The description of a unique series of true-life experiences of a man in the throngs of a life between desperation and exuberance points to the work of fate in providing his transformation. Living his selfish, hedonistic life, the birth of his daughter provides the path of his transformation. The doctors say his daughter should be institutionalized, that she would never know anything or be able to do anything. She communicates to him that his path is to be her arms, legs, voice, and shelter as her time on earth proceeds. He sees for the first time why he was put on earth and changes his life to provide her the help she requires. The book describes his life in his desperate world of drugs, crime, and death and moves to his life after he is transformed. It shows his movement through the educational world until he completes his PhD and until he establishes his place as a professor in a California university. All the while, his daughter is still providing the direction, and in retrospect, he believes she is controlling the events that will provide her a place on earth. The description of these unique events and the adventures that are unveiled led down predetermined paths in a complicated life. The events that are depicted, while they are happening, are just living life, but in retrospect, it is a pattern of events that make it appear that there is fate or predetermination that is the cause. Looking back, it seems that his daughter is moving him and those around her to satisfy her needs. This point of view is opposite of that generally seen where a person who is disabled is being helped by others. In this story, the person who is disabled is shown to be producing what she needs to survive on earth because it is clear where she came from was a different space. She has her spiritual being that is now being housed on earth, and she has to navigate earthly realities while preserving the spiritual presence that she brought to earth. The true stories that provide the basis for showing directions of paths of lives are amazing and, at times, unbelievable, but they are true.
Getting born is trickier than Spanky ever imagined. Yearning for life, Spanky chooses Nina, a flighty actress just out of college, and Rick, a sax player who changes tires to get by, to be his parents. Only Nina seems to be hung up on her gay guy friend Pablo, and Nina’s best girlfriend Dink is hung up her! Will Nina and Rick get it together in time to conceive Spanky before he evaporates? And if this hurdle gets crossed, will they choose to keep him? There’s not much Spanky can do but watch from above while his fate plays out—and if that’s not scary enough—an unexpected twist of fate makes Spanky have to completely reevaluate his expectations. He’s a girl! A poignant, hilarious, unforgettable look at life, love, gender, and the essence of what makes us who we are
This collection of endearing stories about what we call our grandmothers will give you a smile and warm your heart. Grandmother-related quotes, lists, and anecdotes are also included. Illustrated.
The oral tradition has always played an important role in African American literature, ranging from works such as Zora Neale Hurston's Their Eyes Were Watching God to Toni Morrison's Beloved. These and countless other novels affirm the power of sonance and sound in the African American literary canon. Considering the wide swath of work in this powerful lineage -- in addition to its shared heritage with performance -- Mae G. Henderson deploys her trope of "speaking in tongues" to theorize the preeminence of voice and narration in black women's literary performance through her reconstruction of a fundamentally spiritual practice as a critical concept for reading black women's writing dialogically and intertextually. The first half of the book is devoted to influential works of fiction, as Henderson offers a series of spirited, attentive readings of works by Zora Neale Hurston, Alice Walker, Sherley Anne Williams, Toni Morrison, Gayl Jones, and Nella Larsen. The second half shifts gears to consider the world of female African American performance, most notably in the figures of Josephine Baker and the video dancer. Drawing on the trope of "dancing diaspora," Henderson proposes a model of theorizing based on "performing testimony" and "critical witnessing." Throughout the book, Henderson draws on a history of black women not only in the Pentecostal Holiness Church, but also within the traditions of classical, Christian, African, and black diasporic spirituality and performance. Ultimately, Speaking in Tongues and Dancing Diaspora provides a deeply felt reflection on race and gender and their effects within the discourses of speaker/listener and audience/performer.
How can the psychotherapist think about not knowing? Is psychoanalysis a contemplative practice? This book explores the possibility that there are resources in philosophy and theology which can help psychoanalysts and psychotherapists think more clearly about the unknown and the unknowable. The book applies the lens of apophasis to psychoanalysis,
The true story of the final days of the Vietnam War from the author of Marine Sniper. Culled from extensive interviews and research, Goodnight Saigon is the achingly dramatic story of the end of the Vietnam War as told from both sides of the conflict. Included are never-before-revealed accounts from people of every level involved in the war: NVA and Viet Cong soldiers, U.S. embassy personnel, guerilla commanders, civilians, generals, double agents? and leaders from both sides including former president Gerald Ford and North Vietnamese military commander General Tran Van Tra. From the first hints of the final offensive from the north, to the gut-wrenching hours before the fall of Saigon when a brave pilot defied his orders to return to base and rescued the last five Marines from the rooftop of the U.S. embassy, Goodnight Saigon is an unforgettable narrative of war, and those who live with its aftermath. Winner: American Society of Journalists and Authors Outstanding Book Award, General Nonfiction, 2006
In recent years North Carolina has been recognized as a popular filming location for feature films and television series such as Last of the Mohicans and Dawson’s Creek. Few people, probably, realize that the first feature film in the state was shot in 1912. This comprehensive reference book provides a complete listing of every film, documentary, short, television program, newsreel, and promotional video in which at least some part was filmed in North Carolina, through the year 2000. The entries contain the following information: alternate titles, the type of film (feature film, television episode, etc), studio, cities, counties, scenes (Biltmore House, for example), comments (short synopses of the movies), director, producer, co-producer, executive producer, cinematographer, writer, music and casting credits, additional crew, and cast.
Family Theories: Foundations and Applications presents a comprehensive and accessible approach to the most current perspectives in the field of family theory. Integrates classic and contemporary writings on family theories Features compelling case studies drawn from the authors’ experiences working with thousands of students Represents an integrative use of theory, research, and practice Utilizes the metaphor of “developing your theory app” to translate complex academic ideas into accessible, student-friendly language
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