From a review of the first edition: "For those of us whose minds unhinge at the sheer immensity of the Library of Congress, with its maze of corridors, multilayered stacks and circuitous subterranean passages, this study will prevent many a false step."—Smithsonian Since the first edition of this book appeared in 1972, there have been many changes in the Library, including a massive reorganization begun in 1977 under the leadership of Daniel J. Boorstin, the present Librarian of Congress. This completely revised and updated look at the Library brings the story up to date, discussing the Library's history, how it works, how the user can take advantage of its many services, where it is going, and how it meets the wide-ranging needs of Congress, other federal government offices, and the library, scholarly, and creative worlds. The authors emphasize the recent impact of technology on what is the largest information-storage and retrieval "machine" in the world. Lively writing and accessible language make this book an ideal introduction to the Library of Congress for the visitor, the first-time user, or the general reader, but it is also a must for every library and librarian, as well as an excellent textbook for library administration courses. The information it contains will make it of great interest even to the most experienced users of the Library.
A renowned jewelry expert recounts her career working with nature’s most extraordinary treasures—gemstones—and traces these rare jewels from ancient Egyptian records through the high-stakes auctions of today. Helen Molesworth has been captivated by precious stones since early childhood but she struggled to join the gemstone industry, having no connections to the few family-run companies that have dominated the field for centuries. She persevered, and more than two decades later, Molesworth is now an international authority hired to appraise the extraordinary jewelry of such clients as the British royal family. Precious is packed with inside stories about fabulous jewels associated with generations of celebrities, from Cleopatra (emerald) to Catherine, Princess of Wales (sapphire); from Marilyn Monroe (pearl) to Beyoncé (garnet); from Jackie O (pearl) to Lady Gaga (diamond); and from Marie Antoinette (pearl) to Elizabeth Taylor (pearl, ruby, and emerald)! As Molesworth tells it, the history of gemstones is the history of humanity. And so she journeys the world, navigating African diamond mines, Colombian emerald mines, and the sapphire-rich rivers of Sri Lanka to study gems at their source. She has selected ten of nature’s most dazzling gems, tracing their discovery to when these cut-and-polished masterpieces first adorned empresses and kings. From the stories of a priceless emerald watch hidden under floorboards for centuries to the common quartz fashioned into world-famous royal jewels, and diamonds selling for multi-millions, Precious is not just a chronicle of archeology and geology, high society and high finance, it’s the story of our timeless ambition to make—and wear—something beautiful.
In January 2004, daytime television presenters Richard Madeley and Judy Finnigan launched their book club and sparked debate about the way people in Britain, from the general reader to publishers to the literati, thought about books and reading. The Richard & Judy Book Club Reader brings together historians of the book, literature scholars, and specialists in media and cultural studies to examine the effect of the club on reading practices and the publishing and promotion of books. Beginning with an analysis of the book club's history and its ongoing development in relation to other reading groups worldwide including Oprah's, the editors consider issues of book marketing and genre. Further chapters explore the effects of the mass-broadcast celebrity book club on society, literature and its marketing, and popular culture. Contributors ask how readers discuss books, judge value and make choices. The collection addresses questions of authorship, authority and canon in texts connected by theme or genre including the postcolonial exotic, disability and representations of the body, food books, and domesticity. In addition, book club author Andrew Smith shares his experiences in a fascinating interview.
Christian theology and religious belief were crucially important to Anglo-Saxon society, and are manifest in the surviving textual, visual and material evidence. This is the first full-length study investigating how Christian theology and religious beliefs permeated society and underpinned social values in early medieval England. The influence of the early medieval Church as an institution is widely acknowledged, but Christian theology itself is generally considered to have been accessible only to a small educated elite. This book shows that theology had a much greater and more significant impact than has been recognised. An examination of theology in its social context, and how it was bound up with local authorities and powers, reveals a much more subtle interpretation of secular processes, and shows how theological debate affected the ways that religious and lay individuals lived and died. This was not a one-way flow, however: this book also examines how social and cultural practices and interests affected the development of theology in Anglo-Saxon England, and how ’popular’ belief interacted with literary and academic traditions. Through case-studies, this book explores how theological debate and discussion affected the personal perspectives of Christian Anglo-Saxons, including where possible those who could not read. In all of these, it is clear that theology was not detached from society or from the experiences of lay people, but formed an essential constituent part.
