With wonderful examples and easy-to-follow instructions, this beautifully illustrated how-to book makes it simple and fun to create one-of-a-kind hand-drawn maps. Helpful templates, grids, and guidelines complement a detailed breakdown of essential cartographic elements and profiles of talented international map artists. From city maps and family trees to treasure maps, palmistry charts, platformgame maps, and more, the wide range of projects collected here will satisfy first-time cartographers as well as veteran mapmakers inspired by the popular map art trend.
Television/Death intertwines the study of death, dying and bereavement on television with discussion of the ways that television (and the TV archive) provides access to the dead. Section One looks at the representation of death, dying and the afterlife on television, in historical and contemporary factual television (from around the world) and in US television drama. Section Two focuses on dramas of grief and bereavement and discusses how the long form seriality and narrative complexity of television, from family melodramas to the ghost serial, allows for an emotionally realist representation of experiences of grief, bereavement and death-related trauma. Finally, Section Three proposes that television has been overlooked in critical analyses of recorded sounds' and images' propensity to 'bring back the dead'. It argues that television is the posthumous medium par excellence and looks at how the dead return via incorporation into new television programmes or through projects to bring television out of the archive.
Hand Drawn Maps is a fun 'how to' book about hand drawn cartography. It is introduced by a brief history of maps and map making, followed by five sections covering everything you need to know to make your own maps. Section 1 covers the practicalities, so by the end of it you are equipped to create your own map using compasses, neatlines, cartouche, handlettering, and your own symbols. Section 2 looks at different types of map, from picture and word maps to architectural blueprints and video game maps. Section 3 uses a wide range of examples to show the reader how to create maps of places, from early strip maps used to describe the journeys taken by 18th-century stagecoaches to dungeon and treasure maps. Section 4 covers maps of ideas. There are exercises throughout to enable the reader to build on the knowledge they have just gained. The book is completed by six stand-alone projects.
Fashion on Television provides a comprehensive critical examination of the intersection between fashion, television and celebrity culture. The book brings together theoretical approaches to the symbolic force of television and fashion-forward programming on a global scale. Examining case studies such as Sex and the City, Gossip Girl, Ugly Betty and Mad Men, the book examines how TV has made style icons out of leading actresses and fashion-conscious consumers out of audiences. Using a varied methodology, including textual and contextual analysis, this study explores the cultural uses of onscreen fashion at the level of industry, text and intertext. Fashion on Television is essential reading for those seeking to understand the cultural function of costume in a television context. Written accessibly with a multi-disciplinary approach, it will appeal to students and scholars from film and media, fashion and cultural studies, to sociology and women's studies.
Creative research methods can help to answer complex contemporary questions that traditional methods alone cannot; they can also be more ethical, helping researchers to address social injustice in new ways. This accessible book is the first to identify and examine the four pillars of creative research methods: arts-based research, research using technology, mixed-method research, and transformative research frameworks. Written in a practical and jargon-free style, it offers numerous examples from around the world of creative methods in practice in the social sciences, arts, and humanities. Spanning the gulf between ideas and practice, this useful book will inform and inspire researchers by demonstrating why, when, and how to use creative methods in their research.
Health issues such as the emergence of infectious diseases, the potential influence of global warming on human health, and the escalating strain of increasing longevity and chronic conditions on healthcare systems are of growing importance in an increasingly peopled and interconnected world. A geographic approach to the study of health offers a critical perspective to these issues, considering how changing relationships between people and their environments influence human health. An Introduction to the Geography of Health provides an accessible introduction to this rapidly growing field, covering theoretical and methodological background. The text is divided into three sections which consider distinct approaches and techniques related to health geographies. Section one introduces ecological approaches, with a focus on how natural and built environments affect human health. For instance, how have irrigation projects influenced the spread of water-borne diseases? How can modern healthcare settings, such as hospitals, affect the spread and evolution of pathogens? Section two discusses social aspects of health and healthcare, considering health as not merely a biological interaction between a pathogen and human host, but as a process that is situated among social factors which ultimately drive who suffers from what, and where disease occurs. Section three then considers spatial techniques and approaches to exploring health, giving special focus to the growing role of cartography and geographic information systems (GIS) in the study of health. This clearly written text contains a range of pedagogical features including a wealth of global case studies, discussion questions and suggestions for further reading at the end of each chapter, a colour plate section and over eighty diagrams and figures. The accompanying website also provides presentations, exercises, further resources, and tables and figures. This book is an essential introductory text for undergraduate students studying Geography, Health and Social Studies.
