Jill and her dad are happy enough after her mother dies. Theirs is a simple life in the outback, far from the big city where a coathanger is being built across a sparkling harbour. Until Jack arrives at their door. Winner of the Somerset Maugham Award, Jack and Jill is a twisted fairytale, set from the Depression to the freewheeling ’60s.
In Helen Hodgman’s dazzlingly written debut a young woman is trapped in a small city on an island at the end of the world—by motherhood and an absent husband, by busybody in-laws and neighbours, by a drab society yet to throw off the shackles of its colonial past. A darkly funny tale of a crack-up in stultifying suburbia, Blue Skies marked the emergence of a unique, acerbic voice in Australian fiction. This edition includes an introduction by the acclaimed Tasmanian author Danielle Wood. The clock always said three in the afternoon, no matter what you did to it...No matter what you tried, the day ran out then, and there was nothing left to fill it with. Helen Hodgman was the author of the novels Blue Skies (1976), Jack and Jill (1978; winner of the Somerset Maugham Award), Broken Words (1988; winner of the Christina Stead Prize), Passing Remarks (1996), Waiting for Matindi (1998) and The Bad Policeman (2001). She died in June, 2022. ‘Singularly searing and merciless prose.’ Sunday Age ‘As fresh, punchy and relevant now as it was on its [first] release...A compelling vision.’ Australian ‘Scarily unforgettable.’ Peter Conrad ‘Strange and memorable.’ Eva Hornung ‘The very essence of Tasmanian gothic.’ Carmel Bird ‘Sensuous...Prickly as a sea urchin.’ Nicholas Shakespeare ‘A convincing study of a woman slowly losing her mind.’ Sunday Herald ‘Elegantly written, atmospheric.’ Brenda Niall, Australian Book Review ‘Has a masterpiece’s power to thrill and discomfort.’ Sunday Tasmanian ‘Stylistically assured...Daring and persuasive in its depiction of a controlled and vengeful anguish.’ Peter Pierce, Sydney Morning Herald
This book illuminates the racialized nature of twenty-first century Western popular culture by exploring how discourses of race circulate in the Fantasy genre. It examines not only major texts in the genre, but also the impact of franchises, industry, editorial and authorial practices, and fan engagements on race and representation. Approaching Fantasy as a significant element of popular culture, it visits the struggles over race, racism, and white privilege that are enacted within creative works across media and the communities which revolve around them. While scholars of Science Fiction have explored the genre’s racialized constructs of possible futures, this book is the first examination of Fantasy to take up the topic of race in depth. The book’s interdisciplinary approach, drawing on Literary, Cultural, Fan, and Whiteness Studies, offers a cultural history of the anxieties which haunt Western popular culture in a century eager to declare itself post-race. The beginnings of the Fantasy genre’s habits of whiteness in the twentieth century are examined, with an exploration of the continuing impact of older problematic works through franchising, adaptation, and imitation. Young also discusses the major twenty-first century sub-genres which both re-use and subvert Fantasy conventions. The final chapter explores debates and anti-racist praxis in authorial and fan communities. With its multi-pronged approach and innovative methodology, this book is an important and original contribution to studies of race, Fantasy, and twenty-first century popular culture.
Jill and her dad are happy enough after her mother dies. Theirs is a simple life in the outback, far from the big city where a coathanger is being built across a sparkling harbour. Until Jack arrives at their door. Winner of the Somerset Maugham Award, Jack and Jill is a twisted fairytale, set from the Depression to the freewheeling ’60s.
Post-Colonial Drama is the first full-length study to address the ways in which performance has been instrumental in resisting the continuing effects of imperialism. It brings to bear the latest theoretical approaches from post-colonial and performance studies to a range of plays from Australia, Africa, Canada, New Zealand, the Caribbean and other former colonial regions. Some of the major topics discussed in Post-Colonial Drama include: * the interactions of post-colonial and performance theories * the post-colonial re-stagings of language and history * the specific enactments of ritual and carnival * the theatrical citations of the post-colonial body Post-Colonial Drama combines a rich intersection of theoretical approaches with close attention to a wide range of performance texts.
