This book is a cohesive overview of Central European prehistory from the introduction of agriculture around 6000 BC to the state-forming processes that began to emerge during the first millennium BC. A complex mosaic of culture, society and processes is mirrored in the material world and in certain periods involves a large part of the Eurasian continent. Culture and change must be understood as both localised and macro-regional: the book is a cultural-historical tale - inspired by, for example, the attempts of French historians to integrate different levels of history. Emphasis is laid on the eventful boom periods where innovations and cross-cultural interaction intensified in such a way that history's mainly reproductive pattern was broken. Important turning points are attached, among other things, to the first production of food, copper- and bronze metallurgy, and the sword as a weapon and symbol. These technical innovations were part of a complicated interaction with social and cultural processes, which in many cases are connected in a pattern that can be followed in time and space.
In 1864, a large metal hoard of copper, bronze and silver objects was discovered at Pile in the southern Swedish region of Scania. The hoard has been dated to the onset of the rich Nordic Bronze Age, and emerges as the earliest, finest and one of the largest of the Nordic sacrificial deposits of metalwork in or near water. The Metal Hoard from Pile in Scania, Sweden provides the first detailed documentation, scientific examination and historical interpretation of the assemblage. Around 2000 BCE the site of Pile was networked with places near and far in a manner that boosted the political economy of Southern Scandinavia, adding to an atmosphere of tensions and charge - and it made history. The chapters unfold as a 'history from beneath' beginning with place, Things and time and concluding with metals and the worlds that intersected in Pile at the threshold of the long Bronze Age.
This book is a cohesive overview of Central European prehistory from the introduction of agriculture around 6000 BC to the state-forming processes that began to emerge during the first millennium BC. A complex mosaic of culture, society and processes is mirrored in the material world and in certain periods involves a large part of the Eurasian continent. Culture and change must be understood as both localised and macro-regional: the book is a cultural-historical tale - inspired by, for example, the attempts of French historians to integrate different levels of history. Emphasis is laid on the eventful boom periods where innovations and cross-cultural interaction intensified in such a way that history's mainly reproductive pattern was broken. Important turning points are attached, among other things, to the first production of food, copper- and bronze metallurgy, and the sword as a weapon and symbol. These technical innovations were part of a complicated interaction with social and cultural processes, which in many cases are connected in a pattern that can be followed in time and space.
In 1864, a large metal hoard of copper, bronze and silver objects was discovered at Pile in the southern Swedish region of Scania. The hoard has been dated to the onset of the rich Nordic Bronze Age, and emerges as the earliest, finest and one of the largest of the Nordic sacrificial deposits of metalwork in or near water. The Metal Hoard from Pile in Scania, Sweden provides the first detailed documentation, scientific examination and historical interpretation of the assemblage. Around 2000 BCE the site of Pile was networked with places near and far in a manner that boosted the political economy of Southern Scandinavia, adding to an atmosphere of tensions and charge - and it made history. The chapters unfold as a 'history from beneath' beginning with place, Things and time and concluding with metals and the worlds that intersected in Pile at the threshold of the long Bronze Age.
Dorte is twenty and adrift, pretending to study literature at Copenhagen University. In reality she is riding the trains and clocking up random encounters in her new home by the railway tracks. She remembers her ex, Per – the first boyfriend she tells us about, and the first she leaves – as she enters a new world of transient relationships, random sexual experiences and awkward attempts to write.
Merete Pryds Helle har med Ibsens Et dukkehjem som forlæg skrevet fortællingen om Nora, og gennem romanen kommer vi helt ind under huden på hende. Der findes få kvinder i teaterhistorien, som er lige så berømte som fru Nora Helmer. Noras udvikling fra en tilsyneladende underdanig kvinde i et forlorent ægteskab til en kvinde der går sin egen vej, udfolder sig i tre akter: fra den særlige juletid, hvor Torvald Helmer er blevet forfremmet til bankdirektør, over afsløringen som bedrager og den vilde taranteldans, til indsigten i den illusion hun lever i og efterfølgende handlekraft. I Merete Pryds Helles roman følger vi Noras vej frem til denne indsigt, ikke over tre akter, men gennem hele hendes liv. Hun er altid blevet behandlet som et barn, først af faderen, siden af sin mand, men gennem de kvinder hun er tæt på, har hun udviklet sig både intellektuelt og seksuelt, og hun lever på mange måder et dobbeltliv. Hendes kærlighed til Torvald er stor, hun har til og med forfalsket sin fars underskrift for at kunne låne penge til en rejse, så Torvald kan komme sig efter et sammenbrud. Og i Italien forandrer de sig begge. Så når julen nærmer sig i familien Helmers hjem, er vi læsere godt rustede til den slutning, vi kender så godt. Og vi har fået nogle gevaldige overraskelser undervejs.
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