In the face of ongoing digitisation, The Markets for News examines how certain established economic features of the news industry have persisted and what makes them such stable frameworks for journalistic organisations. Drawing on an analysis of Scandinavian news industries, this text revises journalism’s economic foundations in the context of the algorithmically driven platform economy. Exploration of features such as journalism’s two-sided market model, the network effect of platforms, and chain ownership, leads to a discussion about how journalism faces disruption from the introduction of artificial intelligence in the production, dissemination, and sale of news. As journalism undergoes transformations due to revenue losses, this book recognises a return to certain enduring features of journalism’s organisational form, in particular the chain ownership form, that enables scale in adapting to platform logics and economics. This text serves as a basis for a theoretical discussion about strategic media management and critical political economy in the age of digital disruption. This is an insightful book for academics and researchers in the fields of journalism, media industries, media policy and, communication studies.
Using the Nordic media model as an empirical backdrop, Journalism Between the State and the Market defines and analyzes journalism’s fundamental problem: its shifting location between the state and the market. This book examines how this distance is decreasing as journalism steps closer to both the market (algorithmically monetizing audiences) and the state (lobbying governments for subsidies and attacking public service broadcasting). The book analyzes journalism’s negotiated position between the market and the state in the age of disruptions, offering a theoretical foundation that seeks to account for the structural conditions of journalism in the digital age. For scholars, graduates and students in journalism, news sociology and media and communication studies, Journalism Between the State and the Market provides a theoretical perspective that can be used as a valuable tool when studying and observing the current developments in journalism.
Dorte is twenty and adrift, pretending to study literature at Copenhagen University. In reality she is riding the trains and clocking up random encounters in her new home by the railway tracks. She remembers her ex, Per – the first boyfriend she tells us about, and the first she leaves – as she enters a new world of transient relationships, random sexual experiences and awkward attempts to write.
Merete Pryds Helle har med Ibsens Et dukkehjem som forlæg skrevet fortællingen om Nora, og gennem romanen kommer vi helt ind under huden på hende. Der findes få kvinder i teaterhistorien, som er lige så berømte som fru Nora Helmer. Noras udvikling fra en tilsyneladende underdanig kvinde i et forlorent ægteskab til en kvinde der går sin egen vej, udfolder sig i tre akter: fra den særlige juletid, hvor Torvald Helmer er blevet forfremmet til bankdirektør, over afsløringen som bedrager og den vilde taranteldans, til indsigten i den illusion hun lever i og efterfølgende handlekraft. I Merete Pryds Helles roman følger vi Noras vej frem til denne indsigt, ikke over tre akter, men gennem hele hendes liv. Hun er altid blevet behandlet som et barn, først af faderen, siden af sin mand, men gennem de kvinder hun er tæt på, har hun udviklet sig både intellektuelt og seksuelt, og hun lever på mange måder et dobbeltliv. Hendes kærlighed til Torvald er stor, hun har til og med forfalsket sin fars underskrift for at kunne låne penge til en rejse, så Torvald kan komme sig efter et sammenbrud. Og i Italien forandrer de sig begge. Så når julen nærmer sig i familien Helmers hjem, er vi læsere godt rustede til den slutning, vi kender så godt. Og vi har fået nogle gevaldige overraskelser undervejs.
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