New edition of a title in the popular Midwifery Essentials series originally published in conjunction with The Practising Midwife journal. The series covers core topics in midwifery education in an engaging and friendly format using a helpful 'jigsaw' approach which encourages readers to explore topics from a variety of perspectives e.g. effective communication, team working and health promotion. Helpful 'scenarios' throughout each volume encourage debate and reflection, core elements of midwifery education. - Fully updated to provide a useful, friendly source of information - Strong focus on contemporary women-centred care - Designed to stimulate debate and reflection upon current practice, local policies and procedures - Scenarios enable practitioners to understand the context of maternity care and explore their role in safe and effective service provision - Helpful 'jigsaw' approach enables readers to explore specific topics from a variety of perspectives e.g. consent, safety and health promotion - Explains the professional and legal issues surrounding clinical procedures - Chapters designed to be read as a 'standalone' or in succession - Emphasises the crucial role of effective communication - Makes reference to the latest national and international guidelines - Contains new scenarios to reflect recent changes in practice - Improved layout aids retention and learning - Fully updated throughout with the latest evidence base for clinical skills and procedures - Embraces the principles of 'Better Births
NATIONAL BESTSELLER • “A raucous, whip-smart collection of stories featuring retro-feminist ladies who lunch.” —Elle Meet the women of American Housewife. They wear lipstick, pearls, and sunscreen, even when it’s cloudy. They casserole. They pinwheel. And then they kill a party crasher, carefully stepping around the body to pull cookies from the oven. Taking us from a haunted pre-war Manhattan apartment building to the unique initiation ritual of a book club, these twelve delightfully demented stories are a refreshing and wicked answer to the question: “What do housewives do all day?”
Impressive, exhaustive, labyrinthine, and obsessive—The Anime Encyclopedia is an astonishing piece of work."—Neil Gaiman Over one thousand new entries . . . over four thousand updates . . . over one million words. . . This third edition of the landmark reference work has six additional years of information on Japanese animation, its practitioners and products, plus incisive thematic entries on anime history and culture. With credits, links, cross-references, and content advisories for parents and libraries. Jonathan Clements has been an editor of Manga Max and a contributing editor of Newtype USA. Helen McCarthy was founding editor of Anime UK and editor of Manga Mania.
Two novellas about the deep connections we forge with the people we love, and the pain of breaking those connections. In Honour, Kathleen and Frank are amicably separated, in contact through shared parenting of their young daughter, Flo. But when Frank finds a new partner and wants a divorce, Kathleen is hurt. And Flo can’t understand why they all can’t live together. In Other People’s Children, Ruth and Scotty live in a big share house that’s breaking up. Scotty is trying to hold on, remembering the early days of telling life stories and laughter and singing—and when the kids were everyone’s kids. But now the bitterness has crept in and their friendship is broken. Ruth is ready to move on—and she’ll take her kids with her. Helen Garner writes novels, stories, screenplays and works of non-fiction. In 2006 she received the inaugural Melbourne Prize for Literature, and in 2016 she won the prestigious Windham-Campbell Prize for non-fiction and the Western Australian Premier’s Book Award. Her book of essays Everywhere I Look won the 2017 Indie Book Award for Non-Fiction. ‘Garner is scrupulous, painstaking, and detailed, with sharp eyes and ears. She is everywhere at once, watching and listening, a recording angel at life’s secular apocalypses...her unillusioned eye makes her clarity compulsive.’ James Wood, New Yorker ‘She drills into experience and comes up with such clean, precise distillations of life, once you read them they enter into you. Successive generations of writers have felt the keen influence of her work and for this reason Garner has become part of us all.’ Weekend Australian ‘Helen Garner’s collections of fiction and non-fiction corroborate her reputation as a great stylist and a great witness.’ Peter Craven, Australian
A luminous new memoir from the author of the critically acclaimed national bestseller After Long Silence, The Escape Artist has been lauded by New York Times bestselling author Mary Karr as “beautifully written, honest, and psychologically astute. A must-read.” In the tradition of Alison Bechdel’s Fun Home and George Hodgman’s Bettyville, Fremont writes with wit and candor about growing up in a household held together by a powerful glue: secrets. Her parents, profoundly affected by their memories of the Holocaust, pass on to both Helen and her older sister a zealous determination to protect themselves from what they see as danger from the outside world. Fremont delves deeply into the family dynamic that produced such a startling devotion to secret keeping, beginning with the painful and unexpected discovery that she has been disinherited in her father’s will. In scenes that are frank, moving, and often surprisingly funny, She writes about growing up in such an intemperate household, with parents who pretended to be Catholics but were really Jews—and survivors of Nazi-occupied Poland. She shares tales of family therapy sessions, disordered eating, her sister’s frequently unhinged meltdowns, and her own romantic misadventures as she tries to sort out her sexual identity. Searching, poignant, and ultimately redemptive, The Escape Artist is a powerful contribution to the memoir shelf.
