In this international bestseller investigating the murder of the Russian Imperial Family, Helen Rappaport embarks on a quest to uncover the various plots and plans to save them, why they failed, and who was responsible. The murder of the Romanov family in July 1918 horrified the world, and its aftershocks still reverberate today. In Putin's autocratic Russia, the Revolution itself is considered a crime, and its anniversary was largely ignored. In stark contrast, the centenary of the massacre of the Imperial Family was commemorated in 2018 by a huge ceremony attended by the Patriarch of the Russian Orthodox Church. While the murders themselves have received major attention, what has never been investigated in detail are the various plots and plans behind the scenes to save the family—on the part of their royal relatives, other governments, and Russian monarchists loyal to the Tsar. Rappaport refutes the claim that the fault lies entirely with King George V, as has been the traditional view for the last century. The responsibility for failing the Romanovs must be equally shared. The question of asylum for the Tsar and his family was an extremely complicated issue that presented enormous political, logistical and geographical challenges at a time when Europe was still at war. Like a modern day detective, Helen Rappaport draws on new and never-before-seen sources from archives in the US, Russia, Spain and the UK, creating a powerful account of near misses and close calls with a heartbreaking conclusion. With its up-to-the-minute research, The Race to Save the Romanovs is sure to replace outdated classics as the final word on the fate of the Romanovs.
On 17 July 1918, four young women walked down twenty-three steps into the cellar of a house in Ekaterinburg. The eldest was twenty-two, the youngest only seventeen. Together with their parents and their thirteen-year-old brother, they were all brutally murdered. Their crime: to be the daughters of the last Tsar and Tsaritsa of All the Russias. Much has been written about Nicholas II, his wife Alexandra and their tragic fate, as it has about the Russian Revolutions of 1917, but little attention has been paid to the Romanov princesses, who - perhaps inevitably - have been seen as minor players in the drama. In Four Sisters, however, acclaimed biographer Helen Rappaport, puts them centre stage and offers readers the most authoritative account yet of the Grand Duchesses Olga, Tatiana, Maria and Anastasia. Drawing on their own letters and diaries and other hitherto unexamined primary sources, she paints a vivid picture of their lives in the dying days of the Romanov dynasty. We see, almost for the first time, their journey from a childhood of enormous privilege, throughout which they led a very sheltered and largely simple life, to young womanhood - their first romantic crushes, their hopes and dreams, the difficulty of coping with a mother who was a chronic invalid and a haeomophiliac brother, and, latterly, the trauma of the revolution and its terrible consequences.
A 12-WEEK NEW YORK TIMES BESTSELLER "Helen Rappaport paints a compelling portrait of the doomed grand duchesses." —People magazine "The public spoke of the sisters in a gentile, superficial manner, but Rappaport captures sections of letters and diary entries to showcase the sisters' thoughtfulness and intelligence." —Publishers Weekly (starred review) From the New York Times bestselling author of The Last Days of the Romanovs and Caught in the Revolution, The Romanov Sisters reveals the untold stories of the four daughters of Nicholas and Alexandra. They were the Princess Dianas of their day—perhaps the most photographed and talked about young royals of the early twentieth century. The four captivating Russian Grand Duchesses—Olga, Tatiana, Maria and Anastasia Romanov—were much admired for their happy dispositions, their looks, the clothes they wore and their privileged lifestyle. Over the years, the story of the four Romanov sisters and their tragic end in a basement at Ekaterinburg in 1918 has clouded our view of them, leading to a mass of sentimental and idealized hagiography. With this treasure trove of diaries and letters from the grand duchesses to their friends and family, we learn that they were intelligent, sensitive and perceptive witnesses to the dark turmoil within their immediate family and the ominous approach of the Russian Revolution, the nightmare that would sweep their world away, and them along with it. The Romanov Sisters sets out to capture the joy as well as the insecurities and poignancy of those young lives against the backdrop of the dying days of late Imperial Russia, World War I and the Russian Revolution. Helen Rappaport aims to present a new and challenging take on the story, drawing extensively on previously unseen or unpublished letters, diaries and archival sources, as well as private collections. It is a book that will surprise people, even aficionados.
