This anthology showcases the best of the works written by the Henderson Writers' Group of Henderson, Nevada, through independent judging by the local campus of Nation University.
The dead come to me vulnerable, sharing their stories and secrets. . . . Mary Crampton has spent all of her thirty years in Petroleum, a small western town once supported by its grain industry. Living at home, she works as the embalmer in her father’s mortuary: an unlikely job that has long marked her as an outsider. Yet, to Mary, there is a satisfying art to positioning and styling each body to capture the essence of a subject’s life. Though some townsfolk pretend that the community is thriving, the truth is that Petroleum is crumbling away—a process that began twenty years ago when an accident in the grain elevator killed a beloved high school athlete. The granary closed for good, the train no longer stopped in town, and Robert Golden, the victim’s younger brother, was widely blamed for the tragedy and shipped off to live elsewhere. Now, out of the blue, Robert has returned to care for his terminally ill mother. After Mary—reserved, introspective, and deeply lonely—strikes up an unlikely friendship with him, shocking the locals, she finally begins to consider what might happen if she dared to leave Petroleum. Set in America’s Great Plains, The Flicker of Old Dreams explores themes of resilience, redemption, and loyalty in prose as lyrical as it is powerful.
This colourful little book of uplifting quotes and tailored tips delivers motivational sparks and creative signposts for writers. Read it, write on it, put it in a frame on your desk – whatever you do with it, the aim is simple: to get you writing!
Jere Black, former police officer from Memphis, TN, only lands in Vermont after a girlfriend lured him there upon securing a promising position for herself at the state university, immediately abandoning him to pursue an even better offer in London, England. Barely settled into a new detective role in a small town, he hates every second of the solitary existence in the cold winter hell hole, nonetheless vowing to survive through all four seasons before returning defeated to the city he loves – one boasting the same population as the entire state where he finds himself. His first big case revolves around Gillian Ingraham, a Vermont captive insurance manager from the impoverished Northeast Kingdom, whose estranged best friend, a best-selling children’s book author, is murdered as the novel begins. The prime suspect, the writer’s husband, also happens to be Gillian’s ex-boyfriend from the group’s complicated shared history at college in the Finger Lakes Region of New York. Black is forced to navigate not only the delicate eco system that is Vermont’s Resident versus Nonresident bias but also the undercurrent of racism that inevitably taints everything throughout the whitest state in the union, all while juxtaposed against his background growing up where the majority, like him, were African American. Ingraham’s less than cooperative stance throughout the murder investigation is a frustrating stumbling block for Black, although hardly no more so than the growing sexual tension between them. Could she actually be responsible for the crime – Nurturing a deep hatred for whom she ultimately blames for the death of her entire family in a horrific auto accident? Trapped in a remote cabin working together to secure a key piece of evidence, is it too late to save their lives? Captive Company offers up a great read on any cold (or hot) night – enjoy!
Rachel O'Malley works disasters for a living. Her specialty? Helping children through trauma. When a school shooting rips through her community, she finds herself dealing with more than just grief among the children she is trying to help. One of them saw the shooting, and the gun is still missing. Introducing the O'Malleys, an inspirational group of seven, all abandoned or orphaned as teens, who have made the choice to become a loyal and committed family. They have chosen their own surname, O'Malley, and have stood by each other through moments of joy and heartache. Their stories are told in CBA best-selling, inspirational romantic suspense novels that rock your heart and restore strength and hope to your spirit.
The role of representation in the production of technoscientific knowledge has become a subject of great interest in recent years. In this book, sociologist and art critic Kathryn Henderson offers a new perspective on this topic by exploring the impact of computer graphic systems on the visual culture of engineering design. Henderson shows how designers use drawings both to organize work and knowledge and to recruit and organize resources, political support, and power. Henderson's analysis of the collective nature of knowledge in technical design work is based on her participant observation of practices in two industrial settings. In one she follows the evolution of a turbine engine package from design to production, and in the other she examines the development of an innovative surgical tool. In both cases she describes the messy realities of design practice, including the mixed use of the worlds of paper and computer graphics. One of the goals of the book is to lay a practice-informed groundwork for the creation of more usable computer tools. Henderson also explores the relationship between the historical development of engineering as a profession and the standardization of engineering knowledge, and then addresses the question: Just what is high technology, and how does its affect the extent to which people will allow their working habits to be disrupted and restructured? Finally, to help explain why visual representations are so powerful, Henderson develops the concept of "metaindexicality"—the ability of a visual representation, used interactively, to combine many diverse levels of knowledge and thus to serve as a meeting ground (and sometimes battleground) for many types of workers.
