In Speech of the Grail, storyteller and ceremonialist Linda Sussman explores a new way to speak, one that heals and transforms. She takes for her guide Wolfram von Eschenbach's epic tale of the Grail, showing how it depicts a path of initiation toward healing speech--to "doing the truth" in word and action. "The Grail! The word stirs a deep response in the Western imagination. Joseph Campbell called the medieval stories where it is first mentioned 'the founding myth of Western civilization,' because 'according to this mythology, there is no fixed law, no established knowledge of god, set up by prophets or priests, that can stand against the revelation of a life lived with integrity in the spirit of its own brave truth.' Campbell and many other scholars, artists, and seekers have seen the Western wisdom path disclosed in the image of each knight entering the forest where no one else has made a path. The quest is to recover the elusive Grail, thereby returning its sustenance to the world. The presence of the Grail nurtures an invisible web of relationships that connect individual destiny to service of others and to the earth, thereby granting meaning" (Linda Sussman, from her introduction). Sussman begins with a beautiful retelling of the story, allowing readers to inwardly reproduce the potent inner images of the text. Then she shows that it is not so much a path toward perfection as a recovery of the proper relationship with our own imperfections. She shows, too, that it is a path in which male and female aspects work together to overcome evil.
Why do so many women now feel so conflicted about their roles, so cut off from sources of spiritual nourishment in their lives? More importantly, what can they do about it? In The Way of Woman, Helen M. Luke has brought six decades of experience to bear in answering these two questions, drawing on a rich trove of feminine images and symbols from the Bible, mythology, folklore, Greek tragedies, and modern poetry to guide women on a path to the lasting personal fulfillment that can only come through understanding one's essential feminine nature.
The time has come for him to cowboy up… He's spent fifteen years at the rodeo, protecting riders when they hit the dirt. But what exactly is a bullfighter after a bull takes him down in the arena and lands him in a wheelchair? That's what Luke Cameron's still struggling to figure out. And if Katie Garrison, in the middle of a controversial divorce, can help him find a new kind of life…well…he's not one to turn her down! But she's still a married woman and her husband isn't going to let her go without a fight. Besides, Luke may never walk again. What kind of life can he give a woman like Katie?
The time has come for him to cowboy up… He's spent fifteen years at the rodeo, protecting riders when they hit the dirt. But what exactly is a bullfighter after a bull takes him down in the arena and lands him in a wheelchair? That's what Luke Cameron's still struggling to figure out. And if Katie Garrison, in the middle of a controversial divorce, can help him find a new kind of life…well…he's not one to turn her down! But she's still a married woman and her husband isn't going to let her go without a fight. Besides, Luke may never walk again. What kind of life can he give a woman like Katie?
In recent years Christians have increasingly turned to Scripture to nourish their prayer life. Prayer in the New Testament focuses on biblical prayer, seeing its intimate connection with contemporary spirituality and discovering models in the spiritual leaders of New Testament times. The New Testament writers gave their communities' understandings of prayer and its centrality for the person and community of faith. Their complementary presentations help us catch a glimpse of the richness of prayer for the early community and rediscover its centrality for ourselves.
Lily Redd is a sixty year old half vampire .Lily has spent all her life alone except for her father figure Jim .Lily begins to have romantic dreams for a man named Simon .One night when Lily goes to work she meets the man of her dreams in the flesh .Lily and Simon pursue a relationship . But nothing in love is simple even when you have forever .
This highly engaging and readable book is a study of Joseph Caiaphas, a Jewish high priest of the first century and one of the men who sent Jesus to his death.Caiaphasis a valuable resource for scholars of ancient history and students of the Gospel of Acts.
THE FOLLOW ONTO DEAD REDD .LILY AND SIMON HAVE BEEN TOGETHER FOR TWO YEARS AND ALONGSIDE LUKE THEY TAKE ON AND DEFEAT WRONG DOING VAMPIRES .BUT SOON THEIR PAST CATCHES UP WITH THEM AND THEY FACE LOSING EVERYTHING INCLUDING EACH OTHERCAN SIMON AND LILY'S LOVE SURVIVE THIS LATEST CHALLENGE
Step right up for the Greatest Book on Earth! For more than 70 years, Clowns International—the oldest established clowning organization—has been painting the faces of its members on eggs. Each one is a record of a clown's unique identity, preserving the unwritten rule that no clown should copy another's look. This mesmerizing volume collects more than 150 of these portraits, from 1946 to the modern day, accompanied by short personal histories of many of the clowns. Here are Tricky Nicky, Taffy, Bobo, Sammy Sunshine, the legendary Emmett Kelly, and Jolly Jack, clowning since 1977 and still performing today with a penguin puppet named Biscuit. A treasure just like the eggs it enshrines, The Clown Egg Register is an extraordinary archive of images and lives of the men and women behind the make-up.
