Henry Daniel’s Liber Uricrisiarum is the earliest known work of academic medicine written in Middle English, presented here for the first time in a complete edition. Working in the late 1370s, Daniel combined authoritative medicine from written sources with his own personal experience, creating a text that stands out for its linguistic originality, intellectual scope, and wide circulation. Extant in over three dozen manuscript witnesses and two early modern print copies, Liber Uricrisiarum describes medieval humoral theory, anatomy, physiology, disease, medical astronomy, reproductive processes, and more, all within the broader context of uroscopic diagnosis. The introduction situates the text and its author in their medical, intellectual, linguistic, and bibliographic contexts, outlining the uroscopic tradition to which Daniel contributes, and describing the relationships among the many manuscripts containing the Liber Uricrisiarum. This edition presents the Middle English text, with a general glossary, glossary of proper names, and explanatory notes that explain obscure words and phrases and identify Daniel’s sources. It also includes the complete set of diagrams contained in the Royal manuscript; appendices providing the Latin and English versions of the prologue and epilogue; an extensive translation from one of Daniel’s important sources, Isaac Israeli’s De urinis; tables relevant to Daniel’s astronomical measurements; and an analysis of the Royal manuscript’s dialect. Cumulatively, the edition and apparatus introduce readers to an important yet understudied text, the details of which will have significant impact on studies of medieval medicine and science, intellectual history, and Middle English language and literature.
He cut a lonely figure, even amongst the throng. A social outcast rejected and misunderstood by men. You have reached the nadir. The only course of action left now is to get back on your feet. So do not despair. Never despair. One day your balbutient tongue will be heard across the seven seas for you have chosen to walk down the obscure path that will lead you to your destiny. He was despised and ridiculed for many years but a star brighter than Orion’s Belt always shone in the recesses of his tortured mind. If only they knew the fons et origo of his condition? If only they knew of his dreams of anastasis? In the course of time evil shall never triumph over good and one day like a phoenix you will rise again from the ashes. Oh social outcast rejected by men. Do not despair. Never despair. And never give up on your dreams.
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DANIEL JOHNSTON, raised on a farm in Randolph County, returned from Thailand with a new way to make monumental pots. Back home in North Carolina, he built a log shop and a whale of a kiln for wood-firing. Then he set out to create beautiful pots, grand in scale, graceful in form, and burned bright in a blend of ash and salt. With mastery achieved and apprentices to teach, Daniel Johnston turned his brain to massive installations. First, he made a hundred large jars and lined them along the rough road that runs past his shop and kiln. Next, he arranged curving clusters of big pots inside pine frames, slatted like corn cribs, to separate them from the slick interiors of four fine galleries in succession. Then, in concluding the second phase of his professional career, Daniel Johnston built an open-air installation on the grounds around the North Carolina Museum of Art, where 178 handmade, wood-fired columns march across a slope in a straight line, 350 feet in length, that dips and lifts with the heave while the tops of the pots maintain a level horizon. In 2000, when he was still Mark Hewitt's apprentice, Daniel Johnston met Henry Glassie, who has done fieldwork on ceramic traditions in the United States, Brazil, Italy, Turkey, Bangladesh, China, and Japan. Over the years, during a steady stream of intimate interviews, Glassie gathered the understanding that enabled him to compose this portrait of Daniel Johnston, a young artist who makes great pots in the eastern Piedmont of North Carolina.
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