This novel breaks through centuries of dogma and legend to uncover the lost beginnings of Christianity, re-imagining the untold stories of Mary Magdalene and John the Beloved. Long-time friend Naphtali wants to set the record straight about their inspirational lives. He shares their story. First century Palestine seethes under Roman rule and suffocating religious conventions. The young man who will be called John tries to live by strict patriarchal rules. His rebellious new wife Mary secretly follows heretical goddess traditions. They pull in opposing directions. Then Jesus the prophet challenges them to walk mystical paths of inner development. From their brave decision to discover who they are, two remarkable destinies will unfold, as they come to know the deepest wellspring of love.
Prodigal Daughters affirms what artists have always known, that their work has an inner spiritual source and power. It weaves the arts of music, dance, drama, literature, architecture and visual forms into a living tapestry of sounds, shapes, colours, words and movements as dynamic influences in the bloodstream of society challenging, enriching and awakening us to beauty and our own potentials. Written in a lively and engaging style, this innovative book is accessible despite treating profound truths that shape human destiny. Helen Martineau celebrates artistic expression with an original vision that discloses the nature of the creative process and connects with the deepest layers of the self. The reader is invited to re-imagine themselves and the world through perspectives from the arts by undertaking this journey with a sure guide who has been a practising artist for most of her life.
SHEILA FLORANCE ON THE INSIDE an Intimate Portrait Sheila Florance said with her characteristic irony, I set out aged nineteen with every intention of becoming the worlds greatest Shakespearean actress and ended up as Lizzie Birdsworth, the shearers poisoner! This much-loved character in the cult TV soapie Prisoner brought Sheila worldwide fame after fifty years of hard work during the formative years of the Australian performing arts. It culminated just days before her death at seventy-five with an Australian Film Institute Leading Actress award for her last film A Womans Tale. Onstage and off her life was theatre on a grand scale. Everything was extravagant about Sheila in the parties she threw, her humour and tall tales, her friendships, her anger and loves. As a fighter for justice, her approach was eccentric and front-on. She wouldnt have called herself a feminist yet she always battled for and supported women. She suffered a difficult childhood, war in England, the tragic inexplicable death of her eighteen-year-old daughter, two drama-filled marriages and a constant tension between her main passions family and acting. It was quite a journey yet Sheilas courage and determination to be true to herself never faltered. In this very personal biography, her daughter-in-law and confidante, Helen Martineau, reveals the fascinating public career and behind-the-scenes upheavals of a memorable and inspiring woman, who in her final illness found the peace that long eluded her. I bought the book as a kind of duty to the memory of Sheila. But I simply couldnt put it down. You captured her in all her moods and complexity. Elspeth Ballantyne; warder Meg Morris in Prisoner and Sheilas long-time friend Second updated edition first published 2005 as On the inside an Intimate Portrait of Sheila Florance
Before her worldwide fame in the cult TV soapie Prisonerthere had been fifty years of hard work during the formativeyears of the Australian performing arts. It culminated justdays before her death at seventy-five with the AFI BestLeading Actress award for her last film. Her story ispacked with a wealth of outrageous anecdotes from her lifein acting. Everything was extravagant about Sheila offstageas well -in the parties she threw, her humour and talltales, her fights for justice, her anger and loves. Herswas an eventful life. She suffered a difficult childhood,war in England, the tragic death of her daughters, two drama-filled marriages and the constant pull between her mainpassions -family and acting.Yet her courage never faltered.This biography is an in-depth exploration of the public andprivate life of a memorable and inspiring woman.
The first comprehensive guide to women activists from every part of the world, illuminating the broad range of women's struggles to reform society from the 18th century to the present. Despite being marginalized, disenfranchised, impoverished, and oppressed, women have always stepped forward in disproportionate numbers to lead movements for social change. This two-volume encyclopedia documents the visions, struggles, and lives of women who have changed the world. This encyclopedia celebrates the lives and achievements of nearly 300 women from around the globe—women who have bravely insisted that the way things are is not the way they have to be. Nadeshda Krupskaya, the wife of Lenin, spearheaded the drive against illiteracy in post-revolutionary Russia. American Dorothy Day founded the Catholic worker movement. Begum Rokeya Hossain organized a girls' school in Calcutta in 1911. Rachel Carson launched the modern environmental movement with her book Silent Spring. The stories of these women and the hundreds of others collected here will restore missing pages to our history and inspire a new generation of women to change the world.
