An autobiography of one of the towering figures of contemporary American music and a powerful meditation on history, race, capitalism, and art. Henry Threadgill has had a singular life in music. At 79, the saxophonist, flautist, and celebrated composer is one of three jazz artists (along with Ornette Coleman and Wynton Marsalis) to have won a Pulitzer Prize. In Easily Slip into Another World, Threadgill recalls his childhood and upbringing in Chicago, his family life and education, and his brilliant career in music. Here are riveting recollections of the music scene in Chicago in the early 1960s, when Threadgill developed his craft among friends and schoolmates who would go on to form the core of the highly influential Association for the Advancement of Creative Musicians (AACM); the year and a half he spent touring with an evangelical preacher in the mid-1960s; his military service in Vietnam—a riveting tale in itself, but also representative of an under-recognized aspect of jazz history, given the number of musicians in Threadgill’s generation who served in the armed forces. We appreciate his genius as he travels to the Netherlands, Venezuela, Trinidad, Sicily, and Goa enriching his art; immerses himself in the volatile downtown scene in New York City in the 1970s and 1980s; collaborates with choreographers, writers, and theater directors as well as an astonishing range of musicians, from AACM stalwarts (Muhal Richard Abrams, Roscoe Mitchell, Wadada Leo Smith, and Leroy Jenkins), to Chicago bluesmen, downtown luminaries, and world music innovators; shares his impressions of the recording industry his perspectives on music education and the history of Black music in the United States; and, of course, accounts for his work with the various ensembles he has directed over the past five decades.
An autobiography of one of the towering figures of contemporary American music and a powerful meditation on history, race, capitalism, and art. Henry Threadgill has had a singular life in music. At 79, the saxophonist, flautist, and celebrated composer is one of three jazz artists (along with Ornette Coleman and Wynton Marsalis) to have won a Pulitzer Prize. In Easily Slip into Another World, Threadgill recalls his childhood and upbringing in Chicago, his family life and education, and his brilliant career in music. Here are riveting recollections of the music scene in Chicago in the early 1960s, when Threadgill developed his craft among friends and schoolmates who would go on to form the core of the highly influential Association for the Advancement of Creative Musicians (AACM); the year and a half he spent touring with an evangelical preacher in the mid-1960s; his military service in Vietnam—a riveting tale in itself, but also representative of an under-recognized aspect of jazz history, given the number of musicians in Threadgill’s generation who served in the armed forces. We appreciate his genius as he travels to the Netherlands, Venezuela, Trinidad, Sicily, and Goa enriching his art; immerses himself in the volatile downtown scene in New York City in the 1970s and 1980s; collaborates with choreographers, writers, and theater directors as well as an astonishing range of musicians, from AACM stalwarts (Muhal Richard Abrams, Roscoe Mitchell, Wadada Leo Smith, and Leroy Jenkins), to Chicago bluesmen, downtown luminaries, and world music innovators; shares his impressions of the recording industry his perspectives on music education and the history of Black music in the United States; and, of course, accounts for his work with the various ensembles he has directed over the past five decades.
After 30 years, Obstetrics: Normal and Problem Pregnancies remains your go-to choice for authoritative guidance on managing today’s obstetric patient. International experts put the latest knowledge in this specialty at your fingertips, with current and relevant information on everything from fetal origins of adult disease, to improving global maternal health, to important topics in day-to-day obstetrical practice. Highly readable, well-illustrated, and easy to understand, this bestselling obstetrics reference is an ideal tool for residents and clinicians. Take advantage of the collective wisdom of global experts in the field, including two new editors— Drs. Vincenzo Berghella and William Grobman -- and nearly 30 new contributors. Gain a new perspective on a wide range of today's key issues - all evidence-based and easy to read. Sweeping updates throughout including four new chapters: ‘Vaginal Birth after Cesarean Delivery’; ‘Placenta Accreta’; ‘Obesity’; and ‘Improving Global Maternal Health: Challenges and Opportunities’ New Glossary of the most frequently used key abbreviations for easy reference Expanded use of bolded statements and key points as well as additional tables, flow diagrams, and bulleted lists facilitates and enhances the mastery of each chapter More than 100 images in the Obstetrical Ultrasound chapter provide an important resource for normal and abnormal fetal anatomy
Highly readable, well-illustrated, and easy to understand, Gabbe’s Obstetrics: Normal and Problem Pregnancies is an ideal day-to-day reference or study tool for residents and clinicians. This 8th Edition of this bestselling text offers fast access to evidence-based, comprehensive information, now fully revised with substantial content updates, new and improved illustrations, and a new, international editorial team that continues the tradition of excellence established by Dr. Steven Gabbe. Puts the latest knowledge in this complex specialty at your fingertips, allowing you to quickly access the information you need to treat patients, participate knowledgably on rounds, and perform well on exams. Contains at-a-glance features such as key points boxes, bolded text, chapter summaries and conclusions, key abbreviations boxes, and quick-reference tables, management and treatment algorithms, and bulleted lists throughout. Features detailed illustrations from cover to cover—many new and improved—including more than 100 ultrasound images that provide an important resource for normal and abnormal fetal anatomy. Covers key topics such as prevention of maternal mortality, diabetes in pregnancy, obesity in pregnancy, vaginal birth after cesarean section, and antepartum fetal evaluation. Provides access to 11 videos that enhance learning in areas such as cesarean delivery and operative vaginal delivery.
