This highly engaging and readable book is a study of Joseph Caiaphas, a Jewish high priest of the first century and one of the men who sent Jesus to his death.Caiaphasis a valuable resource for scholars of ancient history and students of the Gospel of Acts.
What difference does it make to identify Mark's gospel as an ancient biography? Reading the gospels as ancient biographies makes a profound difference to the way that we interpret them. Biography immortalizes the memory of the subject, creating a literary monument to the person’s life and teaching. Yet it is also a bid to legitimize a specific view of that figure and to position an author and his audience as appropriate “gatekeepers” of that memory. Biography was well suited to the articulation of shared values and commitments, the formation of group identity, and the binding together of a past story, present concerns, and future hopes. Helen Bond argues that Mark’s author used the genre of biography to extend the gospel from an earlier narrow focus on the death and resurrection of Jesus so that it included the way of life of its founding figure. Situating Jesus at the heart of a biography was a bold step in outlining a radical form of Christian discipleship patterned on the life – and death – of Jesus.
A contemporary classic about love now completely revised and updated. From love at first sight and infidelity to hook-up culture and "slow love," Dr. Helen Fisher, the biological anthropologist and "renowned expert on the science of love" (Scientific American), explains it all in this thoroughly revised classic on the evolution and future of human sex, romance, and partnership. Examining marriage and divorce in 58 societies and adultery in 42 cultures, she argues that we are returning to patterns of business, sex, and love that echo our ancient past…and she is optimistic about our future.
The autopsy of Samuel Johnson (1709-84) initiated two centuries of Johnsonian anatomy-both in medical speculation about his famously unruly body and in literary devotion to his anecdotal remains. Even today, Johnson is an enduring symbol of individuality, authority, masculinity, and Englishness, ultimately lending a style and a name—the Age of Johnson—to the eighteenth-century English literary canon. Loving Dr. Johnson uses the enormous popularity of Johnson to understand a singular case of author love and to reflect upon what the love of authors has to do with the love of literature. Helen Deutsch's work is driven by several impulses, among them her affection for both Johnson's work and Boswell's biography of him, and her own distance from the largely male tradition of Johnsonian criticism—a tradition to which she remains indebted and to which Loving Dr. Johnson is ultimately an homage. Limning sharply Johnson's capacious oeuvre, Deutsch's study is also the first of its kind to examine the practices and rituals of Johnsonian societies around the world, wherein Johnson's literary work is now dwarfed by the figure of the writer himself. An absorbing look at one iconic author and his afterlives, Loving Dr. Johnson will be of enormous value to students of English literature and literary scholars keenly interested in canon formation.
The New York Times–bestselling author of Cleo “reprises her first book’s theme: cats have the power to help heal human suffering” (Publishers Weekly, starred review). Some say your previous cat chooses your new feline. If so, what in cat heaven’s name was our beloved Cleo thinking when she sent us a crazy cat like Jonah? Helen Brown swore she’d never get another cat after her precious Cleo died. But that was before a cute Siamese with an intense blue gaze wrapped her around his paw. Demonstrating the grace of a trapeze artist—and a talent for smashing anything breakable—Jonah seduced the household with his daredevil antics and heart-melting purr. With her son getting married, her daughter setting off on a potentially dangerous personal quest, and a recent brush with her own mortality, Helen faced a whirlwind of joys and challenges. Yet Jonah proved just the thing to ease the busy household’s growing pains. Uplifting, witty, and wise, here is a story of love and family—four-legged members included. Don’t Miss Helen Brown’s Beloved Bestseller, Cleo “A remarkable memoir . . . I realized that Helen Brown didn’t break my heart at all—she opened it.” —Beth Hoffman, New York Times–bestselling author “The next Marley & Me. Even non-cat-lovers will be moved.” —Good Housekeeping “A buoyant tale, heartfelt and open.” —Booklist “An absolute must.” —Cat World
Much of human experience can be distilled to saltwater: tears, sweat, and an enduring connection to the sea. In Vast Expanses, Helen M. Rozwadowski weaves a cultural, environmental, and geopolitical history of that relationship, a journey of tides and titanic forces reaching around the globe and across geological and evolutionary time. Our ancient connections with the sea have developed and multiplied through industrialization and globalization, a trajectory that runs counter to Western depictions of the ocean as a place remote from and immune to human influence. Rozwadowski argues that knowledge about the oceans—created through work and play, scientific investigation, and also through human ambitions for profiting from the sea—has played a central role in defining our relationship with this vast, trackless, and opaque place. It has helped us to exploit marine resources, control ocean space, extend imperial or national power, and attempt to refashion the sea into a more tractable arena for human activity. But while deepening knowledge of the ocean has animated and strengthened connections between people and the world’s seas, to understand this history we must address questions of how, by whom, and why knowledge of the ocean was created and used—and how we create and use this knowledge today. Only then can we can forge a healthier relationship with our future sea.
