A forbidden romance in occupied Norway... Narvik, 1940. After Laila awakens to the sight of warships in the fjord, it isn't long before she turns resistor to the brutal Nazi regime. She is horrified when local girls begin affairs with enemy soldiers, yet against her own principles, she finds herself falling in love with German soldier, Josef. Josef is not like the others. He becomes involved in helping her and the locals with resistance activities, risking his life on more than one occasion. But then Laila finds out she is pregnant. With Josef sent to the Russian front, and Laila cast out by her family, she turns to a home for women which promises to care for her and her unborn child. But instead, she finds herself caught in a system of evil far beyond what she thought possible... - 'This debut shines a light on a little known, but no less vital, corner of the war - events we should all know about. Fascinating.' Mandy Robotham, author of The War Pianist 'The layers of deception Laila encounters at the Lebensborn home were masterfully done and had me glued to the pages. A powerful debut, and a must-read for fans of historical fiction.' USA Today bestseller, Andie Newton 'Atmospheric and gripping.' Jacquie Bloese, author of The French House. '...both a poignant love story, and a fascinating exploration of the experience of being an occupied nation during a time of war... An accomplished and gripping debut!' Louise Fein, author of People Like Us 'A heartbreaking tale of love, loss and overwhelming courage. I was captivated, and couldn't turn the pages fast enough." Siobhan Daiko, author of The Girl from Venice 'The compelling story of Laila - a woman of great hope and courage - who showed how love, loyalty and compassion can endure despite the evils of war.' Catherine Law, author of The Officer's Wife ‘The story tore my heart out but I love the strength and determination in the most vulnerable characters ... A gripping and exciting read.’ ⭐️⭐️⭐️⭐️⭐️ netgalley review ‘This book is powerful, thought provoking and is written in such a beautiful way ... we just NEED a sequel as simple as that.’ ⭐️⭐️⭐️⭐️⭐️ netgalley review ‘A beautiful story of heroism, bravery, womanhood, motherhood, and love amidst the chaos of war. It’s such an addicting and beautifully written story. I stayed up way past my bedtime to finish this book!’ ⭐️⭐️⭐️⭐️⭐️ netgalley review ‘A superbly written book ... It is truly a sublime read that creates a picture of beauty, sadness, loss and the ability to overcome. I LOVED IT!’ ⭐️⭐️⭐️⭐️⭐️ netgalley review ‘A marvellous historical debut that enthralled me ... a fabulous debut’ ⭐️⭐️⭐️⭐️⭐️ netgalley review
After a shocking death at a luxurious Italian resort, two very different women must question everything—and everyone—they love in order to untangle truth from lies in this twisty, captivating read. One year ago, Leah’s feisty 21-year-old niece, Amy, mysteriously drowned in the beautiful lake near her family-owned resort in Northern Italy. Now, Leah’s grief has caught up with her, and she decides to return to Lake Garda for the first time since Amy’s death. What she finds upon her arrival shocks her—her sister, brother-in-law, and surviving niece, Olivia, seem to have erased all memories of Amy, and fought to have her death declared an accidental drowning, despite murky circumstances. Leah knows she must look beyond the resort’s beautiful façade and uncover what truly happened to Amy, even if her digging places both her family ties and her very life in danger. Meanwhile, in Central England, thirtysomething Joanna is recovering from a surprising break-up when she is swept off her feet by a handsome bartender. But when she learns that he is on the run from something in his past, and that their meeting may not have been a coincidence, Joanna realized that he may just a bit too good to be true. What follows is a propulsive cat-and mouse game set against the Italian lakeside as the two seemingly-unconnected women are caught up in a dangerous conspiracy.
Why do we find it hard to explain what happens when words are set to music? This study looks at the kind of language we use to describe word/music relations, both in the academic literature and in manuals for singers or programme notes prepared by professional musicians. Helen Abbott's critique of word/music relations interrogates overlaps emerging from a range of academic disciplines including translation theory, adaptation theory, word/music theory, as well as critical musicology, métricométrie, and cognitive neuroscience. It also draws on other resources-whether adhesion science or financial modelling-to inform a new approach to analysing song in a model proposed here as the assemblage model. The assemblage model has two key stages of analysis. The first stage examines the bonds formed between the multiple layers that make up a song setting (including metre/prosody, form/structure, sound repetition, semantics, and live performance options). The second stage considers the overall outcome of each song in terms of the intensity or stability of the words and music present in a song (accretion/dilution). Taking the work of the major nineteenth-century French poet Charles Baudelaire (1821-67) as its main impetus, the volume examines how Baudelaire's poetry has inspired composers of all genres across the globe, from the 1860s to the present day. The case studies focus on Baudelaire song sets by European composers between 1880 and 1930, specifically Maurice Rollinat, Gustave Charpentier, Alexander Gretchaninov, Louis Vierne, and Alban Berg. Using this corpus, it tests out the assemblage model to uncover what happens to Baudelaire's poetry when it is set to music. It factors in the realities of song as a live performance genre, and reveals which parameters of song emerge as standard for French text-setting, and where composers diverge in their approach.
