Croydon, England, was the setting of the famous three-way friendship of D. H. Lawrence, Jessie Chambers, and Helen Corke, all of whom made literary records of their association, and all of whom appeared as characters in Lawrence novels. Perhaps the most objective of these records were Helen Corke’s, which became difficult to acquire. Their scarcity and their continuing usefulness were the stimulus for publication of this volume, which contains in four statements Helen Corke’s “major comment on Lawrence the man and Lawrence the artist.” The “Portrait of D. H. Lawrence, 1909–1910,” a section from Corke’s unpublished autobiography, gives the reader glimpses into the earliest stages of the Lawrence-Corke friendship, when Lawrence worked to bring meaning back into Corke’s life after she had suffered a tragic loss. The “Portrait” tells of conversations before a log fire, German lessons, the reading of poetry, and sessions over Lawrence’s manuscript “Nethermere,” which the publishers renamed The White Peacock. In “Portrait,” Corke tells of working with Lawrence on revising the proofs of this book, of Lawrence’s encouragement of her own literary efforts, of their wandering together in the Kentish hill country, and of her first meeting with Jessie Chambers. “Lawrence’s ‘Princess’” continues the narrative of the triple friendship, carrying it to its sad ending, but with the focus on Jessie Chambers. Perceptively and sympathetically written, it throws a clarifying light on the psychology of Lawrence and presents with literary charm another human being—Jessie, the Miriam of Sons and Lovers. In combined narrative-critique method, Corke, in the essay “Concerning The White Peacock,” relates Lawrence’s problems in writing this novel and gives an analysis of its literary quality. Lawrence and Apocalypse is cast in the form of a “deferred conversation” in which Lawrence and Corke discuss his philosophical ideas as presented in his Apocalypse. Although the book was written to present Lawrence’s ideas, its significance reposes equally in Corke’s reaction to his thought. As a succinct statement of Lawrence’s teachings about the nature of humanity, it has unique value.
Croydon, England, was the setting of the famous three-way friendship of D. H. Lawrence, Jessie Chambers, and Helen Corke, all of whom made literary records of their association, and all of whom appeared as characters in Lawrence novels. Perhaps the most objective of these records were Helen Corke’s, which became difficult to acquire. Their scarcity and their continuing usefulness were the stimulus for publication of this volume, which contains in four statements Helen Corke’s “major comment on Lawrence the man and Lawrence the artist.” The “Portrait of D. H. Lawrence, 1909–1910,” a section from Corke’s unpublished autobiography, gives the reader glimpses into the earliest stages of the Lawrence-Corke friendship, when Lawrence worked to bring meaning back into Corke’s life after she had suffered a tragic loss. The “Portrait” tells of conversations before a log fire, German lessons, the reading of poetry, and sessions over Lawrence’s manuscript “Nethermere,” which the publishers renamed The White Peacock. In “Portrait,” Corke tells of working with Lawrence on revising the proofs of this book, of Lawrence’s encouragement of her own literary efforts, of their wandering together in the Kentish hill country, and of her first meeting with Jessie Chambers. “Lawrence’s ‘Princess’” continues the narrative of the triple friendship, carrying it to its sad ending, but with the focus on Jessie Chambers. Perceptively and sympathetically written, it throws a clarifying light on the psychology of Lawrence and presents with literary charm another human being—Jessie, the Miriam of Sons and Lovers. In combined narrative-critique method, Corke, in the essay “Concerning The White Peacock,” relates Lawrence’s problems in writing this novel and gives an analysis of its literary quality. Lawrence and Apocalypse is cast in the form of a “deferred conversation” in which Lawrence and Corke discuss his philosophical ideas as presented in his Apocalypse. Although the book was written to present Lawrence’s ideas, its significance reposes equally in Corke’s reaction to his thought. As a succinct statement of Lawrence’s teachings about the nature of humanity, it has unique value.
The groundbreaking contribution made by this unique book draws on the experiences recorded by five people who are facing death – Jenny Diski, Philip Gould, Christopher Hitchens, Michael Mayne and Cory Taylor. Analysing the key themes that emerge from a psychodynamic perspective, the book describes how the memoirists respond to the first shock of receiving a terminal diagnosis, how they meet the challenge of continuing an active life when the illusion of an open-ended future has gone, and finally, how they struggle with accepting death as it overtakes them. The author argues that the ability to accept personal death is the key to resolving the paradox of our need to survive at all costs, while at the same time, however much we might deny it, we know that we must die. In a society where death and dying occur largely out of sight, this book provides information about what it is like to die – physically, psychologically and emotionally – and invites us to think about coming to terms with death. Exploring End of Life Experience is an important contribution to the interdisciplinary literature on death and dying, relevant to scholars and practitioners in medicine, nursing, psychology, and the wider medical humanities.