Geological Structures is an easy-to-use, highly informative photographic field guide that introduces the great variety of geological structures to be found all around us. The authors' beautiful photography, extended captions and accessible text make interpreting and understanding geological structures simple, whether you're an amateur enthusiast keen to learn or a more experienced geologist. The three main rock groups - igneous, metamorphic and sedimentary - and their related structures are each covered in detail, followed by sections focusing on folds and folding, faults and faulting, and unconformities. Structures and related landforms are illustrated in more than 200 detailed colour photographs and their helpful captions assist with identification in the field. Each geological account includes an indication of the structure's formation and provides useful information on how to identify and understand its distinguishing features.
Women most fully experience the consequences of human reproductive technologies. Men who convene to evaluate such technologies discuss "them": the women who must accept, avoid, or even resist these technologies; the women who consume technologies they did not devise; the women who are the objects of policies made by men. So often the input of women is neither sought nor listened to. The privileged insights and perspectives that women bring to the consideration of technologies in human reproduction are the subject of these volumes, which constitute the revised and edited record of a Workshop on "Ethical Issues in Human Reproduction Technology: Analysis by Women" (EIRTAW), held in June, 1979, at Hampshire College in Amherst, Massachusetts. Some 80 members of the workshop, 90 percent of them women (from 24 states), represented diverse occupations and personal histories, different races and classes, varied political commitments. They included doctors, nurses, and scientists, lay midwives, consumer advocates, historians, and sociologists, lawyers, policy analysts, and ethicists. Each session, however, made plain that ethics is an everyday concern for women in general, as well as an academic profession for some.
SIGHTLINES explores Australian drama for its complex negotiations of race, gender, and postcolonialism. Drama scholar Helen Gilbert discusses an exciting variety of plays. Although focused mainly on performance, her insistent interest in historical and political contexts also speaks to the broader concerns of cultural studies. 23 illustrations.
A young wife and mother watches a clock that seems forever stuck at three-in-the-afternoon. Her neighbour obsesses over the front lawn, and the women at the local beach chatter about knitting patterns. Her husband didn't come home last night. She lives for Tuesdays and Thursdays, when the baby is with Mother-in-law and she can escape to a less humdrum life. Jonathan, man about town, is Tuesday. Ben, a freethinking artist, is Thursday. But Jonathan is in serious trouble, and Thursdays are turning sour. Very sour. A brilliant, acerbic tale of a crack-up in stultifying suburbia, Blue Skies marked the emergence of a unique voice in Australian fiction.
Recovering from an operation in the Australian countryside and Bondi Beach, the wry, ever-observant narrator of Helen Hodgman's beautifully written new novel waits as life washes over her like waves on the sand. Sensing that her lover is pulling away, yet feeling powerless in the face of this imminent loss, she is a woman in search of something that will define her life. Then, into her slowly shattering world comes the promise of change, or at the very least, distraction, with the imminent arrival of Matindi from Kenya. Beautiful, mysterious Matindi. The friend of a friend with an exotic past who becomes a human talisman, the intoxicating allure of expectation--or is she? Somewhere between truth and fiction, laughter and tears, wait the realities that will forever alter this tiny community of friends and lovers.
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