Skills in Neighbourhood Work is a practice textbook. It explains the skills, knowledge and techniques needed by community workers and other practitioners to work effectively in and with communities. While the principles and methods it describes have stood the test of time, the political, economic and social changes which have taken place since the book was first published have made a new edition essential. Completely rewritten and updated, the third edition retains all the practical information needed by the student or practitioner but sets it in the contemporary context. It includes a European perspective and views from America and Australia.
Provides timely and up-to-date facts, context, perspectives, and tools to make informed decisions about nuclear energy. In the 21st century, nuclear power has been identified as a viable alternative to traditional energy sources to stem global climate change, and condemned as risky to human health and environmentally irresponsible. Do the advantages of nuclear energy outweigh the risks, especially in light of the meltdown at the Fukushima plant in 2011? This guide provides both a comprehensive overview of this critical and controversial technology, presenting reference tools that include important facts and statistics, biographical profiles, a chronology, and a glossary. It covers major controversies and proposed solutions in detail and contains contributions by experts and important stakeholders that provide invaluable perspective on the topic.
Twenty-eight powerful and individual voices are heard as Pearlman and Henderson offer a forum for a generous cross-section of the women writing fiction in America today—writers whose vital statistics cross the borders of race, religion, ethnic origin, sexual preference, marital status, age, geography, and lifestyle. Each writer is presented in an essay/interview reflecting the dynamic that develops naturally when two vital minds meet to discuss topic of mutually interest. The writers talk about the role of memory, space, and family in their work, about politics, dreams, and race, about their mothers and children and alma maters, about book reviewing and their agents, editors, and publishers, and about each others' work. A bibliography of principal works follows each essay. A valuable contribution to writers both female and male, for above all else, this is a book about writing.
Truth and reconciliation commissions and official governmental apologies continue to surface worldwide as mechanisms for coming to terms with human rights violations and social atrocities. As the first scholarly collection to explore the intersections and differences between a range of redress cases that have emerged in Canada in recent decades, Reconciling Canada provides readers with the contexts for understanding the phenomenon of reconciliation as it has played out in this multicultural settler state. In this volume, leading scholars in the humanities and social sciences relate contemporary political and social efforts to redress wrongs to the fraught history of government relations with Aboriginal and diasporic populations. The contributors offer ground-breaking perspectives on Canada’s ‘culture of redress,’ broaching questions of law and constitutional change, political coalitions, commemoration, testimony, and literatures of injury and its aftermath. Also assembled together for the first time is a collection of primary documents – including government reports, parliamentary debates, and redress movement statements – prefaced with contextual information. Reconciling Canada provides a vital and immensely relevant illumination of the dynamics of reconciliation, apology, and redress in contemporary Canada.
Josephine Tey was the pen-name of Elizabeth MacKintosh (1896-1952). Born in Inverness, MacKintosh lived several lives: Best known as Golden Age Crime Fiction writer Tey, she was also successful novelist and playwright Gordon Daviot. During her exceptional career, she had plays on simultaneously in the West End in London and on Broadway, and even wrote for Hollywood, all from her home in the north of Scotland.Celebrating the 125th anniversary of MacKintosh's birth, this updated edition of the definitive biography includes a new preface.
This comprehensive resource and clinical guide for students and practicing pediatric therapists features current information on the neurological foundations of hand skills, the development of hand skills, and intervention with children who have problems related to hand skills. Covers foundation and development of hand skills, therapeutic intervention, and special problems and approaches. Is readable, concise, and well-organized with a consistent format throughout. Integrates recent research findings and current thinking throughout the text. Emphasizes neuroscience and the hand's sensory function and haptic perception. Applies neuroscience and development frames of reference throughout. Implications for practice included in each chapter. Presents concepts in the foundation/development chapters that are linked with the intervention chapters. Seven new chapters reflect current practice in the field and cover cognition & motor skills, handedness, fine-motor program for preschoolers, handwriting evaluation, splinting the upper extremity of the child, pediatric hand therapy, and efficacy of interventions. Extensively revised content throughout includes new research and theories, new techniques, current trends, and new information sources. 9 new contributors offer authoritative guidance in the field. Over 200 new illustrations demonstrate important concepts with new clinical photographs and line drawings. Over 50 new tables and boxes highlight important information. An updated and expanded glossary defines key terms.