The role of molecular genetics in the treatment of malignancy continues to grow at an astonishing rate. Today’s subspecialized multidisciplinary approach to oncology has incorporated advances in targeted molecular therapy, prognosis, risk assessment, and prevention—all based at least in part on molecular diagnostics and imaging. Inside this cutting-edge resource, readers will explore broad, comprehensive perspectives on the current trends in molecular diagnosis of cancer and personalized cancer medicine. Authoritative discussions share insights from noted experts in cancer research, clinical trials, molecular diagnostics, personalized therapy, bioinformatics, and federal regulations. From the basic mechanisms of carcinogenesis to the most advanced molecular screening, staging, and treatment technologies, readers will discover clear and straightforward discussions directly relevant to patient diagnosis and care.
From the reviews: "This book crystallizes what may become a defining moment in the electronics industry - the shift to platform-based design. It provides the first comprehensive guidebook for those who will build, and use, the integration platforms that may soon drive the system-on-chip revolution." Electronic Engineering Times
Published in 1980, Blacks in Blackface was the first and most extensive book up to that time to deal exclusively with every aspect of all-African American musical comedies performed on the stage between 1900 and 1940. An invaluable resource for scholars and historians focused on African American culture, this new edition features significantly revised, expanded, and new material. In Blacks in Blackface: A Sourcebook on Early Black Musical Shows, Henry T. Sampson provides an unprecedented wealth of information on legitimate musical comedies, including show synopses, casts, songs, and production credits. Sampson also recounts the struggles of African American performers and producers to overcome the racial prejudice of white show owners, music publishers, theatre managers, and booking agents to achieve adequate financial compensation for their talents and managerial expertise. Black producers and artists competed with white managers who were producing all-Black shows and also with some white entertainers who were performing Black-developed music and dances, often in blackface. The chapters in this volume include: An overview of African American musical shows from the end of the Civil War through the golden years of the 1920s and ’30s New and expanded biographical sketches of performers Detailed information about the first producers and owners of Black minstrel and musical comedy shows Origins and backgrounds of several famous Black theatres Profiles of African American entrepreneurs and businessmen who provided financial resources to build and own many of the Black theatres where these shows were performed A chronicle of booking agencies and organized Black theatrical circuits, music publishing houses, and phonograph recording businesses Critical commentary from African American newspapers and show business publications More than 500 hundred rare photographs A comprehensive volume that covers all aspects of Black musical shows performed in theatres, nightclubs, circuses, and medicine shows, this edition of Blacks in Blackface can be used as a reference for serious scholars and researchers of Black show business in the United States before 1940. More than double the size of the previous edition, this useful resource will also appeal to the casual reader who is interested in learning more about early Black entertainment.
Reprint of first edition (1896). "The following pages contain a condensed statement and exposition of the accepted canons and rules for the construction and interpretation of the written laws, whether constitutional or statutory. In accordance with the general plan of the Hornbook Series, these rules have been formulated somewhat after the manner of a code, expressed in brief black-letter paragraphs numbered consecutively throughout the book, and explained, developed, and illustrated in the text." --Preface, iii. HENRY CAMPBELL BLACK [1860-1927] was also the author of the standard American law dictionary, A Dictionary of Law Containing Definitions of the Terms and Phrases of American and English Jurisprudence, Ancient and Modern Including the Principal Terms of International, Constitutional, and Commercial Law, first published in 1891, and other works.
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