From Helen Rappaport, the New York Times bestselling author of The Romanov Sisters comes After the Romanovs, the story of the Russian aristocrats, artists, and intellectuals who sought freedom and refuge in the City of Light. Paris has always been a city of cultural excellence, fine wine and food, and the latest fashions. But it has also been a place of refuge for those fleeing persecution, never more so than before and after the Russian Revolution and the fall of the Romanov dynasty. For years, Russian aristocrats had enjoyed all that Belle Époque Paris had to offer, spending lavishly when they visited. It was a place of artistic experimentation, such as Diaghilev’s Ballets Russes. But the brutality of the Bolshevik takeover forced Russians of all types to flee their homeland, sometimes leaving with only the clothes on their backs. Arriving in Paris, former princes could be seen driving taxicabs, while their wives who could sew worked for the fashion houses, their unique Russian style serving as inspiration for designers like Coco Chanel. Talented intellectuals, artists, poets, philosophers, and writers struggled in exile, eking out a living at menial jobs. Some, like Bunin, Chagall and Stravinsky, encountered great success in the same Paris that welcomed Americans like Fitzgerald and Hemingway. Political activists sought to overthrow the Bolshevik regime from afar, while double agents from both sides plotted espionage and assassination. Others became trapped in a cycle of poverty and their all-consuming homesickness for Russia, the homeland they had been forced to abandon. This is their story.
An excellent account of Lenin's formative years as a political exile from tsarist Russia that evokes the desperate scene of the European radical underground with nuance and in engaging detail."--"Seattle Times
Relates the quest of two very different geniuses in the 1830s, totally ignorant of each other's work, to solve the ancient puzzle of capturing the world around them, describing how they invented two dramatically different photographic processes.
As she did in her critically acclaimed The Last Days of the Romanovs, Helen Rappaport brings a compelling documentary feel to the story of this royal marriage and of the queen's obsessive love for her husband – a story that began as fairy tale and ended in tragedy. After the untimely death of Prince Albert, the queen and her nation were plunged into a state of grief so profound that this one event would dramatically alter the shape of the British monarchy. For Britain had not just lost a prince: during his twenty year marriage to Queen Victoria, Prince Albert had increasingly performed the function of King in all but name. The outpouring of grief after Albert's death was so extreme, that its like would not be seen again until the death of Princess Diana 136 years later. Drawing on many letters, diaries and memoirs from the Royal Archives and other neglected sources, as well as the newspapers of the day, Rappaport offers a new perspective on this compelling historical psychodrama--the crucial final months of the prince's life and the first long, dark ten years of the Queen's retreat from public view. She draws a portrait of a queen obsessed with her living husband and – after his death – with his enduring place in history. Magnificent Obsession will also throw new light on the true nature of the prince's chronic physical condition, overturning for good the 150-year old myth that he died of typhoid fever.
A TRUE STORY OF LIES, BEAUTY AND BLACKMAIL IN VICTORIAN LONDON _________________________ Madame Rachel had everything. A Mayfair address; the title of 'purveyor to Her Majesty the Queen'; a shop full of exotic, expensive creams and potions; and a clientele of the aristocratic, the rich - and the gullible. Little did they suspect that Madame Rachel had once been a poor fish-fryer in a disease-ridden, grubby corner of Victorian London. Her shop in New Bond Street lured her wealthy clients in their droves, enticed by the promise of eternal beauty. What they found there was a con-woman and fraudster who made a career out of lies, treachery and the desperate hopes of women wanting to be 'beautiful for ever'. Beautiful For Ever is a thrilling tale of love affairs, scandal, blackmail, high-profile court cases, suicide and fraud, with the extraordinary Madame Rachel right at the centre of it all.
Rappaport, an expert in the field of Russian history, brings you the riveting day-by-day account of the last fourteen days of the Russian Imperial family, in this first of two books about the Romanovs. Her second book The Romanov Sisters, offering a never-before-seen glimpse at the lives of the Tsar's beautiful daughters and a celebration of their unique stories, will be published in 2014. The brutal murder of the Russian Imperial family on the night of July 16–17, 1918 has long been a defining moment in world history. The Last Days of the Romanovs reveals in exceptional detail how the conspiracy to kill them unfolded. In the vivid style of a TV documentary, Helen Rappaport reveals both the atmosphere inside the family's claustrophobic prison and the political maneuverings of those who wished to save—or destroy—them. With the watching world and European monarchies proving incapable of saving the Romanovs, the narrative brings this tragic story to life in a compellingly new and dramatic way, culminating in a bloody night of horror in a cramped basement room.