The World Bank insists that the urban share of sub-Saharan Africa's population is rapidly increasing - this study shows that in many countries this is no longer true as migration strategies have adapted in response to economic andpolitical change. Circular migration, whereby rural migrants do not remain permanently in town, has particular significance in the academic literature on development and urbanization in Africa, often having negative connotations in southern Africanist studies due to its links with an iniquitous migrant labour system. Literature on other African regions often views circular migration more positively. This book reviews the current evidence about circular migration and urbanization in sub-Saharan Africa. The author challenges the dominant view that rural-urban migration continues unabated and shows that circular migration has continued and has adapted, with faster out-migration in the face of decliningurban economic opportunities. The empirical core of the book illustrates these trends through a detailed examination of the case of Zimbabwe based on the author's longstanding research on Harare. The political and economic changes in Zimbabwe since the 1980s transformed Harare from one of the best African cities to live in over this period to one of the worst. Harare citizens' livelihoods exemplify, in microcosm, the central theme of the book: the re-invention of circulation and rural-urban links in response to economic change. Deborah Potts is a Senior Lecturer in the Geography Department of King's College London. She works in the broad research field of urbanization and migration in sub-Saharan Africa, particularly southern Africa and has conducted research on these themes in Harare in Zimbabwe since 1985. Southern Africa (South Africa, Botswana, Lesotho, Swaziland, Namibia) and Zimbabwe: University of Cape Town Press (PB)
Creative research methods can help to answer complex contemporary questions which are hard to answer using conventional methods alone. Creative methods can also be more ethical, helping researchers to address social injustice. This bestselling book, now in its second edition, is the first to identify and examine the five areas of creative research methods: • arts-based research • embodied research • research using technology • multi-modal research • transformative research frameworks. Written in an accessible, practical and jargon-free style, with reflective questions, boxed text and a companion website to guide student learning, it offers numerous examples of creative methods in practice from around the world. This new edition includes a wealth of new material, with five extra chapters and over 200 new references. Spanning the gulf between academia and practice, this useful book will inform and inspire researchers by showing readers why, when, and how to use creative methods in their research. Creative Research Methods has been cited over 500 times.
Person-centred thinking and planning are approaches that enable people using social care and health services to plan their future, and use a personal budget to commission personalised services. Creating Person-Centred Organisations is a guide for organisations who want to deliver personalised services. Key issues covered include attending to the vision, strategy and business planning of the organisation, as well as organisational processes, culture and managing change. Drawing on the pioneering work of the social care charity United Response, the authors provide a wealth of practical tools and techniques to enable organisations within health, social care and the voluntary sector to use person-centred thinking tools and approaches to move towards becoming person-centred organisations. This is an essential guide for managers and leaders within private, statutory and voluntary organisations. Stephen Stirk is Director of Human Resources at the social care charity United Response. He has had over 30 years' experience in human resources, organisation development and line management positions, including specialism in organisation design and development with GlaxoSmithKline. Helen Sanderson is Director of Helen Sanderson Associates. She has written extensively on person-centred thinking, planning, community building and Individual Service Funds. She has worked with a range of providers to enable them to deliver more personalised services. She is co-author (with Jaimee Lewis) of A Practical Guide to Delivering Personalisation: Person-Centred Practice in Health and Social Care (Jessica Kingsley Publishers).
Would you sell your hand for a million dollars? Regan "Roz" Osbourne is broke. Her ex-boyfriend won't take no for an answer, and no one is taking her artwork seriously. So when a mysterious stranger offers her a million dollars and safety from her unstable ex in exchange for her left hand, she can't afford to refuse. & Immediately following the amputation, she's racked with insufferable phantom limb pain. Desperate for relief, she enrolls in an experimental drug trial. But this drug has a peculiar side effect—she develops a psychic connection to her missing limb. She soon discovers that Chicago's long-dormant Phantom Strangler is now wearing her hand and is using it . . . to kill.