Settler Feminism and Race Making in Canada engages in a discursive analysis of three 'texts' - the narratives of Anna Jameson (Winter Studies and Summer Rambles in Canada), Theresa Gowanlock and Theresa Delaney (Two Months in the Camp of Big Bear), and the 'Janey Canuck' books of Emily Murphy - in order to examine how, in the context of a settler colony, white women have been part of the project of its governance, its racial constitution, and its role in British imperialism. Using Foucauldian theories of governmentality to connect these first-person narratives to wider strategies of race making, Jennifer Henderson develops a feminist critique of the ostensible freedom that Anglo-Protestant women found within nineteenth-century liberal projects of rule. Henderson's interdisciplinary approach - including critical studies in law, literature, and political history - offers a new perspective on these women that detaches them from the dominant colony-to-nation narrative and shows their importance in a tradition of moral regulation. This project not only redresses problems in Canadian literary history, it also responds to the limits of postcolonial, nationalist, and feminist projects that search for authentic voices and resistant agency without sufficient attention to the layers of historical sedimentation through which these voices speak.
Algebraic Art explores the invention of a peculiarly Victorian account of the nature and value of aesthetic form, and it traces that account to a surprising source: mathematics. The nineteenth century was a moment of extraordinary mathematical innovation, witnessing the development of non-Euclidean geometry, the revaluation of symbolic algebra, and the importation of mathematical language into philosophy. All these innovations sprang from a reconception of mathematics as a formal rather than a referential practice--as a means for describing relationships rather than quantities. For Victorian mathematicians, the value of a claim lay not in its capacity to describe the world but its internal coherence. This concern with formal structure produced a striking convergence between mathematics and aesthetics: geometers wrote fables, logicians reconceived symbolism, and physicists described reality as consisting of beautiful patterns. Artists, meanwhile, drawing upon the cultural prestige of mathematics, conceived their work as a 'science' of form, whether as lines in a painting, twinned characters in a novel, or wavelike stress patterns in a poem. Avant-garde photographs and paintings, fantastical novels like Flatland and Lewis Carroll's children's books, and experimental poetry by Swinburne, Rossetti, and Patmore created worlds governed by a rigorous internal logic even as they were pointedly unconcerned with reference or realist protocols. Algebraic Art shows that works we tend to regard as outliers to mainstream Victorian culture were expressions of a mathematical formalism that was central to Victorian knowledge production and that continues to shape our understanding of the significance of form.
In this exciting new book, Willie Henderson shows how the success of Adam Smith, the forefather of modern economics, can be attributed not only to what he wrote, but also to his use of language.
Time travel is one of the staples of science fiction, right up there with aliens, space opera, and robots. Most science fiction authors have written at least one time travel story. This collection samples some of the best. TIME OUT, by Edward M. Lerner THESE STONES WILL REMEMBER, by Reginald Bretnor PROJECT MASTODON, by Clifford D. Simak 12:01 P.M., by Richard A. Lupoff TIME CONSIDERED AS A SERIES OF THERMITE BURNS IN NO PARTICULAR ORDER, by Damien Broderick TIME AND TIME AGAIN, by H. Beam Piper TRY, TRY AGAIN, by John Gregory Betancourt THE ETERNAL WALL, by Raymond Z. Gallun THE MAN FROM TIME, by Frank Belknap Long OF TIME AND TEXAS, by William F. Nolan THE EDGE OF THE KNIFE, by H. Beam Piper THROUGH TIME AND SPACE WITH FERDINAND FEGHOOT (10), by Grendel Briarton TIME BUM, by C.M. Kornbluth NEBOGIPFEL AT THE END OF TIME, by Richard A. Lupoff UNBORN TOMORROW, by Mack Reynolds LOST IN THE FUTURE, by John Victor Peterson THE WINDS OF TIME, by James H. Schmitz ARMAGEDDON -- 2419 A.D., by Philip Francis Nowlan THE MAN WHO SAW THE FUTURE, by Edmond Hamilton A TRAVELER IN TIME, by August Derleth THROUGH TIME AND SPACE WITH FERDINAND FEGHOOT (71), by Grendel Briarton FLIGHT FROM TOMORROW, by H. Beam Piper IN THE CRACKS OF TIME, by David Grace SWEEP ME TO MY REVENGE!, by Darrell Schweitzer THE SOLID MEN, by C.J. Henderson THROUGH TIME AND SPACE WITH FERDINAND FEGHOOT (Epsilon), by Grendel Briarton And don't forget to search this ebook store for "Wildside Megapack" to see many more entries in this series, covering westerns, mysteries, science fiction, pulp fiction, and much, much more!
