Any worker attempting to help an abused and neglected child must gain the victim’s trust – much easier said than done! The drawing took shape, the thin almost angular face with its little nose, sad mouth, and alert eyes. As I worked on the hair, I could sense Stella’s footsteps, quiet though she tried to make them. A moment later, I was just quick enough to prevent her from snatching the book away from me and only just observant enough to catch the amazement on her face when she saw what I had made of her. I held my work out of her reach and was rewarded by the cry: “Let me see it! Ah, let me have it!” I gave her the drawing. “I don’t want it torn up, Stella.” She carried it away with her into the bedroom and closed the door.
Any worker attempting to help an abused and neglected child must gain the victim’s trust – much easier said than done! The drawing took shape, the thin almost angular face with its little nose, sad mouth, and alert eyes. As I worked on the hair, I could sense Stella’s footsteps, quiet though she tried to make them. A moment later, I was just quick enough to prevent her from snatching the book away from me and only just observant enough to catch the amazement on her face when she saw what I had made of her. I held my work out of her reach and was rewarded by the cry: “Let me see it! Ah, let me have it!” I gave her the drawing. “I don’t want it torn up, Stella.” She carried it away with her into the bedroom and closed the door.
In her novels and short stories, May Laffan Hartley (1849?1916) depicts the religious and political controversies of late nineteenth-century Ireland. Eire's own Helena Kelleher Kahn reintroduces us to Laffan's vivid, witty fiction, rich in political and social commentary. Laffan did not offer clear-cut approval to one side or the other of the social and religious divide but weighed both and often found them wanting. She adds a missing dimension to the Irish world of Wilde, Shaw, and Joyce. A woman of the age subtly embroiders the acute challenges and divisions of middle-class Ireland. As Kahn says, ?she chose to write about the alcoholic ex-student, the impecunious solicitor, the farmer or merchant turned politician, and their often resentful wives and children. On the whole her world view was pessimistic. Rural Ireland was a beautiful intellectual desert. Dublin was a place to leave, not to live in.' This account of her life and work will be of interest to students of Anglo-Irish literature and history, as well as women's studies. On the ELT Press website we will simultaneously publish an e-book version of Laffan's novel, Hogan MP, available free of charge.
In her novels and short stories, May Laffan Hartley (1849?1916) depicts the religious and political controversies of late nineteenth-century Ireland. Eire's own Helena Kelleher Kahn reintroduces us to Laffan's vivid, witty fiction, rich in political and social commentary. Laffan did not offer clear-cut approval to one side or the other of the social and religious divide but weighed both and often found them wanting. She adds a missing dimension to the Irish world of Wilde, Shaw, and Joyce. A woman of the age subtly embroiders the acute challenges and divisions of middle-class Ireland. As Kahn says, ?she chose to write about the alcoholic ex-student, the impecunious solicitor, the farmer or merchant turned politician, and their often resentful wives and children. On the whole her world view was pessimistic. Rural Ireland was a beautiful intellectual desert. Dublin was a place to leave, not to live in.' This account of her life and work will be of interest to students of Anglo-Irish literature and history, as well as women's studies. On the ELT Press website we will simultaneously publish an e-book version of Laffan's novel, Hogan MP, available free of charge.
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