Helen Zille’s long-awaited autobiography is one of the most fascinating political stories of our time. Zille takes the reader back to her humble family origins, her struggle with anorexia as a young woman, her early career as a journalist for the Rand Daily Mail, and her involvement with the End Conscription Campaign and the Black Sash. She documents her early days in the Democratic Party and the Democratic Alliance, at a time when the party was locked in a no-holds-barred factional conflict. And she chronicles the intense political battles to become mayor of Cape Town, leader of the DA and premier of the Western Cape, in the face of dirty tricks from the ANC and infighting within her own party. This is a story about political intrigue and treachery, floor-crossing and unlikely coalitions, phone tapping and intimidation, false criminal charges and judicial commissions. It documents Zille’s courageous fight against corruption and state capture and her efforts to realign politics and entrench accountability. And it describes a mother’s battle to raise children in the pressured world of South African politics. This book is as frank, honest and unflinching as Helen Zille herself, and will appeal to anyone interested in the story of South African politics over the past fifty years.
Exam board: AQA, Edexcel, OCR, WJEC/Eduqas Level: A-level Subject: German First teaching: September 2016 First exams: Summer 2018 Make German grammar second nature with this trusted reference book containing over 300 activities - now completely revised in line with the new A-level specifications. - Supplement key resources in class or encourage independent practice at home, with clear explanations of the grammar points needed at A-level and knowledge-check exercises throughout - Prepare for assessment with longer application activities focused on developing writing skills such as translation and summary - Build confidence as exercises get increasingly more challenging to mirror students' advancement throughout the course - Check students' progress with regular grammar tests and all answers supplied online
Despite International Olympic Committee president Juan Antonio Samarach's proclaiming the Sydney 2000 Olympics as the "best ever," the truth of the matter is much less one-sided. In The Best Olympics Ever? Helen Jefferson Lenskyj discloses what the Sydney 2000 Olympic industry suppressed: the real costs and impacts.
Bringing together the diverse and marvelously articulate voices of women of Irish and Irish-American descent, editors Caitriona Moloney and Helen Thompson examine the complicated maps of experience that the women's public, private, and literary lives represent—particularly as they engage in both feminism and postcolonialism. Acknowledging Mary Robinson's revised view of Irish identity—now global rather than local—this work recognizes the importance of identity as a site of mobility. The pieces reveal how complex the terms "feminism" and "postcolonialism" are; they examine how the individual writers see their identities constructed and/or mediated by sexuality. In addition, the book traces common themes of female agency, violence, generational conflicts, migration, emigration, religion, and politics to name a few. As it represents the next wave of Irish women writers, this book offers fresh insight into the work of emerging and established authors and will appeal to a new generation of readers.
This title is endorsed by Cambridge Assessment International Education to support the full syllabus for examination from 2021. Strengthen language skills and cultural awareness with a differentiated approach that offers comprehensive coverage of the revised Cambridge IGCSETM German (0525/7159) syllabuses for first examination from 2021. - Develop the cultural awareness at the heart of the syllabus with engaging stimulus material and questions from around the world which will encourage a positive attitude towards other cultures - Progress the ability to use the language effectively with activities developing all four key skills, supported by teacher notes and answers in the teacher guide - Stretch and challenge students to achieve their best, whilst supporting all abilities with differentiated content throughout - Ensure the progression required for further study at A-level or equivalent - Help to prepare for the examination with exam-style questions throughout Audio is available via the Boost eBook, Boost subscription or the Teacher Guide. Also available in the series Reading and Listening Skills Workbook ISBN: 9781398329423 Grammar Workbook ISBN: 9781510448056 Vocabulary Workbook ISBN: 9781510448063 Study and Revision Guide ISBN: 9781510448186 Boost eBook: 9781398329591 Boost digital teacher resources ISBN: 9781398329546 Teacher Guide with audio ISBN: 9781510448544
German women writers of the eighteenth and nineteenth centuries have been the subject of feminist literary critical and historical studies for around thirty years. This volume, with contributions from an international group of scholars, takes stock of what feminist literary criticism has achieved in that time and reflects on future trends in the field. Offering both theoretical perspectives and individual case studies, the contributors grapple with the difficulties of appraising 'non-feminist' women writers and genres from a feminist perspective and present innovative approaches to research in early women's writing. This inclusive and cross- disciplinary collection of essays will enrich the study of German women's writing of the eighteenth and nineteenth centuries and contribute to contemporary debates in feminist literary criticism. Anna Richards is Lecturer in German at Birkbeck College, University of London. Helen Fronius is College Lecturer in German at Keble College, University of Oxford.
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