”, “A Summary of the Evolution of the Depression”, etc. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.
From a diachronic point of view, two linguistic contributions deal with grammaticalization and iconicity and with metaphorical aspects of compounding. The other two linguistic papers are related to the present. One offers a critique of perceptual dialectology and the other is concerned with recent developments in computer cartography. The contributions in the domains of literary and cultural studies demonstrate the wide extension of the field of enquiry and of current methods. Historically, they reach from the Old English period to the present day, and systematically, from new approaches in the interpretation of particular works through overviews over the regional validity of modes of literary aesthetics to recent innovations in literary theory and narratology.
Herbert Hoover Hart was born on Election Day in 1928. He was a healthy, hearing child born to deaf parents on the eve of the Great Depression. Over his first few years, life was chaotic, uncertain, and often desperate. Yet his mother's scrappy determination and his stepfather's ethic of hard work kept the family afloat. Everything changed for Herb and his two half-sisters one day in 1938 when his mother disappeared. This is the true story of how love, education and faith helped one boy overcome tremendous challenges to grow into a successful and happy man.
Herbert Hoover's "magnum opus"—at last published nearly fifty years after its completion—offers a revisionist reexamination of World War II and its cold war aftermath and a sweeping indictment of the "lost statesmanship" of Franklin Roosevelt. Hoover offers his frank evaluation of Roosevelt's foreign policies before Pearl Harbor and policies during the war, as well as an examination of the war's consequences, including the expansion of the Soviet empire at war's end and the eruption of the cold war against the Communists.
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