Plays for Young People: Frank & Ferdinand; Gap; Cloud Busting; Those Legs; Shooting Truth; Bassett; Gargantua; Children of Killers; The Beauty Manifesto; Too Fast
Plays for Young People: Frank & Ferdinand; Gap; Cloud Busting; Those Legs; Shooting Truth; Bassett; Gargantua; Children of Killers; The Beauty Manifesto; Too Fast
This brilliant new collection of ten plays for young people will prove indispensable to schools, colleges and youth theatre groups. Specially commissioned by the National Theatre for the Connections Festival 2011 involving 200 schools and youth theatre groups across the UK and Ireland, each play is accompanied by production notes and exercises. The Pied Piper re-imagined, the aftermath of genocide in Rwanda, witches in seventeenth century Norfolk, a giant baby on the rampage, an extraordinary day in an ordinary school are just some of subjects covered in the thrilling and varied new plays created by talented writers for young actors to perform in National Theatre Connections 2011. The plays in this anthology offer a huge variety of stories and styles to ignite the imagination of young casts and creative teams. Themes are both teenage and universal - ambition, dashed hopes, fear and confidence, loyalty and betrayal. These new plays embrace a huge range for their inspiration: they plunder classics and imagine the future.
Rory tries to cope with her still-single mother's insistence on returning all her wedding presents, the Chilton debutante ball, the arrival of Luke's hooligan nephew, and Tristan's return to school.
Bogotá, 1947. British architect Luke Vosey has left his past behind to undertake a commission for Anglo-Colombian Oil in South America. For Luke, this new venture seems to offer the chance to start again. But grieving and ashamed of his role in the war, he cannot run from the past or from his nightmares. Luke finds distraction with the whores of Las Cruces and in the friendship of a young newspaper journalist – and finally with Felisa, a young draughtswoman with a passion for politics. Through her, Luke comes to understand the true broken mood of the people of Colombia, with the country teetering on the brink of civil war. Then a bloody assassination on the streets of the capital sees everything he’s worked for destroyed. As the mob tears the city to shreds, and Luke’s past is unveiled, can he survive to save others?
This volume focuses on the post-observation feedback conference, a common feature of teacher education programs, and highlights the importance of such talk in the development and evaluation of teachers and other professionals. The book adopts a linguistic ethnographic approach, which provides a framework for examining the contextual nature of the talk and how it is embedded within wider social contexts and structures, such as evaluation regimes. Drawing on data from a range of settings, including pre-service teacher education, medical education, and teacher appraisal programs, Copland and Donaghue examine the feedback conference from a range of perspectives, including face, identity and genre, and show how a nuanced understanding of discussions can support teacher trainers, supervisors and observers to provide appropriate and useful feedback. A concluding chapter brings together brief vignettes from researchers active in the field to point to future directions for further study. This book will be of particular interest to students and researchers in discourse analysis, language education, linguistic anthropology, and professional communication, as well as pre- and in-service teachers.
The first six years of Helen Martin’s life, living on a Saskatchewan farm in the 1950s, were idyllic. But everything changed when her mother passed away. The sudden and inexplicable cruelty and neglect that Helen endured at the hands of her stepmother—a much younger woman her father married within months of being widowed—are the subject of this distressing, but ultimately triumphant, memoir: Don’t Ever Call Me Mother: Homeless in my Own Home. In a voice that is clear, courageous, guileless, honest, and hopeful, Helen captures the innocence and bewilderment of her childhood. She shares with readers the various ways in which she managed to cope and endure the terrible trauma of her youth. At the same time, Helen uses the pages of this memoir to pay homage to her Ukrainian culture and traditions. She especially highlights the few individuals who offered her kindness and support at a time when she was so often hungry, cold, lonely, bruised, and unwashed: her two older sisters, a couple of neighbours, and an elderly hobo who became her best friend. Such unexpected and enriching relationships make all the difference in a young life and are explored here with feeling. This beautiful memoir serves as both a testament to the author’s resilience and a reminder that childhood abuse of any kind must never be tolerated.