The opera singer Giusto Ferdinando Tenducci was one of the most famous celebrities of the eighteenth century. In collaboration with the English composer Thomas Arne, he popularized Italian opera, translating it for English audiences and making it accessible with his own compositions which he performed in London's pleasure gardens. Mozart and J. C. Bach both composed for him. He was a rock star of his day, with a massive female following. He was also a castrato. Women flocked to his concerts and found him irresistible. His singing pupil, Dorothea Maunsell, a teenage girl from a genteel Irish family, eloped with him. There was a huge scandal; her father persecuted them mercilessly. Tenducci's wife joined him at his concerts, achieving a status as a performer she could never have dreamed of as a respectable girl. She also wrote a sensational account of their love affair, an early example of a teenage novel. Embroiled in debt, the Tenduccis fled to Italy, and the marriage collapsed when she fell in love with another man. There followed a highly publicized and unique marriage annulment case in the London courts. Everything hinged on the status of the marriage; whether the husband was capable of consummation, and what exactly had happened to him as a small boy in a remote Italian hill village decades before. Ranging from the salons of princes and the grand opera houses of Europe to the remote hill towns of Tuscany, the unconventional love story of the castrato and his wife affords a fascinating insight into the world of opera and the history of sex and marriage in Georgian Britain, while also exploring questions about the meaning of marriage that continue to resonate in our own time.
One of The Sunday Times' (U.K.) Books of the Year "Garnett's life will not need to be written again." —Andrew Morton, Times Literary Supplement A penetrating biography of the most important English-language editor of the early twentieth century During the course of a career spanning half a century, Edward Garnett—editor, critic, and reader for hire—would become one of the most influential men in twentieth-century English literature. Known for his incisive criticism and unwavering conviction in matters of taste, Garnett was responsible for identifying and nurturing the talents of a generation of the greatest writers in the English language, from Joseph Conrad to John Galsworthy, Henry Green to Edward Thomas, T. E. Lawrence to D. H. Lawrence. In An Uncommon Reader, Helen Smith brings to life Garnett’s intimate and at times stormy relationships with those writers. (“I have always suffered a little from a sense of injustice at your hands,” Galsworthy complained in a letter.) All turned to Garnett for advice and guidance at critical moments in their careers, and their letters and diaries—in which Garnett often features as a feared but deeply admired protagonist—tell us not only about their creative processes, but also about their hopes and fears. Beyond his connections to some of the greatest minds in literary history, we also come to know Edward as the husband of Constance Garnett—the prolific translator responsible for introducingTolstoy, Dostoevsky, and Chekhov to an English language readership—and as the father of David “Bunny” Garnett, who would make a name for himself as a writer and publisher. “Mr. Edward Garnett occupies a unique position in the literary history of our age,” E. M. Forster wrote. “He has done more than any living writer to discover and encourage the genius of other writers, and he has done it without any desire for personal prestige.” An absorbing and masterfully researched portrait of a man who was a defining influence on the modern literary landscape, An Uncommon Reader asks us to consider the multifaceted meaning of literary genius.
The Nightmare of History: The Fictions of Virginia Woolf and D. H. Lawrence is an attempt to show the influence of the First World War on the literary and cultural attitudes of these two seminal, yet very different, writers. It demonstrates that Woolf and Lawrence shared many perspectives about the dislocations and horrors created by war, as well as potential, although probably unachievable, cultural resurrection. Helen Wussow reveals that the authors' uses of language, their shaping of verbal forms applied simultaneously to issues of personal relationship and public or cultural history, show remarkable similarities. She argues that the works of these two authors are informed by the dynamics of conflict. Yet, at the same time, Wussow is always aware of significant differences between Lawrence's and Woolf's fictions.
Sandwich today is a quiet Kentish town on the banks of the river Stour where small pleasure craft tie up at The Quay. It is hard to imagine that in medieval times there was a wide expanse of water, Sandwich Haven, which provided a calm anchorage for every sort of vessel from Anglo-Saxon longships preparing to take on Viking invaders to fleets of Venetian galleys laden with exotic cargoes. Nor does Sandwich now stand at the entrance to a main waterway joining the English Channel to the Thames. It is now a peaceful town beside a lazy river. This book describes what happened to medieval Sandwich over the centuries. We see how it grew from nothing more than a landmark for Anglo-Saxon seafarers to a Norman market town with 2,000 inhabitants. But then, from a prosperous trading centre where ships of all European nations anchored in The Haven it became a landlocked town with no contacts with the sea. The present town is a beautifully preserved example of a small medieval town, probably the most complete in England. Its houses are its chief glory and many of them are illustrated here. Though the town can be seen as the hero of this book, the people of Sandwich are there too; some serve as mayors and members of parliament, others brew beer and own bowling alleys. All have left their mark.
Will Kate risk everything for love and a good cause? It’s Moscow, 1990. Gorbachev is initiating dramatic change in Russia. On a literary tour, London-based Kate Chisholm meets the young and passionate investigative journalist Valentin Kotov. Over the next thirteen years, her love for him and her belief in his cause will put her own life and that of her surviving son Tom at risk and threaten to derail her ambitions to create a charity in memory of her dead son. Set against the political and cultural turmoil of the break-up of the Soviet Union, this is a story of love and betrayal, of one man’s determination to expose corruption and the impact of his actions on Kate and all those around him.
The authors present an up-to-date exposition of the design of the current and next generation interactive technologies, such as the Web, mobiles and wearables.
