I would like to be famous and unknown said Edgar Degas. His sublime paintings of ballet dancers, striking views of horseraces and intimate scenes of women bathing made him famous. Yet he remains unknown, for the fame of these pictures has obscured both the rest of his work - historical subjects, portraits, landscapes - and his private life. Here is Degas' sixty-year career - as a passionate supporter of the avant-garde, a champion of Impressionism, an insatiable experimenter.
This handsome publication, which accompanies a major exhibition at The Metropolitan Museum of Art, is a lively and engaging account of the artistic scene in Paris in the 1860s, the years that witnessed the beginnings of Impressionism. For the first time the interactions and relationships among the group of painters who became known as the Impressionists are examined without the overworn art historical polarities commonly evoked: academic versus avant-garde, classicist versus romantic, realist versus impressionist. A host of strong personalities contributed to this history, and their style evolved into a new way of looking at the world. These artists wanted above all to give an impression of truth and to have an impact on or even to shock the public. And they wanted to measure up to or surpass their elders. This complex and rich environment is presented here - the grand old men and the young turks encounter each other, the Salon pontificates, and the new generation moves fitfully ahead, benignly but always with determination." "Origins of Impressionism gives a day-by-day, year-by-year study of the genesis of an epoch-making style." "Bibliographies and provenances are provided for each of the almost two hundred works in the exhibition, and there is an illustrated chronology. With more than two hundred superb colorplates, this informative survey is an essential work for both the general reader and the scholar."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
This handsome publication, which accompanies a major exhibition at The Metropolitan Museum of Art, is a lively and engaging account of the artistic scene in Paris in the 1860s, the years that witnessed the beginnings of Impressionism. For the first time the interactions and relationships among the group of painters who became known as the Impressionists are examined without the overworn art historical polarities commonly evoked: academic versus avant-garde, classicist versus romantic, realist versus impressionist. A host of strong personalities contributed to this history, and their style evolved into a new way of looking at the world. These artists wanted above all to give an impression of truth and to have an impact on or even to shock the public. And they wanted to measure up to or surpass their elders. This complex and rich environment is presented here - the grand old men and the young turks encounter each other, the Salon pontificates, and the new generation moves fitfully ahead, benignly but always with determination." "Origins of Impressionism gives a day-by-day, year-by-year study of the genesis of an epoch-making style." "Bibliographies and provenances are provided for each of the almost two hundred works in the exhibition, and there is an illustrated chronology. With more than two hundred superb colorplates, this informative survey is an essential work for both the general reader and the scholar."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Presents the still-life paintings of the great Impressionist master Edouard Manet, including a wide variety of oil paintings, watercolors, and prints, as well as an essay on the artist and his work.
Korean inventor, entrepreneur, and artist Ahae took one million photographs over a two-year period, through one window in his house in South Korea. The result is a vast body of work of profound intimacy and infinite richness, capturing the subtle changes of the natural environment through the circle of the seasons. Featuring poetic texts by the photographer, and a foreword by the director of the Louvre, which will host an exhibition of selected images from this astonishing series. Photographs by Ahae, foreword by Henri Loyrette.
This handsome publication, which accompanies a major exhibition at The Metropolitan Museum of Art, is a lively and engaging account of the artistic scene in Paris in the 1860s, the years that witnessed the beginnings of Impressionism. For the first time the interactions and relationships among the group of painters who became known as the Impressionists are examined without the overworn art historical polarities commonly evoked: academic versus avant-garde, classicist versus romantic, realist versus impressionist. A host of strong personalities contributed to this history, and their style evolved into a new way of looking at the world. These artists wanted above all to give an impression of truth and to have an impact on or even to shock the public. And they wanted to measure up to or surpass their elders. This complex and rich environment is presented here - the grand old men and the young turks encounter each other, the Salon pontificates, and the new generation moves fitfully ahead, benignly but always with determination. Origins of Impressionism gives a day-by-day, year-by-year study of the genesis of an epoch-making style. Bibliographies and provenances are provided for each of the almost two hundred works in the exhibition, and there is an illustrated chronology. With more than two hundred superb colorplates, this informative survey is an essential work for both the general reader and the scholar.
Figure majeure de la scène conceptuelle américaine, l'artiste a choisi de travailler dans les fossés du Louvre médiéval et d'écrire au néon sur les murs des remparts, du donjon, de la salle Saint-Louis, quinze phrases, réparties de façon minimaliste sur le parcours. Elles évoquent les relations complexes entre l'histoire, l'archéologie, et l'expérience du visiteur.
This fully illustrated catalogue accompanies Damien Hirst's most ambitious and complex project to date, 'Treasures from the Wreck of the Unbelievable'. Opening ahead of the 57th Venice Biennial, the exhibition will be displayed across the two expansive museum spaces of the Pinault Collection: Punta della Dogana and Palazzo Grassi.Exceptional in scale and scope, this complex project has been ten years in the making. Featuring 200 colour plates, installation images and a complete list of works, the catalogue includes an essay by underwater archaeologist Franck Goddio, who discovered the lost city of Thonis-Heracleion off the Egyptian shore in 2000. Historian Simon Schama, former director of the Louvre Henri Loyrette and exhibition curator Elena Geuna, also contribute to this magnificent publication.
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