Looking beyond the emergence of print, this collection of ground-breaking essays highlights the pivotal role of theology in the formation of the early modern cultures of communication.
The volume explores the theme of ambiguity in medieval and early modern literature in essays honoring the life and work of Arthur Groos, Avalon Foundation Professor in the Humanities at Cornell University, USA, emeritus. The famous expression diz vliegende bîspel from Wolfram von Eschenbach's Parzival is its watchword. In the poem the black and white plumage of the magpie represents the characteristic complexity, ambiguity, and ambivalence of the romance. Removed from its historical context the expression is also a figure of Arthur Groos's wide-ranging intellectual flight. In addition to his work on medieval German verse narrative, he has made important contributions to courtly love poetry, medieval and early modern scientific literature, early modern German literature in general, and especially to opera.
Miniature Monuments: Modeling German History offers a series of essays on small-scale models of bombed out cities. Created between 1946 and the present, these plastic renderings of places provide eerie glimpses of destruction and devastation resulting of the air war. This study thus permits fresh angles on post-war responses to the compounded losses of WW II, and it does so through considering these “miniature monuments” (of, among others, Frankfurt, Munich, Schwetzingen, Heilbronn and Hiroshima) in a deep cultural history that interlaces the sixteenth, eighteenth, and twentieth centuries. Three-dimensional renderings in diminutive size have rarely been subjected to rigorous theoretical reflection. Conventionally, models, whether of ruins or intact spaces, have been assumed to be “easily legible”; that is, they have been assumed to be vehicles of the authentic. Yet rubble and other models should be theorized as complex simulacra of abstract realities and catalysts of memories. Miniature Monuments thus tackles a haunting paradox: building ruins. The book elucidates how utterly contingent processes of crumbling and collapse (the English words for the Latin ruina) came to command such great interest in modern Europe that tremendous efforts were taken to uncover, render, and, most of all, recreate ruins.
The volume explores the theme of ambiguity in medieval and early modern literature in essays honoring the life and work of Arthur Groos, Avalon Foundation Professor in the Humanities at Cornell University, USA, emeritus. The famous expression diz vliegende bîspel from Wolfram von Eschenbach’s Parzival is its watchword. In the poem the black and white plumage of the magpie represents the characteristic complexity, ambiguity, and ambivalence of the romance. Removed from its historical context the expression is also a figure of Arthur Groos’s wide-ranging intellectual flight. In addition to his work on medieval German verse narrative, he has made important contributions to courtly love poetry, medieval and early modern scientific literature, early modern German literature in general, and especially to opera.
Miniature Monuments: Modeling German History offers a series of essays on small-scale models of bombed out cities. Created between 1946 and the present, these plastic renderings of places provide eerie glimpses of destruction and devastation resulting of the air war. This study thus permits fresh angles on post-war responses to the compounded losses of WW II, and it does so through considering these “miniature monuments” (of, among others, Frankfurt, Munich, Schwetzingen, Heilbronn and Hiroshima) in a deep cultural history that interlaces the sixteenth, eighteenth, and twentieth centuries. Three-dimensional renderings in diminutive size have rarely been subjected to rigorous theoretical reflection. Conventionally, models, whether of ruins or intact spaces, have been assumed to be “easily legible”; that is, they have been assumed to be vehicles of the authentic. Yet rubble and other models should be theorized as complex simulacra of abstract realities and catalysts of memories. Miniature Monuments thus tackles a haunting paradox: building ruins. The book elucidates how utterly contingent processes of crumbling and collapse (the English words for the Latin ruina) came to command such great interest in modern Europe that tremendous efforts were taken to uncover, render, and, most of all, recreate ruins.
Langenscheidt Compact Dictionary German-English/English-German: Over 120,000 references *Wide range of vocabulary with a wealth of idiomatic expressions *Full pronunciation of German entries *Grammatical information on German nouns and verbs *The comprehensive reference work in a convenient size.
