Visionary social entrepreneur David Pecaut’s life demonstrates how to make a positive impact on a community. City builder David Pecaut has been called a visionary and a pragmatist, passionate and compassionate, a bridge builder, a catalyst, and a trailblazer. Though David was a business leader and management consultant, most of these accolades flow from his volunteer work as a civic entrepreneur. A native of Sioux City, Iowa, David chose Toronto as the beneficiary of his formidable enthusiasm. When Toronto was in the doldrums because of the SARS scare, David helped the city restore its tourism industry by chairing the Toront03 Alliance, launched by a flamboyant Rolling Stones concert. David was perhaps best known for co-founding Luminato, the international festival that each spring showcases the world’s finest artists to audiences of over a million. As chair of the Toronto City Summit Alliance, David worked as easily with the homeless, minorities, and poverty activists as with billionaires, corporate CEOs, and labour leaders to tackle pressing social and economic issues. He was the driving force behind the Career Edge youth internship program, the Strong Neighbourhoods Task Force, the Toronto Region Immigrant Employment Council, DiverseCity, the Emerging Leaders Network, the task force on modernizing income security, and Greening Greater Toronto. David’s efforts to make Toronto the most socially and culturally dynamic urban centre in the world were cut short when he succumbed to cancer in December 2009. When it became obvious that his time was running out, he took copious notes and recorded interviews with friends, colleagues, and family, all of which are the basis for this book, a memoir by his wife Helen Burstyn.
A fascinating polemic' Sunday Times 'A powerful, sobering and vital work' The Mail on Sunday 'A page-turning read, peppered with humour' Sight & Sound 'A must read' Edgar Wright A call to arms from Empire magazine's 'geek queen', Helen O'Hara, that explores women's roles - both in front of and behind the camera - since the birth of Hollywood, how those roles are reflected within wider society and what we can do to level the playing field. Hollywood was born just over a century ago, at a time of huge forward motion for women's rights. With no rules in place to stop them, there were women who forged ahead in many areas of filmmaking. Yet, despite the work of early pioneers like Dorothy Arzner, Mabel Normand, Mary Pickford and Alice Guy-Blaché, it soon came to embody the same old sexist standards. Women found themselves fighting a system that fed on their talent, creativity and beauty but refused to pay them the same respect as their male contemporaries - until now . . . The tide has finally begun to turn. A new generation of women, both in front of and behind the camera, are making waves in the industry and are now shaping some of the biggest films to hit our screens. In Women vs Hollywood: The Fall and Rise of Women in Film, film critic Helen O'Hara takes a closer look at the pioneering and talented women of Hollywood and their work in film since Hollywood began. And in understanding how women were largely written out of Hollywood's own origin story, and how the films we watch are put together, we can finally see how to put an end to a picture that is so deeply unequal - and discover a multitude of stories out there just waiting to be told.
“[An] amiable, in-depth examination of the most critical era for the development of modern oceanography” (Publishers Weekly). In a history at once scientific and cultural, Helen Rozwadowski shows us how the Western imagination awoke to the ocean's possibilities?in maritime novels, in the popular hobby of marine biology, in the youthful sport of yachting, and in the laying of a trans-Atlantic telegraph cable. The ocean emerged as important new territory, and scientific interests intersected with those of merchant-industrialists and politicians. Rozwadowski documents the popular crazes that coincided with these interests?from children's sailor suits to the home aquarium and the surge in ocean travel. She describes how, beginning in the 1860s, oceanography moved from yachts onto the decks of oceangoing vessels, and landlubber naturalists found themselves navigating the routines of a working ship's physical and social structures. Fathoming the Ocean offers a rare and engaging look into our fascination with the deep sea and into the origins of oceanography?origins still visible in a science that focuses the efforts of physicists, chemists, geologists, biologists, and engineers on the common enterprise of understanding a vast, three-dimensional, alien space. “Rozwadowski greatly expands our own understanding, all while telling a story that is original, wide-ranging, and illuminating.” —Margaret Deacon, Southampton Oceanography Centre, author of Science and the Sea: The Origins of Oceanography “Required reading for anyone wanting to understand how the oceans have come to play the role that they do in Western knowledge.” —Eric L. Mills, Dalhousie University and author of Biological Oceanography: An Early History, 1870-1960 “Chronicles the birth of deep-sea oceanography, from early observations by Benjamin Franklin to the voyage of HMS Challenger in the 1870s. [Rozwadowski] weaves a rich narrative from the world of renowned as well as lesser-known oceanographers.” —Nature
A critical look at the Olympics in the postbribery, post-9/11 era, particularly at consequences for host cities and so-called “Olympic education” for schoolchildren.