“Our lives are Swiss,” Emily Dickinson wrote in 1859, “So still—so cool.” But over the Alps, “Italy stands the other side.” For Dickinson, as for many other writers and artists, Italy has been the land of light, a seductive source of invention, enchantment, and freedom. So it was for Helen Barolini, who, as a student in Rome after World War II, wrote her first poetry and gave birth to her own creative life, reinvigorating her mother tongue. In this book, Barolini celebrates the lives of other women whose imaginations succumbed to the lure of Italy. Here Barolini profiles six gifted women transformed by Italy’s mythic appeal. Unlike Barolini herself, they were not daughters of the great Italian diaspora. Rather, they were drawn to an idea of “Italy” and its gifts—in whose welcome a new self could be created. Or discovered. Emily Dickinson traveled to Italy only in the imaginative genius of her verse. Margaret Fuller struggled alongside her Italian lover in the political revolutions that gave birth to the Italian Republic, while the novelist and short-story writer Constance Fennimore Woolson found her home in Venice and Florence. Here, too, is the flamboyant artist Mabel Dodge Luhan, entertaining at her villa near Florence; and Marguerite Chapin of Connecticut, who married an Italian prince and in Rome founded the premier literary review of the mid-century, Botteghe Oscure. Finally, here is Iris Cutting Origo, the Anglo-American heiress who, with her Italian nobleman husband, built a Tuscan estate, where she wrote acclaimed biographies—and created a refuge from Mussolini’s fascism. Linking these lives, Barolini shows, is the transforming catalyst of change in a new land. Their Other Side is a wise, warm, and deeply felt literary journey that brilliantly captures the enduring effects of Italy as a place, a culture, and an experience.
Includes CD-Rom Why are visual approaches to literacy important? Children′s experience of texts is no longer limited to words on printed pages - their reading and writing worlds are formed in multimodal ways, combining different modes of communication, including speech or sound, still or moving images, writing and gesture. This book is a practical guide for teachers in making sense of multimodal approaches to teaching writing. The book covers topics such as: - The design of multimodal texts and the relationships between texts and images - How to build a supportive classroom environment for analysing visual and audiovisual texts, and how to teach about reading images - How to plan a teaching sequence leading to specific writing outcomes - Examples of teaching sequences for developing work on narrative, non-fiction and poetry - Formative and summative assessment of multimodal texts, providing levels for judging pupil development, and suggestions for moving pupils forward - How to write, review and carry out a whole school policy for teaching multimodal writing The book is accompanied by a CD, which contains a range of examples of children′s multimodal work, along with electronic versions of the activities and photocopiable sheets from the book, and material designed for use with interactive whiteboards. It will be a valuable resource for primary teachers, literacy co-ordinators and students on initial teacher training courses.
A gripping new history of London during the Blackout—revealing the violent crime that spread across the capital under the cover of darkness Fear was the unacknowledged spectre haunting the streets of London during the Second World War; fear not only of death from the German bombers circling above, but of violence at the hands of fellow Londoners in the streets below. Mass displacement, the anonymity of shelters, and the bomb-scarred landscape offered unprecedented opportunities for violent crime. In this absorbing, sometimes shocking account, Amy Helen Bell uncovers the hidden stories of murder and violence that were rife in wartime London. Bell moves through the city, examining the crimes in their various locations, from domestic violence in the home to robberies in the blacked-out streets and fights in pubs and clubs. She reveals the experiences of women, children, and the elderly, and focuses on the lives of the victims, as well as their deaths. This groundbreaking study transforms our understanding of the ways in which war made people vulnerable—not just to the enemy, but to each other.