Foreword by Daisy Goodwin The official companion to ITV’s hotly anticipated new drama, Victoria delves into the private writings of the young Queen Victoria, painting a vivid picture of the personal life of one of England’s greatest monarchs. From the producers of Poldark and Endeavour, ITV’s Victoria follows the early years of the young queen’s reign, based closely on Victoria’s own letters and journals. Now explore this extensive collection in greater depth, and discover who Victoria really was behind her upright public persona. At only eighteen years old, Victoria ascended the throne as a rebellious teenager and gradually grew to become one of the most memorable, unshakeable and powerful women in history. The extensive writings she left behind document this personal journey and show how she triumphed over scandal and corruption. Written by author and Victoria historical consultant, Helen Rappaport, and including a foreword by Daisy Goodwin—acclaimed novelist and scriptwriter of the series—Victoria details the history behind the show. Revealing Victoria’s own thoughts about the love interests, family dramas and court scandals during her early reign, it also delves into the running of the royal household, the upstairs-downstairs relationships, and what it was like to live in Victorian England. Full of beautiful photography from the series and genuine imagery from the era, Victoria takes you behind the palace doors and discover the girl behind the queen.
Dark Hearts of Chicago' combines powerful storytelling with the most meticulous research to produce a novel that is a striking new departure for both William Horwood and Helen Rappaport.
From the New York Times bestselling author of The Romanov Sisters, Caught in the Revolution is Helen Rappaport's masterful telling of the outbreak of the Russian Revolution through eye-witness accounts left by foreign nationals who saw the drama unfold. Between the first revolution in February 1917 and Lenin’s Bolshevik coup in October, Petrograd (the former St Petersburg) was in turmoil – felt nowhere more keenly than on the fashionable Nevsky Prospekt. There, the foreign visitors who filled hotels, clubs, offices and embassies were acutely aware of the chaos breaking out on their doorsteps and beneath their windows. Among this disparate group were journalists, diplomats, businessmen, bankers, governesses, volunteer nurses and expatriate socialites. Many kept diaries and wrote letters home: from an English nurse who had already survived the sinking of the Titanic; to the black valet of the US Ambassador, far from his native Deep South; to suffragette leader Emmeline Pankhurst, who had come to Petrograd to inspect the indomitable Women’s Death Battalion led by Maria Bochkareva. Helen Rappaport draws upon this rich trove of material, much of it previously unpublished, to carry us right up to the action – to see, feel and hear the Revolution as it happened to an assortment of individuals who suddenly felt themselves trapped in a "red madhouse.
SELECTED AS A BOOK OF THE YEAR IN THE TELEGRAPHAND EVENING STANDARD' The centenary will prompt a raft of books on the Russian Revolution. They will be hard pushed to better this highly original, exhaustively researched and superbly constructed account.'Saul David, Daily Telegraph'A gripping, vivid, deeply researched chronicle of the Russian Revolution told through the eyes of a surprising, flamboyant cast of foreigners in Petrograd, superbly narrated by Helen Rappaport.' Simon Sebag Montefiore, author of The RomanovsBetween the first revolution in February 1917 and Lenin's Bolshevik coup in October, Petrograd (the former St Petersburg) was in turmoil. Foreign visitors who filled hotels, bars and embassies were acutely aware of the chaos breaking out on their doorsteps. Among them were journalists, diplomats, businessmen, governesses and volunteer nurses. Many kept diaries and wrote letters home- from an English nurse who had already survived the sinking of the Titanic; to the black valet of the US Ambassador, far from his native Deep South; to suffragette leader Emmeline Pankhurst, who had come to Petrograd to inspect the indomitable Women's Death Battalion led by Maria Bochkareava. Drawing upon a rich trove of material and through eye-witness accounts left by foreign nationals who saw the drama unfold, Helen Rappaport takes us right up to the action - to see, feel and hear the Revolution as it happened.
