A first-rate whodunnit set in the 1960s New York art world, a time and place Helen Harrison has recreated with a page-turning mix of history, gossip, and fun!"—Bob Colacello, author of Holy Terror: Andy Warhol Close Up One artist. One student. One deadly mystery. When Regionalist painter Thomas Hart Benton's corpse is discovered behind the easels of Manhattan's famed art school, whispers in the art community say he had it coming. As Benton's list of enemies lengthens to include the school's instructors, Vietnam War protesters, and members of Andy Warhol's entourage, one art student is ultimately painted as the murderer. The only problem: the suspect has vanished. Why would an art student murder Benton? And if he were innocent, why would he run? When TJ Fitzgerald, son of Detective Juanita Diaz and Captain Brian Fitzgerald of the NYPD, discovers his classmate is the prime suspect, he uses his own investigative skills to try and clear his name. But as TJ and his girlfriend work to unravel the clues to the art mystery, he begins to wonder if the police got it wrong and one secret may be the key to it all... Helen Harrison's An Artful Corpse is a clever mystery sure to please art enthusiasts and armchair detectives alike.
Accidents happen. But so does murder... On the night of August 11, 1956, in a quiet East Hampton hamlet, Jackson Pollock crashed his car into a tree. The accident killed Pollock, the world-renowned abstract painter and notorious alcoholic, and his 25-year old passenger, Edith Metzger...or did it? Metzger's autopsy reveals that she was already dead before the crash. Was it murder? This shocking question draws vacationing Detective Juanita Diaz and her husband, Captain Brian Fitzgerald, of the NYPD into a homicide investigation that implicates famous members of East Hampton's art community—including Pollock himself. "Edifying and juicy."—Newsday
Murder is a work of art... When the acclaimed Cuban painter Wifredo Lam turns up dead in his Greenwich Village studio, officers Juanita Diaz and Brian Fitzgerald of the NYPD, must investigate the crime. But what they find is much more gruesome than they ever could have imagined. Suspicion soon falls on a tight-knit circle of Surrealist refugees who fled Nazi-occupied Europe during World War II, and Diaz and Fitzgerald must traverse the city, from Chinatown's underworld to Spanish Harlem's gangland, to find the truth. Did one of the artists' bizarre parlor games turn deadly? Or is there something even more sinister afoot? "Smart, witty, filled with so much history of the period, beautifully written, and suspenseful."—Jonathan Santlofer, author of The Death Artist
Despite the depression, the Richardsons enjoy a rewarding life on the Tasmanian coast in Harrisons Way a small, seaside community. Mary Richardson has to deal with the grief of her friend Lilys death in childbirth, but looking into the newborns eyes, she dares to hope that little Rowies life will be happier. Love and romance bless Lilys eldest daughter Kathryns life, when she meets Jim an itinerant worker. But her happiness is tainted when she becomes the first victim of a brutal predator. Marys daughter Frances also falls prey to these crimes. Can they find this man in time to spare the other young women in the community? Thirty years later, and Frances and her husband live in Hillcrest View, the Richardsons family home. It is here that a mothers worst nightmare occurs the unsolved disappearance of her child Steven. A series of bushfires that threaten Harrisons Way makes the hot summer of 1964 even hotter. Are these the natural by-product of the hot Tasmanian summers or is it an arsonist at work? In the days of a new millennium, Frances now faces life in a nursing home as she battles the scourge of dementia. Susanne, her widowed daughter, has challenges of her own with a new beau, who may not be all he seems. Frances, despite her fleeting grip on reality, cannot let the past hurts go. What happened to her son?
Despite the depression, the Richardson's enjoy a rewarding life on the Tasmanian coast in Harrison's Way a small, seaside community. Mary Richardson has to deal with the grief of her friend Lily's death in childbirth, but looking into the newborn's eyes, she dares to hope that little Rowie's life will be happier. Love and romance bless Lily's eldest daughter Kathryn's life, when she meets Jim an itinerant worker. But her happiness is tainted when she becomes the first victim of a brutal predator. Mary's daughter Frances also falls prey to these crimes. Can they find this man in time to spare the other young women in the community? Thirty years later, and Frances and her husband live in Hillcrest View, the Richardson's family home. It is here that a mother's worst nightmare occurs - the unsolved disappearance of her child Steven. A series of bushfires that threaten Harrison's Way makes the hot summer of 1964 even hotter. Are these the natural by-product of the hot Tasmanian summers - or is it an arsonist at work? In the days of a new millennium, Frances now faces life in a nursing home as she battles the scourge of dementia. Susanne, her widowed daughter, has challenges of her own with a new beau, who may not be all he seems. Frances, despite her fleeting grip on reality, cannot let the past hurts go. What happened to her son?
Richly illustrated with archival photos and reproductions of the artists' work, "Hamptons Bohemia" chronicles the evolution of a community and the colorful characters who have inhabited it, from Winslow Homer to George Plimpton. 176 full-color and halftone images.
The depression years have hit the community of Harrison's Way hard. The Richardson family have learned to live frugally, yet have a wealth of love to give to others. Mary 'adopts' the Fields family after their mother dies during childbirth, supporting the baby and her siblings. The eldest, Kathryn, is victim to a brutal predator who stalks other local girls, including Frances Richardson. A generation later, Frances and her husband live in Hillcrest View, the family home. Tragedy has struck some years earlier, when their son disappeared. Frances' life has changed since that awful event. During the summer of 1964, a series of bush-fires cause chaos for the Richardsons' extended family, as the fires wreak havoc over an extended area of the east coast. Harrison's Way has come of age and Frances now lives in a nursing home, still battling with memories of her missing son. What did happen to Steven? Susanne, her widowed daughter, has challenges of her own, as her friendship with Bill Hall, a recently returned local, deepens. Is he all he says he is? Her flamboyant sister, Janet, discovers the truth whilst assisting the police solve a local crime.
The audacious first novel from the award-winning and bestselling author of Boy, Snow, Bird and What Is Not Yours Is Not Yours • “Oyeyemi brilliantly conjures up the raw emotions and playground banter of childhood. . . . A masterly first novel.”–The New York Times Book Review "Remarkable. . . . As original as it is unsettling, The Icarus Girl runs straight at the heart of what it means to belong."– O, The Oprah Magazine Jessamy “Jess” Harrison, age eight, is the child of an English father and a Nigerian mother. Possessed of an extraordinary imagination, she has a hard time fitting in at school. It is only when she visits Nigeria for the first time that she makes a friend who understands her: a ragged little girl named TillyTilly. But soon TillyTilly’s visits become more disturbing, until Jess realizes she doesn’t actually know who her friend is at all. Drawing on Nigerian mythology, Helen Oyeyemi presents a striking variation on the classic literary theme of doubles — both real and spiritual — in this lyrical and bold debut.
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