Explains why sweet desserts and snack foods are not healthy to eat all the time, and describes what healthy alternatives can be substituted for chocolate, cake, or fried foods.
Based on extensive new research investigating the range of women’s involvement in early nineteenth-century popular politics, mid-Victorian reform and the women’s movements of the late century, Women and the People makes an original intervention in the historiography of the radical tradition by exploring the interconnections of populism, liberalism and feminism. Attending to authorship, the study argues that the representational forms adopted by radicals were as important as the content of what they said in shaping their self-perception, their construction of others, and the reception of their ideas. In fiction, poetry and autobiography, as well as in political writing, speeches and journalism, women reworked radical conventions and imagined new models of political identity, participation and authority. Though, in general, radicals appealed to ’the people’, women were often positioned as the suffering objects of reform rather than as the agents of change. By showing how they challenged or reinforced these conceptions of ’women’ and ’the people’, the book contends that radical women invoked alternative communities of sex, class and nation, and helped to remake and discipline the political sphere, as they strove to make it their own.
This is the first study of Irish improvement fiction, a neglected genre of nineteenth-century literary, social, and political history.Ireland and the Fiction of Improvement shows how the fiction of Mary Leadbeater, Charles Bardin, Martin Doyle, and William Carleton attempted to lure Irish peasants and landowners away from popular genres such as fantasy, romance, and 'radical' political tracts as well as 'high' literary and philosophical forms of enquiry. These writersattempted to cultivate a taste for the didactic tract, an assertively realist mode of representation. Accordingly, improvement fiction laboured to demonstrate the value of hard work, frugality, and sobriety in a rigorously realistic idiom, representing the contentment that inheres in a plain social order free ofexcess and embellishment. Improvement discourse defined itself in opposition to the perceived extremism of revolutionary politics and literary writing, seeking (but failing) to exemplify how both political discontent and unhappiness could be offset by a strict practicality and prosaic realism. This book demonstrates how improvement reveals itself to be a literary discourse, enmeshed in the very rhetorical abyss it sought to escape. In addition, the proudly liberal rhetoric of improvement isshown to be at one with the imperial discourse it worked to displace.Helen O'Connell argues that improvement discourse is embedded in the literary and cultural mainstream of modern Ireland and has hindered the development of intellectual and political debate throughout this period. These issues are examined in chapters exploring the career of William Carleton; peasant 'orality'; educational provision in the post-Union period; the Irish language; secret society violence; Young Ireland nationalism; and the Irish Revival.
Orthomolecular nutrition prevents and cures disease. This fact has been ignored by our current health care system, the media, and the medical literature. Why doesn’t your doctor use nutritional therapy? Is it for lack of safety? Because it’s not effective? Because it’s expensive? It happens to be none of these. Despite what you have been told, nutritional medicine is safe and effective. It is remarkably inexpensive especially when compared to the incredibly high cost of modern medicine. The evidence from nearly 80 years of research by orthomolecular physicians proves it: nutritional therapy works. Most vitamin research you hear about focuses on low, and therefore, inadequate doses of vitamins. Low doses do not get clinical results. High-dose vitamin therapy does; it has for decades. But which vitamins should we take? How much? Is taking all those vitamins safe? This book addresses common questions about supplementation including dosing, safety, and just what all those extra vitamins do for you. It also covers what to eat and why, the real story about exercise and good heath, why we shouldn’t fear germs, and how each and every vitamin can get you better now and keep you well in the future.