In this memoir, a forensic psychiatrist chronicles her work with more than 80 serial killers and her thoughts on what compels them. Judging by appearances, Dr. Helen Morrison has an ordinary life in the suburbs of a major city. She has a physician husband, two children, and a thriving psychiatric clinic. But her life is more than that. She is one of the world’s leading experts on serial killers, and has spent as many as four hundred hours alone in rooms with depraved murderers, digging deep into killers’ psyches in ways no profiler ever has before. In My Life among the Serial Killers, Dr. Morrison relates how she profiled the Mad Biter, Richard Otto Macek, who chewed on his victims’ body parts, stalked Dr. Morrison, then believed she was his wife. She did the last interview with Ed Gein, who was the inspiration for Alfred Hitchcock's Psycho. John Wayne Gacy, the clown-obsessed killer of young men, sent her crazed Christmas cards and gave her his paintings as presents. Then there was Atlanta child killer Wayne Williams; rapist turned murderer Bobby Joe Long; Fred and Rosemary West, who killed girls and women in their Gloucester “House of Horrors”; and Brazil’s deadliest killer of children, Marcelo Costa de Andrade. Dr. Morrison has received hundreds of letters from killers, read their diaries and journals, evaluated crime scenes, testified at their trials, and studied photos of the gruesome carnage. She has interviewed the families of the victims—and the spouses and parents of the killers—to gain a deeper understanding of the killer’s environment and the public persona they adopt. She has also studied serial killers throughout history and shows how this is not a recent phenomenon with psychological autopsies of the fifteenth-century French war hero Gilles de Rais, the sixteenth-century Hungarian Countess Bathory, H.H. Holmes of the late nineteenth-century, and Albert Fish of the Roaring Twenties. Through it all, Dr. Morrison’s goal has been to discover the reasons serial killers are compelled to murder, how they choose their victims, and what we can do to prevent their crimes in the future. Her provocative conclusions will stun you. Praise for My Life Among the Serial Killers “A scary piece of work, with even scarier implications.” —Kirkus Reviews “A profoundly enlightening book. Morrison provides startling insights into what factors breed serial killers, and she avoids the broad generalizations that make other books of the topic seem slick and superficial. . . . This is an absorbing, disturbing book that makes it clear just how much we have yet to learn.” —Booklist
From New York Times bestselling author Helen Rappaport comes a superb and revealing biography of Mary Seacole that is testament to her remarkable achievements and corrective to the myths that have grown around her. Raised in Jamaica, Mary Seacole first came to England in the 1850s after working in Panama. She wanted to volunteer as a nurse and aide during the Crimean War. When her services were rejected, she financed her own expedition to Balaclava, where her reputation for her nursing—and for her compassion—became almost legendary. Popularly known as ‘Mother Seacole’, she was the most famous Black celebrity of her generation—an extraordinary achievement in Victorian Britain. She regularly mixed with illustrious royal and military patrons and they, along with grateful war veterans, helped her recover financially when she faced bankruptcy. However, after her death in 1881, she was largely forgotten. More recently, her profile has been revived and her reputation lionised, with a statue of her standing outside St Thomas's Hospital in London and her portrait—rediscovered by the author—now on display in the National Portrait Gallery. In Search of Mary Seacole is the fruit of almost twenty years of research and reveals the truth about Seacole's personal life, her "rivalry" with Florence Nightingale, and other misconceptions. Vivid and moving, In Search of Mary Seacole shows that reality is oftem more remarkable and more dramatic than the legend.
Today, there is growing interest in conservation and anthropologists have an important role to play in helping conservation succeed for the sake of humanity and for the sake of other species. Equally important, however, is the fact that we, as the species that causes extinctions, have a moral responsibility to those whose evolutionary unfolding and very future we threaten. This volume is an examination of the relationship between conservation and the social sciences, particularly anthropology. It calls for increased collaboration between anthropologists, conservationists and environmental scientists, and advocates for a shift towards an environmentally focused perspective that embraces not only cultural values and human rights, but also the intrinsic value and rights to life of nonhuman species. This book demonstrates that cultural and biological diversity are intimately interlinked, and equally threatened by the industrialism that endangers the planet's life-giving processes. The consideration of ecological data, as well as an expansion of ethics that embraces more than one species, is essential to a well-rounded understanding of the connections between human behavior and environmental wellbeing. This book gives students and researchers in anthropology, conservation, environmental ethics and across the social sciences an invaluable insight into how innovative and intensive new interdisciplinary approaches, questions, ethics and subject pools can close the gap between culture and conservation.
From Helen Rappaport, the New York Times bestselling author of The Romanov Sisters comes After the Romanovs, the story of the Russian aristocrats, artists, and intellectuals who sought freedom and refuge in the City of Light. Paris has always been a city of cultural excellence, fine wine and food, and the latest fashions. But it has also been a place of refuge for those fleeing persecution, never more so than before and after the Russian Revolution and the fall of the Romanov dynasty. For years, Russian aristocrats had enjoyed all that Belle Époque Paris had to offer, spending lavishly when they visited. It was a place of artistic experimentation, such as Diaghilev’s Ballets Russes. But the brutality of the Bolshevik takeover forced Russians of all types to flee their homeland, sometimes leaving with only the clothes on their backs. Arriving in Paris, former princes could be seen driving taxicabs, while their wives who could sew worked for the fashion houses, their unique Russian style serving as inspiration for designers like Coco Chanel. Talented intellectuals, artists, poets, philosophers, and writers struggled in exile, eking out a living at menial jobs. Some, like Bunin, Chagall and Stravinsky, encountered great success in the same Paris that welcomed Americans like Fitzgerald and Hemingway. Political activists sought to overthrow the Bolshevik regime from afar, while double agents from both sides plotted espionage and assassination. Others became trapped in a cycle of poverty and their all-consuming homesickness for Russia, the homeland they had been forced to abandon. This is their story.