In a startling expose of the Olympic industry, Helen Jefferson Lenskyj goes beyond the media hype of international goodwill and spirited competition to uncover a darker side of the global Games. She reports on the pre- and post-Olympic impacts from recent host cities, bribery investigations and their outcomes, grassroots resistance movements, and the role of the mass media in the controversy. A highly accessible book about a complex subject that touches the hearts of sports fans everywhere, Inside the Olympic Industry is a must-read, behind-the-scenes look at the politics surrounding the choice of Sydney, Australia as host city for the 2000 Summer Olympic Games.
This book examines Mary Ward’s distinctive insight into late-Victorian and Edwardian society as a famous writer and reformer, who was inspired by the philosopher and British idealist, Thomas Hill Green. As a talented woman who had studied among Oxford University intellectuals in the 1870s, and the granddaughter of Dr Arnold of Rugby, Mrs Humphry Ward (as she was best known) was in a unique position to participate in the debates, issues and events that shaped her generation; religious doubt and Christianity, educational reforms, socialism, women’s suffrage and the First World War. Helen Loader examines a range of biographical sources, alongside Mary Ward’s writings and social reform activities, to demonstrate how she expressed and engaged with Greenian idealism, both in theory and practice, and made a significant contribution to British Society.
Although a plethora of scholarship analyzes gender dynamics, this book seeks to explore the paradoxes and taboos associated with gendered meanings given to human bodies in action, or "physicality." Physicality provides a particularly clear playing space for developing concepts of gender identity, structures, and cultural meanings. When people think about gender differences, they often refer to those associated with physicality, such as giving birth or playing contact sports. Helen M. Sterk and Annelies Knoppers attend to the meanings and values given to human bodies in motion that reflect cultural respect - or disrespect - for what is seen as "womanly" in particular times and places. In doing so, they show how these meanings can reinforce or challenge common ways of doing gender that, at first glance, may not seem to be related to physicality." "Grappling with gender-based paradoxes and questioning gendered taboos, two goals animate the book: to reveal how gender continues to be enacted in ways that dehumanize women and men, and to stimulate thinking and action toward a fuller realization of human potential and partnership. Operating from an ethic of care, in which all people are understood as being created equal, Sterk and Knoppers argue that as long as women and all that is associated with them are devalued, cultural practices will remain implicitly gendered and humanity itself, reduced." --Book Jacket.
A new biography, the first in two decades, of the legendary actress who inspired Anton Chekhov, popularized Henrik Ibsen, and spurred Stanislavski to create a new theory of acting based on her art and to invoke her name at every rehearsal. Writers loved her and wrote plays for her. She be-friended Rainer Maria Rilke and inspired the young James Joyce, who kept a portrait of her on his desk. Her greatest love, the poet d’Annunzio, made her the heroine of his novel Il fuoco (The Flame). She radically changed the art of acting: in a duel between the past and the future, she vanquished her rival, Sarah Bernhardt. Chekhov said of her, “I’ve never seen anything like it. Looking at Duse, I realized why the Russian theatre is such a bore.” Charlie Chaplin called her “the finest thing I have seen on the stage.” Gloria Swanson and Lillian Gish watched her perform with adoring attention, John Barrymore with awe. Shaw said she “touches you straight on the very heart.” When asked about her acting, Duse responded that, quite simply, it came from life. Except for one short film, Duse’s art has been lost. Despite dozens of books about her, her story is muffled by legend and myth. The sentimental image that prevails is of a misty, tragic heroine victimized by men, by life; an artist of unearthly purity, without ambition. Now Helen Sheehy, author of the much admired biography of Eva Le Gallienne, gives us a different Duse—a woman of strength and resolve, a woman who knew pain but could also inflict it. “Life is hard,” she said, “one must wound or be wounded.” She wanted to reveal on the stage the truth about women’s lives and she wanted her art to endure. Drawing on newly discovered material, including Duse’s own memoir, and unpublished letters and notes, Sheehy brings us to an understanding of the great actress’s unique ways of working: Duse acting out of her sense of her character’s inner life, Duse anticipating the bold aspects of modernism and performing with a sexual freedom that shocked and thrilled audiences. She edited her characters’ lines to bare skeletons, asked for the simplest sets and costumes. Where other actresses used hysterics onstage, Duse used stillness. Sheehy writes about the Duse that the actress herself tried to hide—tracing her life from her childhood as a performing member of a family of actors touring their repertory of drama and commedia dell’arte through Italy. We follow her through her twenties and through the next four decades of commissioning and directing plays, running her own company, and illuminating a series of great roles that included Emile Zola’s Thérèse Raquin, Marguerite in Dumas’s La Dame aux camélias, Nora in Ibsen’s A Doll’s House, and Hedda in his Hedda Gabler. When she thought her beauty was fading at fifty-one, she gave up the stage, only to return to the theatre in her early sixties; she traveled to America and enchanted audiences across the country. She died as she was born—on tour. Sheehy’s illuminating book brings us as close as we have ever been to the woman and the artist.