This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. Corpus linguistics has much to offer history, being as both disciplines engage so heavily in analysis of large amounts of textual material. This book demonstrates the opportunities for exploring corpus linguistics as a method in historiography and the humanities and social sciences more generally. Focussing on the topic of prostitution in 17th-century England, it shows how corpus methods can assist in social research, and can be used to deepen our understanding and comprehension. McEnery and Baker draw principally on two sources – the newsbook Mercurius Fumigosis and the Early English Books Online Corpus. This scholarship on prostitution and the sex trade offers insight into the social position of women in history.
A comprehensively updated edition of an identification guide that was named a Guardian Best Nature Book of the Year Now in a comprehensively revised and updated new edition, Britain’s Spiders is a guide to all 38 of the British families, focussing on spiders that can be identified in the field. Illustrated with a remarkable collection of photographs, it is designed to be accessible to a wide audience, including those new to spider identification. This book pushes the boundaries of field identification for this challenging group, combining information on features that can be seen with the naked eye or a hand lens with additional evidence from webs, egg sacs, behaviour, phenology, habitats and distributions. Individual accounts cover 404 species—all of Britain’s “macro” spiders and the larger money spiders, with the limitations to field identification clearly explained. This new edition includes nine species new to Britain, many recent name changes, updated distribution maps and species information, new guides to help identify spider families and distinctive species, and the latest species checklist. A guide to spider families, based on features recognizable in the field, focussing on body shape and other characteristics, as well as separate guides to webs and egg-sacs Detailed accounts and more than 700 stunning photographs highlight key identification features for each genus and species, and include information on status, behaviour and habitats Up-to-date distribution maps, and charts showing adult seasonality Introductory chapters on the biology of spiders, and where, when and how to find them, including equipment needed in the field A complete list of the spiders recorded in Britain, indicating the ease of identification as well as rarity and conservation status Information on how to record spiders and make your records count, and guidance on how to take your interest further New to this edition: coverage of nine species new to Britain, updated species information and distribution maps, identification guides to spider families and distinctive species, and the latest species checklist
This study considers the figure of the bastard in the context of analogies of the family and the state in early modern England. The trope of illegitimacy, more than being simply a narrative or character-driven issue, is a vital component in the evolving construction and representation of British national identity in prose and drama of the sixteenth and early seventeenth century. Through close reading of a range of plays and prose texts, the book offers readers new insight into the semiotics of bastardy and concepts of national identity in early modern England, and reflects on contemporary issues of citizenship and identity. The author examines play texts of the period including Bale's King Johan, Peele's The Troublesome Reign of John, and Shakespeare's King John, Richard II, and King Lear in the context of a selection of legal, religious, and polemical texts. In so doing, she illuminates the extent to which the figure of the bastard and, more generally the trope of illegitimacy, existed as a distinct discourse within the wider discursive framework of family and nation.
Helen Peters' sequel to The Secret Hen House Theatre has all the same hallmarks: great writing and an emotionally engaging, entertaining story. It's good to be back with Hannah and the other characters - they've been much missed! The novel finds Hannah's farm facing a new threat - a water company wants to flood the land to make a reservoir. How can Hannah stand by and watch as her home, the land her family has farmed for generations, the wildlife, the ancient trees all disappear under a deluge of water? She isn't going to go down without a fight, and the school play might just be the answer. When the going gets tough, the tough take to the stage!
