Urogynaecological problems are one of the most common reasons that women are referred to the hospital services, and can account for up to a fifth of the gynaecological surgery waiting list at any time. Pelvic floor problems can have a huge impact on the patient's quality of life, and therefore should be managed appropriately. Compact, portable, and comprehensive, this new addition to the Oxford Specialist Handbooks in Obstetrics and Gynaecology series covers all aspects of pelvic floor function and dysfunction, and approaches to assessment and management in all compartments (the bladder, reproductive system, and bowel). Special chapters are dedicated to urogynaecological issues in pregnancy and childbirth, and also to the effects of age on the pelvic floor. Covering all material needed for those undertaking the RCOG Advanced Training Skills Module in Urogynaecology and Vaginal Surgery, this is an invaluable guide for both senior general trainees in Gynaecology, and subspecialty trainees in urogynaecology.
Urogynaecological problems are one of the most common reasons that women are referred to the hospital services, and can account for up to a fifth of the gynaecological surgery waiting list at any time. Pelvic floor problems can have a huge impact on the patient's quality of life, and therefore should be managed appropriately. Compact, portable, and comprehensive, this new addition to the Oxford Specialist Handbooks in Obstetrics and Gynaecology series covers all aspects of pelvic floor function and dysfunction, and approaches to assessment and management in all compartments (the bladder, reproductive system, and bowel). Special chapters are dedicated to urogynaecological issues in pregnancy and childbirth, and also to the effects of age on the pelvic floor. Covering all material needed for those undertaking the RCOG Advanced Training Skills Module in Urogynaecology and Vaginal Surgery, this is an invaluable guide for both senior general trainees in Gynaecology, and subspecialty trainees in urogynaecology.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Catherine Helen Spence, an unparalleled advocate of women's rights in Australia and the world, is now recognized as an important predecessor to the Feminist movement. Her autobiography, composed while on her deathbed and enhanced with scholarly annotation from two Spence scholars, reveals a woman both in and ahead of her time.
Two novellas about the deep connections we forge with the people we love, and the pain of breaking those connections. In Honour, Kathleen and Frank are amicably separated, in contact through shared parenting of their young daughter, Flo. But when Frank finds a new partner and wants a divorce, Kathleen is hurt. And Flo can’t understand why they all can’t live together. In Other People’s Children, Ruth and Scotty live in a big share house that’s breaking up. Scotty is trying to hold on, remembering the early days of telling life stories and laughter and singing—and when the kids were everyone’s kids. But now the bitterness has crept in and their friendship is broken. Ruth is ready to move on—and she’ll take her kids with her. Helen Garner writes novels, stories, screenplays and works of non-fiction. In 2006 she received the inaugural Melbourne Prize for Literature, and in 2016 she won the prestigious Windham-Campbell Prize for non-fiction and the Western Australian Premier’s Book Award. Her book of essays Everywhere I Look won the 2017 Indie Book Award for Non-Fiction. ‘Garner is scrupulous, painstaking, and detailed, with sharp eyes and ears. She is everywhere at once, watching and listening, a recording angel at life’s secular apocalypses...her unillusioned eye makes her clarity compulsive.’ James Wood, New Yorker ‘She drills into experience and comes up with such clean, precise distillations of life, once you read them they enter into you. Successive generations of writers have felt the keen influence of her work and for this reason Garner has become part of us all.’ Weekend Australian ‘Helen Garner’s collections of fiction and non-fiction corroborate her reputation as a great stylist and a great witness.’ Peter Craven, Australian
The Last Days of Chez Nous & Two Friends showcases the range of one of Australia’s greatest writers. These two scripts for films—The Last Days of Chez Nous was directed by Gillian Armstrong in 1991, and Two Friends by Jane Campion in 1986—are funny, sharp observations of relationships and friendships that are as intimate and engrossing as Helen Garner’s acclaimed novels. This edition comes with a new introduction by the internationally renowned screenwriter Laura Jones, winner of the inaugural Australian Writers’ Guild Lifetime Achievement Award in 2016. Helen Garner is an award-winning author of novels, stories, screenplays and works of non-fiction. In 2006 she received the inaugural Melbourne Prize for Literature and in 2016 a Windham-Campbell Prize for Non-Fiction. Her novel The Spare Room, published in 2008, won the Victorian Premier’s Literary Award for Fiction, the Queensland Premier’s Award for Fiction and the Barbara Jefferis Award, and has been translated into many languages. Her non-fiction book This House of Grief won the Ned Kelly Award for Best True Crime of 2015. Helen Garner’s most recent book is Everywhere I Look. ‘(Garner’s) humour and pathos shine...The stories are absorbing, the preface, quite fascinating.’ BookMooch
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.