Hellmut Wohl's Books

Giovan Pietro Bellori: The Lives of the Modern Painters, Sculptors and Architects

A New Translation and Critical Edition

By: Giovanni Pietro Bellori,Hellmut Wohl

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Giovan Pietro Bellori: The Lives of the Modern Painters, Sculptors and Architects

A New Translation and Critical Edition

By: Giovanni Pietro Bellori,Hellmut Wohl

This is the first complete translation of the biographies of fifteen artists, including Annibale Carracci, Carvaggio, Rubens, Van Dyck, and Poussin, written by the seventeenth-century antiquarian Giovan Pietro Bellori. Originally conceived as a continuation of Vasari's famous Lives, it is a fundamental source for seventeenth-century Italian art and artistic theory, providing detailed descriptions of extant and lost works of art, while casting light on the cultural politics of contemporary Rome and the relations between Rome and France. The importance of Bellori's Lives lies in the scrupulous documentation of artists, many of whom he knew personally; the author's detailed descriptions of their works; and his exposition of the classicist theory of art in the introductory lecture, the Idea. This volume contains the twelve Lives published in the original edition of 1672 and three Lives (Guido Reni, Andrea Sacchi, and Carlo Maratti) that survive in manuscript form and that were published for the first time in 1942.

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Page Count

532

Publisher

Cambridge University Press

Published Date

ISBN 10

0521781876

ISBN 13

9780521781879

The Aesthetics of Italian Renaissance Art

A Reconsideration of Style

By: Hellmut Wohl

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The Aesthetics of Italian Renaissance Art

A Reconsideration of Style

By: Hellmut Wohl

In this incisive study, Hellmut Wohl redefines style in the Italian Renaissance in light of contemporary testimony and close rereadings of seminal works. Through analysis of visual and textual evidence, he posits that Renaissance artists and their viewers conceived of art as decoration of surfaces. Offering a new approach to the issue of style, Wohl suggests that the scientific dimensions of early modern art works were less important to contemporaries than their function as ornamentation.

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