This handbook with exercises reveals in formalisms, hitherto mainly used for hardware and software design and verification, unexpected mathematical beauty. The lambda calculus forms a prototype universal programming language, which in its untyped version is related to Lisp, and was treated in the first author's classic The Lambda Calculus (1984). The formalism has since been extended with types and used in functional programming (Haskell, Clean) and proof assistants (Coq, Isabelle, HOL), used in designing and verifying IT products and mathematical proofs. In this book, the authors focus on three classes of typing for lambda terms: simple types, recursive types and intersection types. It is in these three formalisms of terms and types that the unexpected mathematical beauty is revealed. The treatment is authoritative and comprehensive, complemented by an exhaustive bibliography, and numerous exercises are provided to deepen the readers' understanding and increase their confidence using types.
The Lambda Calculus, treated in this book mainly in its untyped version, consists of a collection of expressions, called lambda terms, together with ways how to rewrite and identify these. In the parts conversion, reduction, theories, and models the view is respectively 'algebraic', computational, with more ('coinductive') identifications, and finally set-theoretic. The lambda terms are built up from variables, using application and abstraction. Applying a term F to M has as intention that F is a function, M its argument, and FM the result of the application. This is only the intention: to actually obtain the result one has to rewrite the expression FM according to the reduction rules. Abstraction provides a way to create functions according to the effect when applying them. The power of the theory comes from the fact that computations, both terminating and infinite, can be expressed by lambda terms at a 'comfortable' level of abstraction.
This volume contains thoroughly refereed and revised full papers selected from the presentations at the first workshop held under the auspices of the ESPRIT Basic Research Action 6453 Types for Proofs and Programs in Nijmegen, The Netherlands, in May 1993. As the whole ESPRIT BRA 6453, this volume is devoted to the theoretical foundations, design and applications of systems for theory development. Such systems help in designing mathematical axiomatisation, performing computer-aided logical reasoning, and managing databases of mathematical facts; they are also known as proof assistants or proof checkers.
This handbook with exercises reveals in formalisms, hitherto mainly used for hardware and software design and verification, unexpected mathematical beauty. The lambda calculus forms a prototype universal programming language, which in its untyped version is related to Lisp, and was treated in the first author's classic The Lambda Calculus (1984). The formalism has since been extended with types and used in functional programming (Haskell, Clean) and proof assistants (Coq, Isabelle, HOL), used in designing and verifying IT products and mathematical proofs. In this book, the authors focus on three classes of typing for lambda terms: simple types, recursive types and intersection types. It is in these three formalisms of terms and types that the unexpected mathematical beauty is revealed. The treatment is authoritative and comprehensive, complemented by an exhaustive bibliography, and numerous exercises are provided to deepen the readers' understanding and increase their confidence using types.
Popular Music in Southeast Asia offers a cultural history of modern Southeast Asia from the original vantage point of popular music. It features singers and musicians - many of whom are no longer remembered today - as well as their fans as a social force of importance. By creatively connecting indigenous musical styles with alien musical genres, Southeast Asians created hybrid musical genres that drew a mass public from the 1920s onward. The vibrant music was intrinsically wound up with modern life and the societal changes that came with it. It yielded new audiences across national borders and at times served as a medium to voice social or political discontent. Popular Music in Southeast Asia familiarizes the public with several of these popular musical genres and artists from countries such as Indonesia, Malaysia, and the Philippines.
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