A 12-WEEK NEW YORK TIMES BESTSELLER "Helen Rappaport paints a compelling portrait of the doomed grand duchesses." —People magazine "The public spoke of the sisters in a gentile, superficial manner, but Rappaport captures sections of letters and diary entries to showcase the sisters' thoughtfulness and intelligence." —Publishers Weekly (starred review) From the New York Times bestselling author of The Last Days of the Romanovs and Caught in the Revolution, The Romanov Sisters reveals the untold stories of the four daughters of Nicholas and Alexandra. They were the Princess Dianas of their day—perhaps the most photographed and talked about young royals of the early twentieth century. The four captivating Russian Grand Duchesses—Olga, Tatiana, Maria and Anastasia Romanov—were much admired for their happy dispositions, their looks, the clothes they wore and their privileged lifestyle. Over the years, the story of the four Romanov sisters and their tragic end in a basement at Ekaterinburg in 1918 has clouded our view of them, leading to a mass of sentimental and idealized hagiography. With this treasure trove of diaries and letters from the grand duchesses to their friends and family, we learn that they were intelligent, sensitive and perceptive witnesses to the dark turmoil within their immediate family and the ominous approach of the Russian Revolution, the nightmare that would sweep their world away, and them along with it. The Romanov Sisters sets out to capture the joy as well as the insecurities and poignancy of those young lives against the backdrop of the dying days of late Imperial Russia, World War I and the Russian Revolution. Helen Rappaport aims to present a new and challenging take on the story, drawing extensively on previously unseen or unpublished letters, diaries and archival sources, as well as private collections. It is a book that will surprise people, even aficionados.
As she did in her critically acclaimed The Last Days of the Romanovs, Helen Rappaport brings a compelling documentary feel to the story of this royal marriage and of the queen's obsessive love for her husband – a story that began as fairy tale and ended in tragedy. After the untimely death of Prince Albert, the queen and her nation were plunged into a state of grief so profound that this one event would dramatically alter the shape of the British monarchy. For Britain had not just lost a prince: during his twenty year marriage to Queen Victoria, Prince Albert had increasingly performed the function of King in all but name. The outpouring of grief after Albert's death was so extreme, that its like would not be seen again until the death of Princess Diana 136 years later. Drawing on many letters, diaries and memoirs from the Royal Archives and other neglected sources, as well as the newspapers of the day, Rappaport offers a new perspective on this compelling historical psychodrama--the crucial final months of the prince's life and the first long, dark ten years of the Queen's retreat from public view. She draws a portrait of a queen obsessed with her living husband and – after his death – with his enduring place in history. Magnificent Obsession will also throw new light on the true nature of the prince's chronic physical condition, overturning for good the 150-year old myth that he died of typhoid fever.
The ‘steel rape’ of women is a scandal that is almost forgotten today. In Victorian England, police forces were granted powers to force any woman they suspected of being a ‘common prostitute’ to undergo compulsory and invasive medical examinations, while women who refused to submit willingly could be arrested and incarcerated. This scandal was exposed by Josephine Butler, an Evangelical campaigner who did not rest until she had ended the violation and helped repeal the Act that governed it. She went on to campaign against child prostitution, the trafficking of girls from Britain to Europe, and government-sponsored brothels in India. In addition, Josephine was instrumental in raising the age of consent from 13 to 16. Josephine Butler is the poignant tale of a nineteenth-century woman who challenged taboos and conventions in order to campaign for the rights of her gender. Her story is compelling – and unforgettable.