Renowned botanical artist and professional gardener, Carolyn Jenkins combines her love of art and gardening to create stunning compositions (often very different from traditional botanical painting) with vibrant colours that leap from the page. The first part of this book – Botanical: Grow – explores time well-spent in the garden and covers much of the traditional details of botanical painting, from observation to capturing light, colour and texture. The second part – Contemporary: Paint – explores how Carolyn works with photography, using the computer to help with crop and composition, achieving maximum impact and creating luminous paintings that shine from the page. Her stunning illustrations are full of vibrant colour, and her larger-than-life artworks have gained an enthusiastic following on Instagram. This practical guide contains all the techniques and practice you need to create beautiful botanical art, plus step-by-step photography, crop, composition and photoshop demonstrations, to bring luminous colours, textures and impact to your own work.
The first book to explore the contribution made by the military to British music history, Music & the British Military in the Long Nineteenth Century shows that military bands reached far beyond the official ceremonial duties they are often primarily associated with and had a significant impact on wider spheres of musical and cultural life.
Born in Scotland, Dr William Hunter (1718-83) pursued an extensive medical education in Glasgow, Edinburgh, London and Paris. He settled in London where he made his name as an anatomist and obstetrician before being elected to the Royal Society in 1767. This book presents all of his known correspondence, drawing upon archives around the world.
For thousands of years Iran, or Persia as it was known, was a melting pot of civilizations. Persia was the centre of the world''s first empire. Subsequent invasions provided a rich culture and history which is described in this volume.
The nineteenth century is notable for its newly proclaimed emperors, from Franz I of Austria and Napoleon I in 1804, through Agustín of Mexico, Pedro I of Brazil, Napoleon III of France, Maximilian of Mexico, and Wilhelm I of Germany, to Victoria, empress of India, in 1876. These monarchs projected an imperial aura through coronations, courts, medals, costumes, portraits, monuments, international exhibitions, festivals, religion, architecture, and town planning. They relied on ancient history for legitimacy while partially espousing modernity. Projecting Imperial Power is the first book to consider together these newly proclaimed emperors in six territories on three continents across the whole of the long nineteenth century. The first emperors' successors—Pedro II of Brazil, Franz Joseph of Austria, and Wilhelm II of Germany—expanded their panoply of power, until Pedro was forced to abdicate in 1889 and the First World War brought the Austrian and German empires to an end. Britain invented an imperial myth for its Indian empire in the twentieth century, but George VI still had to relinquish the title of emperor in 1947. Using a wide range of sources, Projecting Imperial Power explains the imperial ambition behind the cities of Berlin, Paris, Vienna, and New Delhi. It discusses the contested place of the emperors and their empires in national cultural memory by examining how the statues that were erected in huge numbers in the second part of the period are treated today.
This is an epistolary manuscript; each chapter a letter addressed to the author's grandchildren about their Indian heritage and other matters. It deals with ancestry, history of India, geography of India. It deals with the colonisation of India by the British and explains how this mixed race of people came about. It is a family history and contains the author's philosophical ideas that have developed through life and experience. It is a book of information and enlightenment for the author's young family and hopefully others in similar situations; a book for the young mixed blood generation of today and hopefully for others that may follow.
Despite current debate over the paternal role, fatherhood is a relatively new area of investigation in literary, historical and cultural studies. The contributors to this illustrated, interdisciplinary volume - one of the first extended investigations of paternity in 19th century Britain and its empire - penetrate the stereotype of the Victorian paterfamilias to uncover intimate and involved, authoritarian and austere fathers. Finding surprising precursors of the 'new man' and the 'lone father', Trev Lynn Broughton and Helen Rogers provide an essential overview of changing ideologies and practices of fatherhood as the family acquired its distinctively modern form. Gender and Fatherhood in the Nineteenth Century: - Offers nuanced re-readings of artistic and literary representations of domesticity, investigations of fathering at home and at work, and of legal, political and religious discourses, suggesting that fatherhood generated more anxiety and debate than previously acknowledged. - Explores how traditional conceptions of paternal authority worked to accommodate the 'cult of motherhood'. - Examines how paternal power was embedded in social institutions. - Shows how models of social fatherhood provided powerful men with a means of negotiating their relationship with working-class men and colonized subjects. As these innovative essays demonstrate, the history of fatherhood can illuminate our understanding of class, society and empire as well as of gender and the family. Together they form an indispensable resource for anyone studying Victorian fatherhood as part of a history, literature, art, social or cultural studies course.
