A complete introduction to all styles of brush playing, this volume includes conventional brush strokes, Latin brushes, special effects, solo exercises, rock beats, and a stereo recording of Louie Bellson demonstrating each example, concluding with a ten-minute drumset solo.
Quincy Jones: A Research and Information Guide is an annotated bibliography and discography on one of the most prolific composers, arrangers, and conductors in American music. This reference work will appeal to wide range of musicologists, ethnomusicologists and cultural studies scholars.
Apart from being one of just two non-Americans in history to be honoured with Americas prestigious Golden Bandstand Award, South African broadcaster, Henry Holloways remarkable impact on American light music during his 40 years on the air, internationally, is told in this book, in words and pictures. Holloways dozens of long-running radio series on American music legends are jewels, in addition to his regular series, Swing, Sing and All That Jazz, the title of which clearly depicts Henrys penchant for that genre. His relentless pursuit to perpetuate the best from the Golden Age has prompted remarkable responses from music legends like Artie Shaw, Buddy DeFranco, Sammy Cahn, Professor Paul Tanner, Neal Hefti, Steve Allen, Bob Crosby, Les Brown, Milt Bernhart and Ray Evans, to mention but a few of many. His Golden Bandstand Award, invitations from the National Academy of Recording Arts and Sciences, the Society Of Singers, the Glenn Miller Birthplace Society, setting world records with his 60 hours radio series on Les Brown in 2001 and his 115 programmes on Glenn Miller in 2004/06, lectures on luxury cruise liners, broadcasting on the BBC, being interviewed on television and by the press in the USA; these and many other highlights are encapsulated on a first-hand basis in this remarkable autobiography by a unique South African.
Is there anything new to say about Thomas Jefferson and slavery? The answer is a resounding yes. Master of the Mountain, Henry Wiencek's eloquent, persuasive book—based on new information coming from archaeological work at Monticello and on hitherto overlooked or disregarded evidence in Jefferson's papers—opens up a huge, poorly understood dimension of Jefferson's world. We must, Wiencek suggests, follow the money. So far, historians have offered only easy irony or paradox to explain this extraordinary Founding Father who was an emancipationist in his youth and then recoiled from his own inspiring rhetoric and equivocated about slavery; who enjoyed his renown as a revolutionary leader yet kept some of his own children as slaves. But Wiencek's Jefferson is a man of business and public affairs who makes a success of his debt-ridden plantation thanks to what he calls the "silent profits" gained from his slaves—and thanks to a skewed moral universe that he and thousands of others readily inhabited. We see Jefferson taking out a slave-equity line of credit with a Dutch bank to finance the building of Monticello and deftly creating smoke screens when visitors are dismayed by his apparent endorsement of a system they thought he'd vowed to overturn. It is not a pretty story. Slave boys are whipped to make them work in the nail factory at Monticello that pays Jefferson's grocery bills. Parents are divided from children—in his ledgers they are recast as money—while he composes theories that obscure the dynamics of what some of his friends call "a vile commerce." Many people of Jefferson's time saw a catastrophe coming and tried to stop it, but not Jefferson. The pursuit of happiness had been badly distorted, and an oligarchy was getting very rich. Is this the quintessential American story?
For the average person, most of the American history that he or she knows comes from facts taught to them in school to prepare them for their state mandated tests. That's not the fault of their teachers who were just carrying out the directives of their employers. But it's also a fact that a great deal of that content that they were teaching is dry and boring. However, as in every aspect of life, there is always another story behind each major event. The story of America is interesting and exciting, but it's those lesser known parts of our history that make it special. Even though in most cases, the names and events in the book will be recognizable, most of the stories about them will be new to the reader. If you're a young teacher, perhaps you'll find some material to help you get through those less-than-exciting areas of your textbook. If you hated history as a student, maybe you'll find some of these tales entertaining. For those of you who are history buffs, hopefully you'll come across a few things that are new to you.
James's correspondents included presidents and prime ministers, painters and great ladies, actresses and bishops, and the writers Robert Louis Stevenson, H.G. Wells and Edith Wharton. This fully-annotated selection from James's eloquent correspondence allows the writer to reveal himself and the fascinating world in which he lived. The letters provide a rich and fascinating source for James' views on his own works, on the literary craft, on sex, politics and friendship. Together they constitute, in Philip Horne's own words, James' 'real and best biography'.
Jazz dance and its inherent music is recognized as one of the original and most potent art forms of the last two centuries. From its African roots to our present-day global dance community, the jazz idiom has afforded a cross-fertilization with all other artistic, cultural and social representations within the arts industry, providing an accessible dance platform for dancers, teachers and creatives to enjoy both recreationally and professionally. The Essential Guide to Jazz Dance offers a practical and uncomplicated overview to the multi-layered history, practices and development of jazz dance as a creative and artistic dance form. It covers the incredible history and lineage of jazz dance; the innovators, choreographers and dance creatives of the genre; specifics of jazz aesthetic, steps and styles; a detailed breakdown of a practical jazz dance warm-up and technical exercises; creative frameworks to support development of jazz dance expression and aesthetic; performance and improvisation; jazz music and musical interpretation, and finally, choreographing and creating jazz works. With over 230 colour photos and a wealth of tips and advice, this new book will be an ideal reading companion for dancers of all abilities, dance teachers, choreographers as well as all jazz dance enthusiasts.
Issac Asimov once said "I write for the same reason I breathe - because if I didn't I would die." I feel the same way. My poetry is an outlet for my frustration, my anger, my happiness, and my confusion. While reading the poetry contained in these pages you may feel those same emotions. My goal was to trap these feelings in the moment and set them free. Some of these pages contain advice that may benefit you in some way. Take to heart the words and emotions trapped here and then set your problems free as well. Don't let them drown you..... just let them go.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.