There are many American families with the names Cary or Carey, Estes, and Moore. Numerous genealogy books have been written on all three. This book focuses on one branch of each family and traces them from the earliest known ancestors to the present generation (1981). All three families came to America in the seventeenth and eighteenth centuries. the Carys came from England; the Estes from Italy, by way of England; and the Moores from Scotland. This is a sequel to The Cary-Estes Genealogy by Patrick Mann and May Folk Web, published in 1939.
Crowded the Crowds By: Helen June White AKA Jasmine Inkwell Crowded the Crowds is a real-life horror story, one that Helen June White AKA Jasmine Inkwell has had to live for the last nine years of her life, as told in the first book, The Crowds, a book of encouragement, one that will inspire you to always reach for the stars, never giving up no matter the opposition, the wall that’s in front of you, and if you find that you’re just too weak from the battle, from crying all night long and you just can’t make it over that brick wall, find a way around it, even if you have to blow it up. Sometimes it’s hard to fight to breathe, but we must never give up. We are all fighting dragons and monsters, but with our faith, our God is bigger than any dragon, any monster, and any Goliath. Just hold and keep the faith.
The Advertising Handbook provides a critical introduction to advertising and marketing practices today. Contributions from leading international scholars and practitioners offer extended coverage of the contemporary shifts and pressures reshaping the marketing communications (or advertising and marketing) industries and their relationship to the consumer. Profiles and case studies illustrate innovation and diversification among advertising, marketing and public relations companies. Discussion questions aid learning and encourage debate about the activities and influence of advertising today. This Fourth Edition explores the growing significance of: the influence of ‘Big Data’ and automation in digital advertising; tracking and profiling users across digital communications for targeted and personalised marketing communications; the rise of media and advertising integration through sponsored content, product placement, native advertising and other forms of branded content; the dynamic shifts in ad spending and media–advertising relationships across legacy media, online and social media; and the complex profile of consumer behaviour that produces new challenges for brands and branding. Fully revised and updated, this new edition of The Advertising Handbook is a comprehensive and accessible guide to contemporary advertising and marketing theory and practice, designed to meet the requirements, interests and terms of reference of the most recent generation of media and advertising students.
Born in Scotland, Dr William Hunter (1718-83) pursued an extensive medical education in Glasgow, Edinburgh, London and Paris. He settled in London where he made his name as an anatomist and obstetrician before being elected to the Royal Society in 1767. This book presents all of his known correspondence, drawing upon archives around the world.
Women most fully experience the consequences of human reproductive technologies. Men who convene to evaluate such technologies discuss "them": the women who must accept, avoid, or even resist these technologies; the women who consume technologies they did not devise; the women who are the objects of policies made by men. So often the input of women is neither sought nor listened to. The privileged insights and perspectives that women bring to the consideration of technologies in human reproduction are the subject of these volumes, which constitute the revised and edited record of a Workshop on "Ethical Issues in Human Reproduction Technology: Analysis by Women" (EIRTAW), held in June, 1979, at Hampshire College in Amherst, Massachusetts. Some 80 members of the workshop, 90 percent of them women (from 24 states), represented diverse occupations and personal histories, different races and classes, varied political commitments. They included doctors, nurses, and scientists, lay midwives, consumer advocates, historians, and sociologists, lawyers, policy analysts, and ethicists. Each session, however, made plain that ethics is an everyday concern for women in general, as well as an academic profession for some.