This practical handbook - aimed at final year undergraduates, Masters-level students, student ministers, church leaders and policy makers interested in local faith communities - guides readers through the various tools, methods of analysis and research skills needed for studying local churches. This resource takes full account of the UK context and is an ideal basis for students undertaking research projects and dissertations. After an historical overview. the handbook identifies theoretical foundations for the study of local churches, drawing on the 4 disciplines of anthropology, sociology, organisational studies and theology. Guidance is provided on both quantitative and qualitative research methods. Research processes covered include such issues as selecting a church, gaining access, selecting methods,analysing data, maintaining confidentiality, research reflexivity, and completing the final report. There is also a critical review of existing literature, as well as case studies and worked examples, demonstrating how key concepts from the 4 disciplines apply to actual local churches.The handbook contains a wide range of contributors with extensive theoretical and practical experience of studying local churches.
For the nine months of the Blitz, London was subjected to a brutal and indiscriminate bombing campaign, aimed for the first time in history at shattering the resolve of a nation. The Nazi raids on night-time London provide some of the defining narratives of World War II: the 'blitz spirit', air raid shelters in Underground stations and all the horrifying reality of one of the world's most powerful and historic cities under violent attack. This book tells the epic story of a London under siege through the voices of those that lived it. Amy Helen Bell here uncovers the personal stories of hundreds of Londoners from all walks of life, who scribbled in diaries and notebooks from inside air raid shelters and bombed-out houses to record their experiences of the Blitz. Expertly weaving these together, drawing out themes of loss, courage and love, what emerges is a thoughtfully argued and beautifully composed commentary on Britain's collective memory of one of the great conflicts of modern times. By letting the warmth, despair and hope of these personal recollections speak, London Was Ours becomes a collective testament to the resilience of a people and a meditation on the nature of a nation's history. 'Original, insightful and engagingly written...this enlightening and frequently moving book is a truly popular history of "The People's War".' Andrew Davies, Journal of Urban History
This book combines theory, research and activities to produce practical suggestions for enhancing client participation in the therapy process. It surveys the literature on art therapy; somatic approaches; emotion-activating models; use of music, writing and dreamwork; and the implications of the new findings in neuroscience.
Asylum to Action offers an alternative history of a libertarian therapeutic community at Paddington Day Hospital in West London in the 1970s. Helen Spandler recaptures the radical aspirations, as well as the conflicts, of the early therapeutic community movement, radical psychiatry and the patients' movement. The author's account of the formation of the Mental Patients' Union, the first politicised psychiatric survivors group in the UK, raises questions about the connections between the service user movement, therapeutic communities, critiques of psychiatry and psychoanalytic models of intervention. In particular, Spandler challenges Claire Baron's dominant account of the subject in her influential book Asylum to Anarchy. She points out that some of the key difficulties that beset Paddington Day Hospital persist in modern therapeutic community practice and, indeed, in mental health services in general. Arguing that these dilemmas require sustained attention, Asylum to Action also informs a wider analysis of the significance of social movements, social action and critical social theory.
Young people consider their future at a stage of life when the structure and relative certainty of school and further education are about to be left behind. This book provides an insight into how young people see themselves, the options they think are available to them and the strategies they use to make their imagined futures possible. Ultimately, Imagining Futures is about identity. It draws on the real-life stories and voices of a range of young people—many of whom are in their final years of secondary school or TAFE—to present an eye-opening portrait who they are, who they aim to become and how.
Getting By offers an integrated, critical account of the federal laws and programs that most directly affect poor and low-income people in the United States-the unemployed, the underemployed, and the low-wage employed, whether working in or outside the home. The central aim is to provide a resource for individuals and groups trying to access benefits, secure rights and protections, and mobilize for economic justice. The topics covered include cash assistance, employment and labor rights, food assistance, health care, education, consumer and banking law, housing assistance, rights in public places, access to justice, and voting rights. This comprehensive volume is appropriate for law school and undergraduate courses, and is a vital resource for policy makers, journalists, and others interested in social welfare policy in the United States.
Sam and Katie find a stray dog and make a big mistake, but it's hard to make amends--how can you apologize to a dog? A dirty, skinny, dog shows up in Sam and Katie's neighborhood. They start to follow it, and they don't like what they see: The Wilson sisters yell at it because it goes in their garden and the Tracy twins chase it on their bikes and throw things at it. Sam and Katie want the dog to know they'll be its friends. They think it should have a name. Most of all, they want it to like them. But then they do something thoughtless, and after that, it's hard to make things right, especially because the dog now won't come near them. How they earn the dog's trust, help it find its place in their town and how it gets its name, makes for a heartwarming story told in two voices using prose and poetry. Blue Daisy is illustrated with 20 black-and-white illustrations and includes recipes for dog biscuits and snickerdoodles. A Bank Street Best Childrens Book of the Year!
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