Second volume in two-volume catalogue of Pepys's outstanding collection of 17c ballads. The Pepys ballad collection is the largest surviving collection of English ballads printed in London in the seventeenth century, and is an outstanding source of English popular culture of the period. Pepys himself grouped the ballads into subjects, but a proper catalogue has long been needed by scholars, and this complex and difficult task has at last been completed. As a result, the full riches of the collection, already available in facsimile*, are now properly accessible. The second part of the catalogue consists of the indexes. Titles and sub-titles are indexed together, as these are often interchangeable. First lines and refrains provide text indexes; tunes and music are a guide to the musical element; and imprints, licensing information and authors enable the printing history to be reconstructed. The Pepys Ballads: Facsimile Vols. I-V 085991 256 6, 450.00/$190.00
Food Preservation and Safety of Natural Products addresses the most common causes of food spoilage that create significant loss to global food production while also discussing how food serves as a vehicle for the transmission of pathogenic microorganisms responsible for mild to debilitating health conditions in humans. The book provides essential information for food safety professionals on issues relating to foodborne diseases and offers potential solutions by presenting various methods of incorporating natural products in food production to prevent the spread of foodborne pathogenic organisms. The demand for green consumerism and consumers general distaste for synthetic food additives poses a serious challenge to food safety and preservation. Natural products are used as green and sustainable source of bioactive compounds that can be applied in various fields including food. The use of plant and other natural products in food preservation is on the rise, hence this book reviews microbial mediated food spoilage, foodborne pathogens and food contamination and offers applications of natural products in food preservation. - Provides important information on microbial metabolic by-products (natural enzymatic processes) to prevent food spoilage or deterioration - Includes molecular techniques for antimicrobial and antioxidant applications in food, food packaging and edible films - Presents the latest evidence-based science on the natural products used as additives in food
Concise, convenient and affordable, By the Numbers offers corporate planners, strategists, market research professionals, new business developers and business students an array of information, including statistics, market share analysis, employment, payroll and revenue figures, and more. Each softcover title is divided into chapters that provide context to the tables, charts and textual materials presented. A single keyword index references every topic, subject, company, city, state, country, etc. by page number.
Helen Keller's triumph over her blindness and deafness has become one of the most inspiring stories of our time. Here, in a book first published when she was young woman, is Helen Keller's own story—complex, poignant, and filled with love. With unforgettable immediacy, Helen’s own words reveal the heart of an exceptional woman, her struggles and joys, including that memorable moment when she finally understands that Anne’s finger-spelled letters w-a-t-e-r mean the fluid rushing over her hand. Helen Keller was always a compassionate and witty advocate for the handicapped, and her sincere and eloquent memoir is deeply moving for the sighted and the blind, the deaf and the hearing. “Her spirit will endure,” said Senator Lister Hill at her funeral, “as long as man can read and stories can be told of the woman who showed the world there are no boundaries to courage and faith.” Through movies and plays, most notably The Miracle Worker, which portrayed her relationship with her teacher, Anne Sullivan, Keller’s life has become an emblem of hope for people everywhere. With an Introduction by Jim Knipfel and an Afterword by Marlee Matlin This Signet Classic edition includes a facsimile of the Braille alphabet, a sign-language alphabet, and a full selection of Helen Keller’s letters.
A classic of American autobiography—the remarkable story of Helen Keller’s early life and education At nineteen months old, Helen Keller was stricken with a mysterious illness that left her deaf and blind. For the next five years, she was trapped in the silent dark, her only means of communication a few dozen rudimentary signs. Her inability to express herself was a great source of frustration, and as she grew older, Helen became prone to angry outbursts and fits of despair. Her family sought help, and in March of 1887, twenty-year-old Anne Sullivan arrived from the Perkins Institution for the Blind. One month later, teacher and student made the first of many incredible breakthroughs. By placing one of Helen’s hands under cool running water and tracing the letters w-a-t-e-r on her other hand, Anne was able to convey the great mystery of language: that every object has a name. As Helen would later write in The Story of My Life, “That living word awakened my soul.” Covering the first twenty-two years of Helen Keller’s life, from that miraculous moment at the water pump to her acceptance into Radcliffe College, The Story of My Life is one of the most beloved and inspiring autobiographies ever written. The basis for The Miracle Worker, the Tony Award–winning play and Academy Award–winning film, its heartening message has touched millions of lives and torn down countless barriers the world over. This ebook has been professionally proofread to ensure accuracy and readability on all devices.
A different portrayal of Keller, who is usually remembered for her work aiding blind and deaf-blind people. Deaf and blind herself from the age of 19 months, Keller did indeed devote her adult life to helping those similarly afflicted - she was also a crusading Socialist, championing the poor and oppressed from all walks of life and leading a fight against the less obvious evil of social blindness. John Davis has collected her political writing and speeches, including her arguments for women's suffrage, her opposition to the world wars and support for Eugene V. Debs.
Here is Helen Keller's endlessly fascinating life in all its variety: from intimate personal correspondence to radical political essays, from autobiography to speeches advocating the rights of disabled people.
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