After sending Joseph away, I spent a long time with a sad heart. I tried to overcome my sadness, but even now, I cry when I think of Joseph. As they say, “When a husband dies, a woman buries it in the mountain, and when a child dies, woman buries it in their heart.” A deep sense of loss, biting sadness, and a dazed feeling as if I had been hit in the back of the head with a heavy, blunt hammer engulfed me. It couldn't end like this. My life, which is over sixty years old, is also a life, but I felt that I needed to sort out the life of my son, who left without even being able to say a final goodbye to the family and friends who loved him. I want to tell people how Joseph was born, what kind of person he was, and how he lived as a young man. Joseph was an ordinary son, but he was a free spirit who lived a wonderful life.The life of my son Joseph was, in a few words, a short and bold life. He was loved and gave love to everyone during his short life. This book is for Joseph and those who love him. It is no exaggeration to say that this is a collection of Joseph’s remains,as it contains the diary, poems, and letters he left behind. It is a coauthored book that combines his writing and my heart as a mother. This book contains the story of how I gave birth to and raised Joseph, as well as the bicycle travel diary that Joseph wrote before he passed away. It also contains letters written by friends and family members who loved Joseph as they missed him. We collected, translated, and published friend’s letters one by one. Joseph is gone, but we want to be with him forever. I hope that this book ‘With Joseph’ becomes a space where everyone, including the family and friends who love him, can meet and talk about Joseph.I thank God for comforting and guiding me, my family, and everyone who loved Joseph. We will miss Joseph, but I hope this book ‘With Joseph’ will keep him with us. It’s just a healthy separation where we live apart for a while. I will meet my son Joseph again some day with joy. ― Publishing the book ‘With Joseph’ by Helen Miok Annis
Since the death of her mother, Hannah's family life has been somewhat chaotic. Her father is absorbed by running their dilapidated farm, and the four children are increasingly left to their own devices. These include "farming" each room of the house, looking after an enormous pet sheep called Jasper, and writing and directing plays in a disused hen house. But when the farm is threatened with demolition, Hannah determines to save it and realise her dreams at the same time... Shortlisted for the Waterstones Prize, this is a brilliant story of eccentric family life where the children's imaginations run as free as the farmyard animals. From the award-winning author of Evie's Ghost, Anna at War, The Farm Beneath the Water and the Jasmine Green series for younger readers, this is perfect for fans of Iva Ibbotson and Philippa Pearce.
Creative research methods can help to answer complex contemporary questions which are hard to answer using conventional methods alone. Creative methods can also be more ethical, helping researchers to address social injustice. This bestselling book, now in its second edition, is the first to identify and examine the five areas of creative research methods: • arts-based research • embodied research • research using technology • multi-modal research • transformative research frameworks. Written in an accessible, practical and jargon-free style, with reflective questions, boxed text and a companion website to guide student learning, it offers numerous examples of creative methods in practice from around the world. This new edition includes a wealth of new material, with five extra chapters and over 200 new references. Spanning the gulf between academia and practice, this useful book will inform and inspire researchers by showing readers why, when, and how to use creative methods in their research. Creative Research Methods has been cited over 750 times.
Fast Facts: Managing Immune-Related Adverse Events in Oncology, 2nd edition, provides an overview of immuno-oncology and an update on immune checkpoint inhibitors and their associated toxicities, alongside the principles of diagnosing and managing immune-related adverse events, important nursing care considerations and a set of convenient management summaries for quick reference. As such, it is essential reading for all members of the cancer care team. Table of Contents: • Immunotherapy and its side effects: an overview • Gastrointestinal and hepatic adverse events • Dermatologic adverse events • Endocrine-related adverse events • Pulmonary adverse events • Less frequent adverse events • Optimizing patient care and early recognition of irAEs • Management summaries
Second volume in two-volume catalogue of Pepys's outstanding collection of 17c ballads. The Pepys ballad collection is the largest surviving collection of English ballads printed in London in the seventeenth century, and is an outstanding source of English popular culture of the period. Pepys himself grouped the ballads into subjects, but a proper catalogue has long been needed by scholars, and this complex and difficult task has at last been completed. As a result, the full riches of the collection, already available in facsimile*, are now properly accessible. The second part of the catalogue consists of the indexes. Titles and sub-titles are indexed together, as these are often interchangeable. First lines and refrains provide text indexes; tunes and music are a guide to the musical element; and imprints, licensing information and authors enable the printing history to be reconstructed. The Pepys Ballads: Facsimile Vols. I-V 085991 256 6, 450.00/$190.00
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