This book has been written for those of you who love God and wish to learn more about him, those of you who are willing to search out a matter. The exciting thing is, the more we learn, the more we find there is to learn about our Father, Jesus Christ, and the Holy Spirit. I pray this book will be one that will provide you with much enjoyment and much information learned. May our God bless you richly!
From the Woman Who Inspired Unsung Hero—A Major Motion Picture In this inspiring debut memoir, Helen Smallbone, mother of seven creative children?including Christian music artists for KING & COUNTRY and Rebecca St. James?chronicles the family’s journey of faith across the ocean to go where God was leading. Written from a mother’s perspective, Helen shares stories of peaks, valleys, and a family trusting God for provision. Helen Smallbone’s heartfelt story illustrates what it means to really let God lead, which almost always means living outside the box of how the world says to live. How did an ordinary Australian family produce two Grammy Award–winning artists?Rebecca St. James and for KING & COUNTRY? What happened to bring the Smallbones through closed doors and to new beginnings in the United States? In Behind the Lights, Helen shares not only these stories of her family but of the life lessons they all learned along the way. In 1991 Helen and her husband, David, packed up their family and sixteen suitcases to move from Australia to the United States. Completely isolated from the support of family and friends, they relied on God to provide them with hope and direction. Helen watched her children join forces as Rebecca St. James’ career grew, soon followed by blossoming careers for the others?as artists, entrepreneurs, filmmakers?and the rise of Joel and Luke’s for KING & COUNTRY on Christian music charts. Helen shares untold stories and insights into how her family worked and stuck together, constantly relying on their faith to guide the way. Helen’s journey includes: - Meeting her future husband with a cockatoo on her shoulder - The family’s move to the states in blind faith - The kindness of neighbors and the local church that gave them the encouragement they so desperately needed - Years of touring alongside Rebecca and the formation of for KING & COUNTRY - The ways God led and enabled her to homeschool and think about education differently - An inside look at the stories and dynamics of the entire Smallbone family No matter where you are in life, Helen shows through her own experiences that what God has done in her life, He will do in yours, too.
For a parent, there are few things more frightening than the thought of one's child or a close family member becoming the victim of trauma. How do I help them cope? Can I help them cope? What if I'm not even able to cope myself? These are some of the automatic responses that could flash through a parent's mind at the prospect of having to deal with an unexpected, painful or traumatic experience, or with the fear or threat of such trauma becoming a reality. These experiences can be damaging and life-changing on many levels, and in many societies they have indeed become an everyday reality. The chapters in How Children Experience Trauma And How Parents Can Help Them Cope address a number of different types of trauma and they offer sound and tested advice on each one. Among others, they deal with trauma related to crime, to accidents, untimely death and devastating loss. They cover peer group and relationship issues, including bullying and abuse, and each one presents a number of illustrative case studies to help parents relate to and understand what they and their children might be experiencing internally. The authors explain some typical emotional and physiological reactions that may arise during, immediately after and some time after the trauma. They provide parents and caregivers with the theoretical as well as some practical tools to guide their children (and themselves) towards recovery and healing. All trauma, although accompanied by loss - often terrifying and terrible loss - gives us an opportunity to put life into perspective, encourages us to evaluate relationships and possibly to shed that which is toxic or unhelpful and to retain that which is healthy. By presenting the theory and examining the therapeutic options available, Meg Fargher and Helen Dooley draw on their extensive training and experience in this field to help parents and children access the resilience that is part of every human being, allowing them to heal and move on - different but potentially stronger.
Taking the necessary time to minister prayer and forgiveness for oneself is vital: it enables one to remain fresh and vibrant while ministering to others. In addition, it fosters both spiritual and physical wholeness, as well as personal integrity. Taking the necessary time to minister prayer and forgiveness for oneself is vital: it enables one to remain fresh and vibrant while ministering to others. In addition, it fosters both spiritual and physical wholeness, as well as personal integrity. An action the middle-aged African-American woman can take toward self-care is the act of letting go. It is imperative to self-care: an individual cannot receive anything when they are full—full of caring and attending to others as well as unsettled concerns, emotions, or thoughts. The ability to let go is essential to move to a place of wholeness; it creates the space that is needed to receive more. It is impossible to pour more into a full cup, the cup will overflow: letting go of past experiences creates room for the new to emerge. “Behold, the former things are come to pass, and new things do I declare: before they spring forth I tell you of them” (Isa. 42:9 [KJV]).
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