During the last few decades historians of science have shown a growing interest in science as a cultural activity and have regarded science more and more as part of the gene ral developments that have occurred in society. This trend has been less evident arnong historians of mathematics, who traditionally concentrate primarily on tracing the develop ment of mathematical knowledge itself. To some degree this restriction is connected with the special role of mathematics compared with the other sciences; mathematics typifies the most objective, most coercive type of knowledge, and there fore seems to be least affected by social influences. Nevertheless, biography, institutional history and his tory of national developments have long been elements in the historiography of mathematics. This interest in the social aspects of mathematics has widened recently through the stu dy of other themes, such as the relation of mathematics to the development of the educational system. Some scholars have begun to apply the methods of historical sociology of knowledge to mathematics; others have attempted to give a ix x Marxist analysis of the connection between mathematics and productive forces, and there have been philosophical studies about the communication processes involved in the production of mathematical knowledge. An interest in causal analyses of historical processes has led to the study of other factors influencing the development of mathematics, such as the f- mation of mathematical schools, the changes in the profes- onal situation of the mathematician and the general cultural milieu of the mathematical scientist.
Post-Performance Video: Prospective 1: Los Angeles' is the first exhibition dedicated to Post-Performance Video with a special look at the works of four artists working in Lon Angeles or having trained in this city: Coleman Collins, Rodney McMillian, Nathaniel Mellors, and Anna Wittenberg.00It is in line with Post-Performance Future, a concept invented and developed since 2012 by Marie de Brugerolle to qualify the legacy and the impact of performativity on the visual arts and the forms it produces. One of his areas of research is film as performance: performing the film/filming the performance. It is about offering ?impure? motion-image installations, there will always be a heterogeneous object in space and the viewer will be physically summoned. The hybridization of cinema and television, in the city of ?The Industry? is invested by the notion of expanded stage {Set} and programmatic or post-performance storyboards. It is also a reflection on ?projections of the world?: the automation of work, human relations, power strategies, which artists displace and make visible.00Exhibition: Carré d'art, Nîmes, France (01.12.2021 - 17.04.2022).
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