During the course of his life, the author has traveled to over 50 countries, flown on many airlines, and lived on three continents. Today this may not be unusual, and there are many travel books which describe all of these remote and exotic places in great detail. However, what is unique, are some of the most funny experiences which the author has had on his travels, and these are the stories which are captured in this most humorous book
This book presents a cross-disciplinary and methodologically innovative study, combining historical macro-sociology and a sociology of emotions with historical anthropology and cultural studies. Drawing on the concepts and theories of Norbert Elias on the Civilizing Process, it sets out to pin down and compare qualities that are simultaneously instantly recognisable and highly elusive, that is a kind of typical 'Englishness' and of 'Austrianness' that developed contemporaneously in the period up to the First World War. The authors chart the development of political authority structures in their varied historical manifestations, as well as their affective sedimentation as collective habitus ( national character ), comparing England and Austria from 1700 to 1900 as a case study. Their argument is based on an analysis of literary sources, mainly novels and plays, applying a sociology of literature approach. Axtmann and Kuzmics argue that the very different national characters formed in England and Austria during this time are related to differences in the affective experience of power and powerlessness, in short, of authority. They show that the formation of national character is determined partly by the different mixture of authoritative external constraints and milder self-restraint, and partly by the affective experience of human beings in uneven power balances. Specifically, they show how the formation of the bureaucratic state with strong patrimonial features in Austria, and of a self-organizing civil society with strong bourgeois-liberal features in England resulted both in different institutional structures of authority, and in different modes of the affective experience of this authority. Employing empirical detail of individual cases and texts to analyse and illuminate broad processes, the authors reach a clearer and deeper understanding of seemingly intangible and irrational aspects of national identity.
Completely revised and updated, Dermatology covers all the classical and related fields of dermatology, providing a wealth of information on clinical features, pathophysiology, and differential diagnosis. Over 900 color photographs acquaint the reader with a variety of dermatological diseases. Each chapter contains detailed proposals for comprehensive therapy.
Handbook of Agricultural Entomology by Helmut van Emden is a landmark publication for students and practitioners of entomology applied to agriculture and horticulture. It can be used as a reference and as a general textbook. The book opens with a general introduction to entomology and includes coverage of the major insects (and mites) that cause harm to crops, livestock and humans. The important beneficial species are also included. Organisms are described in a classification of insect Orders and Families. The emphasis is on morphological characters of major taxonomic divisions, “spot characters” for the recognition of Families, and the life histories, damage symptoms and economic importance of the various pest species. The book is beautifully illustrated in full colour with more than 400 figures showing both the organisms and the damage caused to plants with diagnostic characters indicated by arrows. Coverage is world-wide and includes much material stemming from the vast personal experience of the author. A companion website with additional resources is available at www.wiley.com/go/vanemden/agriculturalentomology
Helmut Illbruck traces the concept of nostalgia from the earliest uses of the term in the seventeenth century to today as it evolves with different meanings and intensities in the discourses of medicine, literature, philosophy, and aesthetics. Following nostalgia’s troubled relations to the philosophical project of the Enlightenment, Illbruck’s study builds a cumulative argument about nostalgia’s modern significance that often revises and thoroughly enriches our understanding of cultural, literary, and intellectual history. Illbruck concludes with an attempt at a reinterpretation and defense of nostalgia, which seduces us to read and think with, rather than against, nostalgia’s wistful yearning for the past. Nostalgia: Origins and Ends of an Unenlightened Disease is a comprehensive, insistent, and profound interdisciplinary investigation of the history of an idea. It should appeal to readers interested in the cultural makings of the Enlightenment and modernity or in the histories of medicine, literature, and philosophy.
A story could not begin more ingloriously. Young Willi Lenz is bored at school and tries to cover up his lack of preparation with a fever. When he is caught stealing, he is expelled from school. There are also problems in the family because the father is building a house on his own with the help of his sons' labor. While his friends spend the weekend at the disco, Willi is "allowed" to work on the building site. Eventually, the idea of attending a ship's boy's school matures in him. The theoretical training is followed by two years of practical training on the ship MS "Fryga". This is followed by exciting adventures on deck, but also many professional insights into seafaring and the so-called "economic miracle era".
Bart skips outta Fort Collins on an eastbound freight train and ends up in rural, rustbelt, Stentorville, Pennsylvania—a whacky place complete with forgetful old lady—Dotty, black-booted, ragtag bullies stomping around town, one weird, red-headed, whiz kid—Ollie, and a hard-to-read young lady—Abby with a gigantic fireman dad. Set in a previous era, readers will find eerie parallels to events happening today. Poignant while delving into difficult subjects of White Nationalism and Alzheimer's; Middle Grades to High School and adults who may need to understand societal influences on their children; Reading and literacy teachers: Theme, Point of View, Characters, Cause and Effect, History compare & contrast; Relatable, authentic, multicultural teen characters. Parallel stories which merge into one edgy climax. A worthy introduction for teens to a discussion of White Nationalism as part of the current national scene. Highly recommended.
