Henry Milner Rideout (1877-1927) was a native of Calais, Maine. In 1895 he entered Harvard University and became Editor-in-Chief of The Harvard Monthly. By 1903 The Atlantic Monthly had accepted two of his short stories, giving him hope of earning his living by his pen. He travelled for six months in the Far East. When his final jute-reports were filed, he returned via Europe, and settled down in central California to begin an all-out effort to write novels for a living. Author of sixteen novels, twenty-three short stories and novellas, and a biographical memoir, he also was editor of one college textbook, as well as co-editor of three others. Many of his stories appeared in The Saturday Evening Post. His early works include: Beached Keels (1906), Admiral's Light (1907), The Siamese Cat (1907), Dragon's Blood (1909), The Twisted Foot (1910), White Tiger (1915) and The Far Cry (1916). His fictional heroes were country people and working men. The heroine of his novel, Barbry (1923), was an indentured servant girl. His last published work was an adventure story, Lola the Bear (1928), set in the Maine woods.
Henry Milner Rideout (1877-1927) was a native of Calais, Maine. In 1895 he entered Harvard University and became Editor-in-Chief of The Harvard Monthly. By 1903 The Atlantic Monthly had accepted two of his short stories, giving him hope of earning his living by his pen. He travelled for six months in the Far East. When his final jute-reports were filed, he returned via Europe, and settled down in central California to begin an all-out effort to write novels for a living. Author of sixteen novels, twenty-three short stories and novellas, and a biographical memoir, he also was editor of one college textbook, as well as co-editor of three others. Many of his stories appeared in The Saturday Evening Post. His early works include: Beached Keels (1906), Admiral's Light (1907), The Siamese Cat (1907), Dragon's Blood (1909), The Twisted Foot (1910), White Tiger (1915) and The Far Cry (1916). His fictional heroes were country people and working men. The heroine of his novel, Barbry (1923), was an indentured servant girl. His last published work was an adventure story, Lola the Bear (1928), set in the Maine woods.
Rideout (1877-1927) was an American author of novels, short stories and novellas, and a biographical memoir. Many of his stories appeared in The Saturday Evening Post. At school his ability caught the attention of his English teacher, a cousin of Harvard professor of English Charles Townsend Copeland, and she and Copeland encouraged the people of Rideout's hometown of Calais, Maine to lend him the money to enter Harvard which he did in 1895, the first member of his family to attend college. He became Editor-in-Chief of The Harvard Monthly and after graduating as Class Odist in 1899 was an instructor in the Harvard English Department. After four years his college debts were repaid and he turned his back on an academic career and, having already had two short stories accepted by The Atlantic Monthly, determined to become a writer. In order to gather material, he set off on a six month tour of the Far East under contract to the American Woolen Co. reporting on jute mills in the Philippines, Indonesia and India, before returning via Europe. Back in the US, he joined his brother in California where he met his future wife, also a writer, later raising a family in Sausalito. The inspiration for Rideout's work came from two main sources - his native Maine and the exotic locations he had visited - and it is clear from his writing that he found ordinary people of more interest that high society. One of his earliest works, this novel was first published in 1907.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
L. Mencken and George Sterling - by turns amusing, outrageous, and illuminating - casts a vivid light into the literary, social, and cultural milieu of the Jazz Age, as seen through the eyes of two of its most distinctive figures."--BOOK JACKET.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.