This volume is a collection of essays based on lectures given at the Orpheus Institute in Ghent at various occasions over the last four years.Two of our five distinguished authors are British, three are Germans. Two are prominent composers and both keen and provocative writers about music; one is a musicologist and daring critic who specializes in contemporary music. There are also two philosophers and Adorno specialists that deal with such fundamental and highly complex matters as music and language, and music and time.All authors subscribe to the same seriousness of purpose, so that you may find reminiscences of one text in the others, which will make for a fascinating read. Moreover, this book is all about the current state of music, about thinking, speaking, and writing about music in the immediate aftermath of that stirring and fascinating twentieth century.
Based on the very successful German editions, this English version has been thoroughly updated and revised to reflect the developments of the last years and the latest innovations in the field. Throughout, the author makes excellent use of real-life examples and highly praised didactics to disseminate his expert knowledge needed by vacuum technology users and engineers in their daily work at industrial plants, as consultants or in design offices. He covers in detail the most modern liquid ring pumps, with chapters dedicated to maintenance, explosion prevention and general procedures for safety at work with this technology. The whole is backed by a large repository of frequently needed technical data, unit conversions, formulae and current industrial, technical and legal norms without drawing on unnecessary complex or theoretical mathematics. The result is the ideal hands-on introduction to vacuum technology, ranging from fundamentals to in-depth expert knowledge on liquid-ring vacuum pumps.
This volume is a collection of essays based on lectures given at the Orpheus Institute in Ghent at various occasions over the last four years.Two of our five distinguished authors are British, three are Germans. Two are prominent composers and both keen and provocative writers about music; one is a musicologist and daring critic who specializes in contemporary music. There are also two philosophers and Adorno specialists that deal with such fundamental and highly complex matters as music and language, and music and time.All authors subscribe to the same seriousness of purpose, so that you may find reminiscences of one text in the others, which will make for a fascinating read. Moreover, this book is all about the current state of music, about thinking, speaking, and writing about music in the immediate aftermath of that stirring and fascinating twentieth century.
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