Helen Hardacre offers for the first time in any language a sweeping, comprehensive history of Shinto, the tradition that is practiced by some 80% of the Japanese people and underlies the institution of the Emperor.
Helen Hardacre provides new insights into the spiritual and cultural dimensions of abortion debates around the world in this careful examination of mizuko kuyo—a Japanese religious ritual for aborted fetuses. Popularized during the 1970s, when religious entrepreneurs published frightening accounts of fetal wrath and spirit attacks, mizuko kuyo offers ritual atonement for women who, sometimes decades previously, chose to have abortions. As she explores the complex issues that surround this practice, Hardacre takes into account the history of Japanese attitudes toward abortion, the development of abortion rituals, the marketing of religion, and the nature of power relations in intercourse, contraception, and abortion. Although abortion in Japan is accepted and legal and was commonly used as birth control in the early postwar period, entrepreneurs used images from fetal photography to mount a surprisingly successful tabloid campaign to promote mizuko kuyo. Enthusiastically adopted by some religionists as an economic strategy, it was soundly rejected by others on doctrinal, humanistic, and feminist grounds. In four field studies in different parts of the country, Helen Hardacre observed contemporary examples of mizuko kuyo as it is practiced in Buddhism, Shinto, and the new religions. She also analyzed historical texts and contemporary personal accounts of abortion by women and their male partners and conducted interviews with practitioners to explore how a commercialized ritual form like mizuko kuyo can be marketed through popular culture and manipulated by the same forces at work in the selling of any commodity. Her conclusions reflect upon the deep current of misogyny and sexism running through these rites and through feto-centric discourse in general.
Have you ever entered an old house and wondered at it's history? Imagined the people who lived there previously. What sort of furniture did they have, what sort of life did they live? Have there been many structural changes made? If only walls could talk - imagine the stories they could tell us? This story tells the history of a house and its occupants from a completely different angle to probably any book you have ever read before.Hardacre Farm, near Pulborough, Sussex was built in the 1690's by yeoman farmer Halburton Hardacre and his sons. Through centuries of change there is always a watcher; a guardian who constantly takes care of whoever stays at the property. Who could it be.......It isn't a ghost.
Helen Hardacre offers for the first time in any language a sweeping, comprehensive history of Shinto, the tradition that is practiced by some 80% of the Japanese people and underlies the institution of the Emperor.
Helen Hardacre provides new insights into the spiritual and cultural dimensions of abortion debates around the world in this careful examination of mizuko kuyo—a Japanese religious ritual for aborted fetuses. Popularized during the 1970s, when religious entrepreneurs published frightening accounts of fetal wrath and spirit attacks, mizuko kuyo offers ritual atonement for women who, sometimes decades previously, chose to have abortions. As she explores the complex issues that surround this practice, Hardacre takes into account the history of Japanese attitudes toward abortion, the development of abortion rituals, the marketing of religion, and the nature of power relations in intercourse, contraception, and abortion. Although abortion in Japan is accepted and legal and was commonly used as birth control in the early postwar period, entrepreneurs used images from fetal photography to mount a surprisingly successful tabloid campaign to promote mizuko kuyo. Enthusiastically adopted by some religionists as an economic strategy, it was soundly rejected by others on doctrinal, humanistic, and feminist grounds. In four field studies in different parts of the country, Helen Hardacre observed contemporary examples of mizuko kuyo as it is practiced in Buddhism, Shinto, and the new religions. She also analyzed historical texts and contemporary personal accounts of abortion by women and their male partners and conducted interviews with practitioners to explore how a commercialized ritual form like mizuko kuyo can be marketed through popular culture and manipulated by the same forces at work in the selling of any commodity. Her conclusions reflect upon the deep current of misogyny and sexism running through these rites and through feto-centric discourse in general.
Helen Hardacre, a leading scholar of religious life in modern Japan, examines the Japanese state's involvement in and manipulation of shinto from the Meiji Restoration to the present. Nowhere else in modern history do we find so pronounced an example of government sponsorship of a religion as in Japan's support of shinto. How did that sponsorship come about and how was it maintained? How was it dismantled after World War II? What attempts are being made today to reconstruct it? In answering these questions, Hardacre shows why State shinto symbols, such as the Yasukuni Shrine and its prefectural branches, are still the focus for bitter struggles over who will have the right to articulate their significance. Where previous studies have emphasized the state bureaucracy responsible for the administration of shinto, Hardacre goes to the periphery of Japanese society. She demonstrates that leaders and adherents of popular religious movements, independent religious entrepreneurs, women seeking to raise the prestige of their households, and men with political ambitions all found an association with shinto useful for self-promotion; local-level civil administrations and parish organizations have consistently patronized shinto as a way to raise the prospects of provincial communities. A conduit for access to the prestige of the state, shinto has increased not only the power of the center of society over the periphery but also the power of the periphery over the center.
The sign read 'Do Not Disturb', and at first Edith Talbot ignored the pitiful whimpering that came through the door. The hotel clerk assured her that the room was occupied by a sick boy under the care of a physician. Later in the night, when the cries resumed, she felt something must be done, and she made the fatal mistake of knocking on the door ... From then on things begin to happen, strange things that at first seem like coincidence but crescendo into a series of hair-raising events. 'Continuous action, and extra good writing' Saturday Review of Literature
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The sign read 'Do Not Disturb', and at first Edith Talbot ignored the pitiful whimpering that came through the door. The hotel clerk assured her that the room was occupied by a sick boy under the care of a physician. Later in the night, when the cries resumed, she felt something must be done, and she made the fatal mistake of knocking on the door ... From then on things begin to happen, strange things that at first seem like coincidence but crescendo into a series of hair-raising events. 'Continuous action, and extra good writing' Saturday Review of Literature
This monograph with an accompanying CD-ROM explores through plot repetition the relationships between three genres of traditional Japanese theatre, nō, kabuki and ningyō-jōruri, with a focus on plays depicting the final, fugitive years of Minamoto no Yoshitsune. First, the theoretical background to the concept of plot repetition is discussed and the theme of Yoshitsune’s downfall is introduced. The next and main section analyses the treatment of the Funa Benkei and Ataka/Kanjinchō plots in the three genres, with reference to their historical development and contemporary performance. The CD-ROM contains video clips, photographs and nishiki-e prints from productions in each genre to illustrate how the plots are presented on stage.
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