Originally published in 1960. Felix Frankfurter, a controversial figure in American judicial history, completed more than twenty-one years of service on the Supreme Court. This book is the first extended treatment of his political performance as a justice. It portrays the influence that he, both as teacher and jurist, exerted in the growth of public law over fifty years. He has exerted his influence not only through his writing but also through his personal acquaintance with many important persons in and out of government service. Beyond examining the career of one man, Thomas opens up a wider window on the history of legal thought. The main value of the book, though, lies in its presentation of the philosophy of one leading twentieth-century educator and jurist.
Taking up a little-known story of education, schooling, and missionary endeavor, Helen May, Baljit Kaur, and Larry Prochner focus on the experiences of very young ’native’ children in three British colonies. In missionary settlements across the northern part of the North Island of New Zealand, Upper Canada, and British-controlled India, experimental British ventures for placing young children of the poor in infant schools were simultaneously transported to and adopted for all three colonies. From the 1820s to the 1850s, this transplantation of Britain’s infant schools to its distant colonies was deemed a radical and enlightened tool that was meant to hasten the conversion of 'heathen' peoples by missionaries to Christianity and to European modes of civilization. The intertwined legacies of European exploration, enlightenment ideals, education, and empire building, the authors argue, provided a springboard for British colonial and missionary activity across the globe during the nineteenth century. Informed by archival research and focused on the shared as well as unique aspects of the infant schools’ colonial experience, Empire, Education, and Indigenous Childhoods illuminates both the pervasiveness of missionary education and the diverse contexts in which its attendant ideals were applied.
Argues that the two popular women's magazines were pivotal in the combining of gender and commercialism at the turn of the century, and that publishers and advertisers conspired to create both a gendered commercial discourse and a commercial gender discourse for both men and women. Annotation copyright Book News, Inc. Portland, Or.
Despite International Olympic Committee president Juan Antonio Samarach's proclaiming the Sydney 2000 Olympics as the "best ever," the truth of the matter is much less one-sided. In The Best Olympics Ever? Helen Jefferson Lenskyj discloses what the Sydney 2000 Olympic industry suppressed: the real costs and impacts.
The first comprehensive guide to women activists from every part of the world, illuminating the broad range of women's struggles to reform society from the 18th century to the present. Despite being marginalized, disenfranchised, impoverished, and oppressed, women have always stepped forward in disproportionate numbers to lead movements for social change. This two-volume encyclopedia documents the visions, struggles, and lives of women who have changed the world. This encyclopedia celebrates the lives and achievements of nearly 300 women from around the globe—women who have bravely insisted that the way things are is not the way they have to be. Nadeshda Krupskaya, the wife of Lenin, spearheaded the drive against illiteracy in post-revolutionary Russia. American Dorothy Day founded the Catholic worker movement. Begum Rokeya Hossain organized a girls' school in Calcutta in 1911. Rachel Carson launched the modern environmental movement with her book Silent Spring. The stories of these women and the hundreds of others collected here will restore missing pages to our history and inspire a new generation of women to change the world.