Laser Chemistry: Spectroscopy, Dynamics and Applications provides a basic introduction to the subject, written for students and other novices. It assumes little in the way of prior knowledge, and carefully guides the reader through the important theory and concepts whilst introducing key techniques and applications.
Introduction by Martin E. Marty A veteran theologian and minister offers his wise counsel to beginners in the field on the difficulties of practicing theology in a church often skeptical of theological pursuit. Thielicke stresses the importance of maintaining one's spiritual health in the course of technical theological inquiry.
In his introductory essay to this selection from the writing and preaching of C.H. Spurgeon, Helmut Thielicke - himself among the best preachers of the twentieth century - expresses his surprise and delight at his discovery of the great Victorian preacher. He draws out those qualities which made Spurgeon one of the most influential ministers of his day, and explains what it was that attracted him to the self-educated Baptist preacher. They share a recognition of the urgency of their message: 'We stand in need of the simple way in which Spurgeon dares to say that what really and ultimately counts is to save sinners.' Warmth, immediacy and directness are Spurgeon's hallmarks; qualities which Thielicke's own remarkable sermons share but whichhe felt much preaching of his day lacked. It is still a convincing testament to Spurgeon's continuing vitality and relevance that Thielicke, one of the greatest modern preachers, should say, 'Sell all that you have . . . and buy Spurgeon.
The Cylinder investigates the surprising proliferation of cylindrical objects in the nineteenth century, such as steam engines, phonographs, panoramas, rotary printing presses, silos, safety locks, and many more. Examining this phenomenon through the lens of kinematics, the science of forcing motion, Helmut Müller-Sievers provides a new view of the history of mechanics and of the culture of the industrial revolution, including its literature, that focuses on the metaphysics and aesthetics of motion. Müller-Sievers explores how nineteenth-century prose falls in with the specific rhythm of cylindrical machinery, re-imagines the curvature of cylindrical spaces, and conjoins narrative progress and reflection in a single stylistic motion. Illuminating the intersection of engineering, culture, and literature, he argues for a concept of culture that includes an epoch’s relation to the motion of its machines.
In his book, the author, a physicist with more than 30 years experience in an International Research Centre, describes and analyses his “travels” in another reality, i.e. experiences in a not-everyday plane of consciousness. They are called “holotropic” i.e. aiming towards the “Whole“ and are in part comparable with near-death experiences and spontaneously occurred again and again (without the use of drugs!). The struggle between the author’s “physics conscience” and the recollections of that other reality is the theme that recurs throughout the book. Topics that are discussed include: *Creation, the Big Bang and the Higgs field *The position of women in the Bible and in contemporary society * Trinity, a concept common to all religions *Is God male or female, or...? A new view of God *Religion, Spirituality and Science *Space, Time and Matter. Physics and Mysticism. What is real? *Polarity, the driving force for all events on earth *Archetypes: Fertility, the Great Mother, Gaia and the New Energy *The global crisis: Imbalance between nature and technology; Egoism versus Altruism. By reading this book with the heart, the overwhelming beauty of the “higher worlds” will open step by step and the reader will behold the infinite splendour of eternal BEING.
A favorite of students and teachers in high schools and colleges. Comprehensive and authoritative, standards feature full pronunciations, colloquialisms, neologisms, and more.
Helmut Puff invites readers to visit societies and spaces of the past through the lens of a particular temporal modality: waiting. From literature, memoirs, manuals, chronicles, visuals, and other documents, Puff presents a history of waiting anchored in antechambers—interior rooms designated and designed for people to linger. In early modern continental Western Europe, antechambers became standard in the residences of the elites. As a time-space infrastructure these rooms shaped encounters between unequals. By imposing spatial distance and temporal delays, antechambers constituted authority, rank, and power. Puff explores both the logic and the experience of waiting in such formative spaces, showing that time divides as much as it unites, and that far from what people have said about early moderns, they approached living in time with apprehensiveness. Unlike how contemporary society primarily views the temporal dimension, to early modern Europeans time was not an objective force external to the self but something that was tied to acting in time. Divided only by walls and doors, waiters sought out occasions to improve their lot. At other times, they disrupted the scripts accorded them. Situated at the intersection of history, literature, and the history of art and architecture, this wide-ranging study demonstrates that waiting has a history that has much to tell us about social and power relations in the past and present.
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