A fascinating polemic' Sunday Times 'A powerful, sobering and vital work' The Mail on Sunday 'A page-turning read, peppered with humour' Sight & Sound 'A must read' Edgar Wright A call to arms from Empire magazine's 'geek queen', Helen O'Hara, that explores women's roles - both in front of and behind the camera - since the birth of Hollywood, how those roles are reflected within wider society and what we can do to level the playing field. Hollywood was born just over a century ago, at a time of huge forward motion for women's rights. With no rules in place to stop them, there were women who forged ahead in many areas of filmmaking. Yet, despite the work of early pioneers like Dorothy Arzner, Mabel Normand, Mary Pickford and Alice Guy-Blaché, it soon came to embody the same old sexist standards. Women found themselves fighting a system that fed on their talent, creativity and beauty but refused to pay them the same respect as their male contemporaries - until now . . . The tide has finally begun to turn. A new generation of women, both in front of and behind the camera, are making waves in the industry and are now shaping some of the biggest films to hit our screens. In Women vs Hollywood: The Fall and Rise of Women in Film, film critic Helen O'Hara takes a closer look at the pioneering and talented women of Hollywood and their work in film since Hollywood began. And in understanding how women were largely written out of Hollywood's own origin story, and how the films we watch are put together, we can finally see how to put an end to a picture that is so deeply unequal - and discover a multitude of stories out there just waiting to be told.
Here is Helen Keller's endlessly fascinating life in all its variety: from intimate personal correspondence to radical political essays, from autobiography to speeches advocating the rights of disabled people.
This book looks at a key 50-year period (1880-1930) in France and Europe, to see how and why Baudelaire's poetry has been set to music in classical music, how composers have completely manipulated the texts, which poems they have chosen and why.
The biographer Winifred Gerin (1901-81), who wrote the lives of all four Bronte siblings, stumbled on her literary vocation on a visit to Haworth, after a difficult decade following the death of her first husband. On the same visit she met her second husband, a Bronte enthusiast twenty years her junior. Together they turned their backs on London to live within sight of the Parsonage, Gerin believing that full understanding of the Brontes required total immersion in their environment. Gerin's childhood and youth, like the Brontes', was characterised by a cultured home and intense imaginative life shared with her sister and two brothers, and by family tragedies (the loss of two siblings in early life). Strong cultural influences formed the children's imagination: polyglot parents, French history, the Crystal Palace, Old Vic productions. Winifred's years at Newnham College, Cambridge were enlivened by eccentric characters such as the legendary lecturer Quiller-Couch (Q'), Lytton Strachey's sister Pernel and Bloomsbury's favourite philosopher, G.E. Moore. Her happy life in Paris with her Belgian cellist husband, Eugene Gerin, was brought to an abrupt end by the Second World War, in which the couple had many adventures: fleeing occupied Belgium, saving Jews in Nice in Vichy France, escaping through Spain and Portugal to England, where they did secret war work for Political Intelligence near Bletchley. After Eugene's death in 1945 Winifred coped with bereavement through poetry and playwriting until discovering her true literary metier on the trip to Haworth. She also wrote about Elizabeth Gaskell, Anne Thackeray Ritchie and Fanny Burney. The book is based on her letters and on her unpublished memoir.
This study reconstructs the life of Pontius Pilate, the Roman governor responsible for the execution of Jesus. The first section provides the historical and archaeological background. The following chapters look at six first-century authors: Philo, Josephus and the four gospel writers. Each chapter asks how Pilate is being used as a literary character in each work, why each author describes Pilate in a different way, and what this tells us about the relationship between each author and the Roman state.
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