Drawing on sociology, anthropology, social psychology, demography, gerontology, economics, and history, contributors to this volume address contemporary health issues within a framework of ecosocial systems in order to address the many layers of influence that affect health. Organized into four part
Writers of the Future grand prize winner Randy Henderson presents a dark and quirky debut in Finn Fancy Necromancy, his tale of the magical and dangerous Arcane world that exists alongside our own. Finn Gramaraye was framed for the crime of dark necromancy at the age of fifteen, when the surviving victim of a dark ritual was found in his bedroom. Convicted and exiled to the Other Realm for twenty-five years—twenty-five years as a disembodied soul, tormented by the Others—Finn is now being set free. But his return is met by a magical attack on his escorts, and he finds the body of the woman he was accused of attacking all those years before, freshly murdered with necromancy—the perfect frame job. Finn has only a few days to discover who is so desperate to keep him out of the mortal world, and find enough evidence to prove it to Arcane Enforcers who already view him as a criminal. Unfortunately, his family is little help. Father has become a mad magical inventor. Brother Mort fears that Finn wants to take over the family business. Sister Samantha is now a jaded hacker allergic to magic. And simple but sweet brother Pete still believes he's a werewolf because of a childhood dog bite. Finn is joined by Zeke, a former Arcane Enforcer and fellow exile seeking to prove himself worthy of returning to duty—even if that means proving Finn guilty. Together, they will battle magical creatures, family drama, and the challenges of Finn's love life as they race to solve the mystery of who wants Finn returned to exile, and why. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The companion to the Star wars exhibition at the Smithsonian's National Air and Space Museum explores the mythology used as the basis for the Star wars movie trilogy
The use of self-instructional learning materials, presented through a wide range of media, was becoming an increasingly pervasive and important part of the educational scene at all levels, from infant school to university. Much had been written, both theoretical and practical, about various aspects of the techniques for developing such materials. However, one phase of the development process, while generally recognised to be critical in producing materials of high quality and educational effectiveness, had been relatively neglected in the literature. This is the phase of trying out the materials in draft form on students, collecting feedback and undertaking revision in the light of the ensuing data. Based on considerable practical experience, this book, originally published in 1980, examines the planning and executing of the collection of feedback from students, on self-instructional learning materials concerned with various subject-matters and presented through various media, both printed and audio-visual. A brief survey of the development of materials-based learning is provided in order to set the use of student feedback in context, and to sort out some of the terminology in common use. The main part of the book illustrates a step by step method through all the stages of the try-out process, from initial planning of the project to final revision of the materials. Thus a particular approach to the process of trying out draft materials is advocated, which is outlined by means of a case study. Finally, there is an examination of whether using student feedback to revise learning materials can actually improve their educational quality and effectiveness, with particular reference to the approach described earlier. Incorporating a full bibliography, this study combines a comprehensive review of what is known about this crucial phase of developing learning materials, with an original ‘how to do it' guide for practitioners which has itself been subject to extensive try-out.
Stephen O'Malley is a paramedic who has been rescuing people all his life. His friend Meghan is in trouble: Stolen jewels are turning up in interesting places, and she's in the middle of it. Stephen is about to run into a night he will never forget—a kidnapping, a tornado, and a race to rescue the woman he loves. Introducing the O'Malleys, an inspirational group of seven, all abandoned or orphaned as teens, who have made the choice to become a loyal and committed family. They have chosen their own surname, O'Malley, and have stood by each other through moments of joy and heartache. Their stories are told in CBA best-selling, inspirational romantic suspense novels that rock your heart and restore strength and hope to your spirit.
The oral tradition has always played an important role in African American literature, ranging from works such as Zora Neale Hurston's Their Eyes Were Watching God to Toni Morrison's Beloved. These and countless other novels affirm the power of sonance and sound in the African American literary canon. Considering the wide swath of work in this powerful lineage -- in addition to its shared heritage with performance -- Mae G. Henderson deploys her trope of "speaking in tongues" to theorize the preeminence of voice and narration in black women's literary performance through her reconstruction of a fundamentally spiritual practice as a critical concept for reading black women's writing dialogically and intertextually. The first half of the book is devoted to influential works of fiction, as Henderson offers a series of spirited, attentive readings of works by Zora Neale Hurston, Alice Walker, Sherley Anne Williams, Toni Morrison, Gayl Jones, and Nella Larsen. The second half shifts gears to consider the world of female African American performance, most notably in the figures of Josephine Baker and the video dancer. Drawing on the trope of "dancing diaspora," Henderson proposes a model of theorizing based on "performing testimony" and "critical witnessing." Throughout the book, Henderson draws on a history of black women not only in the Pentecostal Holiness Church, but also within the traditions of classical, Christian, African, and black diasporic spirituality and performance. Ultimately, Speaking in Tongues and Dancing Diaspora provides a deeply felt reflection on race and gender and their effects within the discourses of speaker/listener and audience/performer.
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