Why do we find it hard to explain what happens when words are set to music? This study looks at the kind of language we use to describe word/music relations, both in the academic literature and in manuals for singers or programme notes prepared by professional musicians. Helen Abbott's critique of word/music relations interrogates overlaps emerging from a range of academic disciplines including translation theory, adaptation theory, word/music theory, as well as critical musicology, métricométrie, and cognitive neuroscience. It also draws on other resources-whether adhesion science or financial modelling-to inform a new approach to analysing song in a model proposed here as the assemblage model. The assemblage model has two key stages of analysis. The first stage examines the bonds formed between the multiple layers that make up a song setting (including metre/prosody, form/structure, sound repetition, semantics, and live performance options). The second stage considers the overall outcome of each song in terms of the intensity or stability of the words and music present in a song (accretion/dilution). Taking the work of the major nineteenth-century French poet Charles Baudelaire (1821-67) as its main impetus, the volume examines how Baudelaire's poetry has inspired composers of all genres across the globe, from the 1860s to the present day. The case studies focus on Baudelaire song sets by European composers between 1880 and 1930, specifically Maurice Rollinat, Gustave Charpentier, Alexander Gretchaninov, Louis Vierne, and Alban Berg. Using this corpus, it tests out the assemblage model to uncover what happens to Baudelaire's poetry when it is set to music. It factors in the realities of song as a live performance genre, and reveals which parameters of song emerge as standard for French text-setting, and where composers diverge in their approach.
Author and researcher Helen Carlson spent almost fourteen years searching for the origins of Nevada’s place names, using the maps of explorers, miners, government surveyors, and city planners and poring through historical accounts, archival documents, county records, and newspaper files. The result of her labors is Nevada Place Names, a fascinating mixture of history spiced with folklore, legend, and obscure facts. Out of print for some years, the book was reprinted in 1999.
Government attempts in recent years to create a national system of vocational education and training have marked a profound shift both in educational policy and in underlying concepts of what education is for. Relations between schools and the working world are changing all the time and the implementation of ideas of vocationalism has forced a blurring of the time-honoured boundaries between educations concerned with concepts and training, or with skills. The challenge now is to define how the schools can give young people the foundations for life in a working world in which they are likely to have to change jobs and where work will fill a smaller proportion of their lives. The Vocational Quest maps the evolution of vocationalism in Britain in historical terms and examines how the particular forms that have come into being in the last few years compare with developments in other parts of the world, including Continental Europe, Japan, the United States, Australia and New Zealand. It argues for new forms of communication and partnership between formal education and training and the wider community, in which values will be shared and no one partner will win at the expense of others.
Dickens and Landscape Discourse is a contextual study, offering valuable insights into the significance of geographical and social placement in nineteenth-century literature. Jane H. Berard considers landscape contexts available to Dickens, such as topographical poetry, antiquarianism, tourism, John Britton's Beauties of Wiltshire, and the landscape discourse in Dickens' other works to open up a reading of Martin Chuzzlewit (1843-44), set in Wiltshire. Though Dickens can be seen reflecting or resisting the value-laden discourses embedded in his landscapes, he communicates to his readers of Martin Chuzzlewit through an interactive, oppositional, and subversive social discourse to expose a landscape of death and the Victorians' struggle for control over their situation.
This book constitutes the first thorough academic analysis of legislative drafting. By placing the study of legislation and its principles within the paradigm of Flyvberg's phronetic social sciences, it offers a novel approach which breaks the tradition of unimaginative past descriptive reiterations of drafting conventions. Instead of prescribing rules for legislation, it sets out to identify efficacy as the main aim of the actors in the policy, legislative and drafting processes, and effectiveness as the main goal in the drafting of legislation. Through the prism of effectiveness as synonymous with legislative quality, the book explores the stages of the drafting process; guides the reader through structure and sections in their logical sequence, and introduces rules for drafting preliminary, substantive and final provisions. Special provisions, comparative legislative drafting and training for drafters complete this thorough analysis of the drafting of legislation as a tool for regulation. Instead of teaching the reader which drafting rules prevail, the book explores the reasons why drafting rules have come about, thus encouraging readers to understand what goal is served by each rule and how each rule applies. The book is aimed at academics and practitioners who draft or use statutory law in the common or civil law traditions.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
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