Easy Street, USA. Tricia Gleason figures it originated in Frisco, Colorado. No fuss, no sweat, no worry: the combination for a smooth summer. All set to be a summer intern minister following her first seminary year, she would not be challenged as she was to read Sunday worship scripture, teach church youth to fly-cast and visit hospitals when asked. That changed with one sentence, "Tricia, forgot to tell you, but my wife and I are leaving Frisco for the summer; you're in charge." She could only stare. You can't be serious. The minister was. Before she could think or count to ten Tricia is THE SUMMER MINISTER IN FRISCO, COLORADO...to preach each Sunday, to coordinate all church activities and handle any "surprise events." She wonders if she and her fly rod will ever have a relationship. The surprises are like fire-crackers exploding. Happens fast...a church college student is arrested for armed robbery of a 7/11, is harassed at his university and then disappears. A couple in the church are found, deader than dead according to the county sheriff. Figures it is murder/suicide. Church members rant Tricia only works three hours a week on Sunday mornings—can never find her during the week. The minister comes back earlier than he said, but not to take over. Comes back to defend sexual misconduct charges. And, as Tricia learns, that isn't even a glimpse into other "ways of ministry." The county sheriff and detective ask her help. They know she has solved murders before. She'd rather put on a fishing hat but it doesn't happen enough. Soon discovers no suicide but a double-murder. Tricia has hunches but they are a cul-de-sac, leading in circles. When the who murdered this couple is learned, down deep Tricia isn't sure. And then, the one arrested states, "Do you think I did this by myself? Well, folks, guess again." Tricia thought it was musing about another. She was wrong. So wrong. And, in it all she never finds Easy Street in Frisco, Colorado.
African futurism, gothic romance, ghost story, parable, psychological thriller, inner-space fiction—Dumas’s stories form a vivid, expansive portrait of Black life in America. Henry Dumas’s fabulist fiction is a masterful synthesis of myth and religion, culture and nature, mask and identity, the present and the ancestral. From the Deep South to the simmering streets of Harlem, his characters embark on real, magical, and mythic quests. Humming with life, Dumas’s stories create a collage of mid-twentieth-century Black experiences, interweaving religious metaphor, African cosmologies, diasporic folklore, and America’s history of slavery and systemic racism.
Chronicling a still-wild age on a fast-changing frontier, a blazing new voice in Western fiction unleashes the drama of four men who once fought together, and now must join forces one last time to defeat one of their own. Original.
The twentieth anniversary edition of Henry Jenkins's Textual Poachers brings this now-canonical text to a new generation of students interested in the intersections of fandom, participatory culture, popular consumption and media theory. This reissue of what's become a classic work includes an interview between Jenkins and Suzanne Scott and a supplemental study guide by Louisa Stein, encouraging students to consider fan cultures in relation to consumer capitalism, genre, gender, sexuality, interpretation and more.
This is the remarkable autobiography of composer and pianist Henry Mancini, whose more than ninety film scores include The Pink Panther, Breakfast at Tiffany's, Touch of Evil, and Victor/Victoria.
George Oppen (1908–1984), born into a prosperous German Jewish family, began his career as a protégé of Ezra Pound and a member of the Objectivist circle of poets; he eventually broke with Pound and became a member of the Communist party before returning to poetry more than twenty-five years later. William Bronk (1918–1999), by contrast, a descendant of the first European families in New York, was influenced by the works of Shakespeare, the King James Bible, and the work of the New England writers of the American Renaissance. Despite differences in background and orientation, the two men formed a deep friendship and shared a similar existential outlook. As Henry Weinfield demonstrates in this searching and original study, Oppen and Bronk are extraordinary thinkers in poetry who struggled with central questions of meaning and value and whose thought acquires the resonance of music in their work. These major writers created poetry of enduring value that has exerted an increasing influence on younger generations of poets. From his careful readings of Oppen’s and Bronk’s poetry to his fascinating examination of the letters they exchanged, Weinfield provides important aesthetic, epistemological, and historical insights into their poetry and poetic careers. In bringing together for the first time the work of two of the most important poets of the postwar generation, The Music of Thought not only illuminates their poetry but also raises important questions about American literary history and the categories in terms of which it has generally been interpreted.
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