She's back and causing jaws to drop as always! As bold and amusing as ever, Helen Gurley Brown, who made her mark in publishing history when she became editor in chief of Cosmopolitan in 1965, has written her first memoir, I'm Wild Again: Snippets from My Life and a Few Brazen Thoughts. While the subjects of her seven previous books have all been drawn from her own experiences, this is the first time Brown has concentrated on herself as the sole subject of a book and revealed the secrets of her sometimes shocking and always interesting life. In I'm Wild Again, Brown discusses several aspects of her life that she has not opened up about before. She talks about her breast implants and cosmetic surgery, her bout with breast cancer, her fidelity to her husband. Furthermore, she offers her thoughts on parents, adultery, office politics, exercise, food, marriage, affection...the list goes on. Never one to be shy or mince words, Brown doesn't leave any words unwritten, and the contents of her book "shocked, flabbergasted, amazed, irritated, amused" gossip columnist Liz Smith, who has seen almost everything. Larry King, Frank McCourt, Joan Rivers, Diane Sawyer, and Dominick Dunne have also praised the book and toasted Brown for leading such a courageous and vibrant life.
This book covers a wide range of topics relating to the health and wellbeing of the construction workforce. Based on more than two decades of work examining various aspects of workers’ health and wellbeing, the book addresses a key topic in construction management: how the design of work environments, construction processes and organisation of work impact upon construction workers’ physical and psychological health. Occupational health is a significant problem for the construction industry. However, the subject of health does not receive as much attention in occupational health and safety research or practice as the subject of safety. Traditional management approaches (focused on the prevention of accidents and injuries) are arguably ill-suited to addressing issues of workers’ health and wellbeing. This book seeks to explain how workers' health and wellbeing are impacted by working in the construction sector, and suggest ways in which organisations (and decision makers within them) can positively shape workplaces and practices in ways that better support construction workers to maintain healthy and productive working lives. Including chapter summaries and discussion questions to encourage student readers to reflect on and formulate their own viewpoints about the issues raised in each chapter, the book has the potential to be used as a textbook in undergraduate or postgraduate occupational health and safety, or construction management courses dealing with occupational health and safety. It could also be used as supplementary recommended reading in undergraduate or postgraduate programmes in architecture, engineering or management.
This third edition has been extensively re-written in order to consider the impact of the Human Rights Act 1998. It takes extensive account not only of the Strasbourg jurisprudence, but also of a number of key domestic decisions in the post- Human Rights Act era. Particular attention is paid to Labour legislation including the Terrorism Act 2000, the Regulation of Investigatory Powers Act 2000, the Data Protection Act 1998, the Freedom of Information Act 2000 and the Criminal Justice and Police Act 2001. This book is a detailed, thought- provoking and comprehensive text that is valuable not only for students but also for all those interested in the development of civil liberties in the Human Rights Act era.
Visionary social entrepreneur David Pecaut’s life demonstrates how to make a positive impact on a community. City builder David Pecaut has been called a visionary and a pragmatist, passionate and compassionate, a bridge builder, a catalyst, and a trailblazer. Though David was a business leader and management consultant, most of these accolades flow from his volunteer work as a civic entrepreneur. A native of Sioux City, Iowa, David chose Toronto as the beneficiary of his formidable enthusiasm. When Toronto was in the doldrums because of the SARS scare, David helped the city restore its tourism industry by chairing the Toront03 Alliance, launched by a flamboyant Rolling Stones concert. David was perhaps best known for co-founding Luminato, the international festival that each spring showcases the world’s finest artists to audiences of over a million. As chair of the Toronto City Summit Alliance, David worked as easily with the homeless, minorities, and poverty activists as with billionaires, corporate CEOs, and labour leaders to tackle pressing social and economic issues. He was the driving force behind the Career Edge youth internship program, the Strong Neighbourhoods Task Force, the Toronto Region Immigrant Employment Council, DiverseCity, the Emerging Leaders Network, the task force on modernizing income security, and Greening Greater Toronto. David’s efforts to make Toronto the most socially and culturally dynamic urban centre in the world were cut short when he succumbed to cancer in December 2009. When it became obvious that his time was running out, he took copious notes and recorded interviews with friends, colleagues, and family, all of which are the basis for this book, a memoir by his wife Helen Burstyn.
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