* A Poetry Book Society Recommendation 2016* 'When we climb alone en cordée feminine, we are magicians of the Alps – we make the routes we follow disappear' The poems of Helen Mort's second collection offer an unforgettable perspective on the heights we scale and the distances we run, the routes we follow and the paths we make for ourselves. Here are odes to the women who dared to break new ground – from Miss Jemima Morrell, a young Victorian woman from Yorkshire who hiked the Swiss Peaks in her skirts and petticoats, to the modern British mountaineer Alison Hargreaves, who died descending from the summit of K2. Distinctive and courageous, these are poems of passion and precipices, of edges and extremes. No Map Could Show Them confirms Helen Mort’s position as one of the finest young poets at work today.
Guardian Books to Watch 2022 Evening Standard Books to Watch 2022 Bookseller Editor's Choice Winner of the Boardman Tasker Award for Mountain Literature 'A wonderful book - exhilarating and taut, fearless in its explorations of wildness, risk, motherhood, and the inner and outer worlds of the writer' Jon McGregor 'This book is beautiful' Emma Jane Unsworth 'Climbing gives you the illusion of being in control, just for a while, the tantalising sense of being able to stay one move ahead of death' As a child, Helen Mort was drawn to the thrill and risk of climbing, the tension between human and rockface, and the climber's need to be hyperaware of the sensory world - to feel the texture of rock under their fingers, how their crampons bite into the ice, the subtle shifts in weather. But when she becomes a mother for the first time, she finds herself re-examining this most elemental of disciplines, and the way that we view women who put themselves in danger. Written by one of Britain's most talented young writers, A Line Above the Sky melds memoir and nature writing to create what will surely become a classic of the genre; it asks why humans are compelled to climb and poses other, deeper questions about self, motherhood and freedom. It is a love letter to losing oneself in physicality, whether that in the risk of climbing a granite wall solo, without ropes, or the intensity of bringing a child into the world.
*SHORTLISTED FOR THE T.S ELIOT PRIZE AND COSTA POETRY AWARD 2013* 'A stone is lobbed in '84, hangs like a star over Orgreave. Welcome to Sheffield. Border-land, our town of miracles...' - 'Scab' From the clash between striking miners and police to the delicate conflicts in personal relationships, Helen Mort's stunning debut is marked by distance and division. Named for a street in Sheffield, this is a collection that cherishes specificity: the particularity of names; the reflections the world throws back at us; the precise moment of a realisation. Distinctive and assured, these poems show us how, at the site of conflict, a moment of reconciliation can be born.
We live in a world populated by dog lovers, where many of us regard them as members of the family. We are fascinated by them: either anthropomorphising our pets or obsessing about the ways they differ from us. And mountains – theatres of risk, drama and heroism – provide the perfect stage for us to enact our canine fascination in all its pathos and poetry. In short, the hills bring into focus just how much we love being with dogs.' Dogs specialise in getting on with humans, and tales of faithful hounds in hostile environments form part of our cultural history. Award-winning writer Helen Mort sets out to understand the singular relationship between dogs, mountains and the people who love them. Along the way, she meets search and rescue dogs, interviews climbers and spends time on the hills with hounds. The book is also a personal memoir, telling the author's own story of falling in love with a whippet called Bell during a transformative year in the Lake District. Never Leave the Dog Behind is a compelling account of mountain adventures and misadventures, and captures the unbridled joy of heading to the hills with a four-legged friend.
Pioneer, activist, environmentalist, poet. Ethel Haythornthwaite is virtually unknown, even in her home town of Sheffield – the UK's outdoor city – yet her tireless campaigning led to the National Parks and Access to the Countryside Act 1949 and the creation of the Peak District National Park, protecting a wild and varied landscape so many have fallen in love with. Founder of a local society to protect rural scenery in 1924, she went on to join the Council for the Preservation of Rural England (CPRE) and become its wartime director. Saviour of the beautiful Longshaw estate, her achievements also include establishing the first green belt in the UK. In Ethel, award-winning author Helen Mort explores the life of this countryside revolutionary who has been overlooked by history. Born into wealth yet frugal, ever restless but infinitely patient, widowed at twenty-two, independent and thoroughly ahead of her time, Ethel Haythornthwaite helped save the British countryside at a time when simply to be a woman was challenge enough. Having been given unrestricted access to Ethel's archive, including hundreds of meticulously written letters, in Ethel, Helen Mort has written letters to Ethel's memory and a paean to her legacy. The beauty and accessibility of the British countryside is the result of passionate campaigning during the inter- and post-war years by groundbreaking figures such as Ethel Haythornthwaite.
Helen Mort's brand new pamphlet contains 8 new poems. They have been inspired by her residency in Grasmere, and in particular as a response to Savage Grandeur, an exhibition of landscape watercolours held at the Wordsworth Museum. In this collection of poems, we see Helen exploring a personal landscape that takes on a deeper resonance as it moves outward from the immediate area around Grasmere.
Known for both its industrial roots and arboreal abundance, Sheffield has always been a city of two halves. From its botanical gardens and elegant parks, to the brutalist high-rise estates of Park Hill, and the hinterland nightclubs of ‘Centertainment’, it is a city caught between the forges of the past and the melting pot of the present. Bringing together new short stories from some of the city’s most celebrated writers, The Book of Sheffield traces the contours of this complex landscape from both sides of the economic dividing line. From the aspirations of young creatives, ultimately driven to leave, to the more immediate demands of refugees, scrap metal collectors, and student radicals, these stories offer ten different look-out points from which to gaze down on the ever-changing face of the ‘Steel City’.
Beyond 'Ecriture feminine' is the first book to be published exploring the work of the contemporary French author Jeanne Hyvrard (1945-) from her early novels of the 1970s up to some of her most recent texts. Moving critical accounts of Hyvrard beyond a focus upon ecriture feminine, it identifies the patterns though which her writing repeats and transforms creation mythology, her own oeuvre, and her own life, examining how intertextual repetitions bind her work together into a complex and ever expanding web of allusions and resonnances which engages the reader in a process of constant re-interpretation, challenging notions of linearity and reflecting the 'chaotic' reality of life in the Hyvrardian world."--BOOK JACKET.
This groundbreaking book brings creative writing to social research. Its innovative format includes creatively written contributions by researchers from a range of disciplines, modelling the techniques outlined by the authors. The book is user-friendly and shows readers: • how to write creatively as a social researcher; • how creative writing can help researchers to work with participants and generate data; • how researchers can use creative writing to analyse data and communicate findings. Inviting beginners and more experienced researchers to explore new ways of writing, this book introduces readers to creatively written research in a variety of formats including plays and poems, videos and comics. It not only gives social researchers permission to write creatively but also shows them how to do so.
From 2014 to 2018, people all over the world will be commemorating the 100th anniversary of the outbreak of the First World War. They will not only be honouring those who lost their lives on the battlefield between 1914 and 1918, they will also be remembering everyone who played a part in, or lived through, those troubled times. First World War Folk Tales is a very special collection of legends and folk tales from the First World War era. This special centenary collection shows how elements of truth can become legend, how people often attempt to explain the strange and the mysterious through stories and tales, and how storytelling can ease the pain and the burden of war.
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