Originally published in 1944, this book contains sixteen essays on the history of Cambridge, Oxford and other English communities in the medieval period, particularly the thirteenth and fourteenth centuries. Cam argues in her introduction that 'medieval local government can only be understood through much short range study of particular places and institutions', and uses the rich history of these areas as a microcosm of wider historical change and development. This book will be of value to anyone with an interest in English medieval history and the role of small communities in implementing and creating change.
Charlotte Brontes years in Belgium (184243) had a huge influence both on her life and her work. It was in Brussels that she not only honed her writing skills but fell in love and lived through the experiences that inspired two of her four novels: her first, The Professor, and her last and in many ways most interesting, Villette. Her feelings about Belgium are known from her novels and letters her love for her tutor Heger, her uncomplimentary remarks about Belgians, the powerful effect on her imagination of living abroad. But what about Belgian views of Charlotte Bronte? What has her legacy been in Brussels? How have Belgian commentators responded to her portrayal of their capital city and their society? Through Belgian Eyes explores a wide range of responses from across the Channel, from the hostile to the enthusiastic. In the process, it examines what The Professor and Villette tell Belgian readers about their capital in the 1840s and provides a wealth of detail on the Brussels background to the two novels. Unlike Paris and London, Brussels has inspired few outstanding works of literature. That makes Villette, considered by many to be Charlotte Brontes masterpiece, of particular interest as a portrait of the Belgian capital a decade after the country gained independence in 1830, and just before modernisation and expansion transformed the city out of all recognition from the villette (small town) that Charlotte knew. Her view of Brussels is contrasted with those of other foreign visitors and of the Belgians themselves. The story of Charlotte Brontes Brussels legacy provides a unique perspective on her personality and writing.
The first detailed survey of Swedish artist Hilma af Klint’s groundbreaking Tree of Knowledge series “Revelatory and sublime. . . . Her work remains conceptually open enough for viewers to draw their own conclusions, insert their own meaning and feel transported to other glorious worlds.” —The New York Times One of the most inventive artists of the twentieth century, af Klint was a pioneer of abstraction. Her first forays into nonobjective painting preceded the work of Kandinsky and Mondrian and radically mined the fields of science and religion. Deeply interested in spiritualism and philosophy, af Klint developed an iconography that explores esoteric concepts in metaphysics, as demonstrated in Tree of Knowledge. This rarely seen series of works on paper renders orbital, enigmatic forms, visual allegories of unification and separateness, darkness and light, beginning and end, life and death, and spirit and matter. Published on the occasion of the exhibition Hilma af Klint: Tree of Knowledge at David Zwirner, New York, in 2021 and David Zwirner, London, in 2022, this book features a text by the art historian Susan Aberth examining af Klint’s spiritual and theosophical influences. With a conversation between curator Helen Molesworth and the US Poet Laureate Joy Harjo discussing connections between Tree of Knowledge and Native theories, the publication broadens the scope of philosophical interpretations of af Klint's timeless work. Also included is a newly commissioned essay by the celebrated af Klint scholar Julia Voss, a contribution by the artist Suzan Frecon, and a text by art historian Max Rosenberg that further develops the conversation around why af Klint’s work was not recognized in its time.
A study of the material world of English ambassadors at the end of the 17th century, illustrating the way in which architecture and the arts played an important role in diplomatic life. 'Luxury and Power' is an important contribution to the cultural history of Baroque England.
In this history, Helen C. Roundtree traces events that shaped the lives of the Powhatan Indians of Virginia, from their first encounter with English colonists, in 1607, to their present-day way of life and relationship to the state of Virginia and the federal government. Roundtree’s examination of those four hundred years misses not a beat in the pulse of Powhatan life. Combining meticulous scholarship and sensitivity, the author explores the diversity always found among Powhatan people, and those people’s relationships with the English, the government of the fledgling United States, the Union and the Confederacy, the U.S. Census Bureau, white supremacists, the U.S. Selective Service, and the civil rights movement.
Offers new readings of Laurence Sterne's Tristram Shandy by considering its design features alongside broader developments in eighteenth-century book production.
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