It's a long, languorous, country summer in a small Ohio town. After many years spent away as a scholar and writer, Elizabeth Lane has returned to the setting of her most poignant childhood memories, a town steeped in her family's long history. She comes to Sunbury to work on a book but finds she is haunted by one memory in particular. It was 1905, she was eleven and in love with her cousin, Steve, painfully watching his ill-fated romance with the beautiful Damaris. Looking back, Elizabeth discovers a world of feelings that she knows belong more to adulthood than to childhood, and as she sees the tragic, doomed love of Steve and Damaris, she wishes she could be a child forever. Peopled with superbly realized characters, steeped in the golden glow of an era fondly recalled, and marked by the prodigious talent displayed in ". . . And Ladies of the Club", Farewell, Summer is the moving tale of star-crossed love -- innocent and elusive -- and of a young girl's coming of age.
Despite what would seem some apparent likenesses, single men and single women are perceived in very different ways. Bachelors are rarely considered "lonely" or aberrant. They are not pitied. Rather, they are seen as having chosen to be "footloose and fancy free" to have sports cars, boats, and enjoy a series of unrestrictive relationships. Single women, however, do not enjoy such an esteemed reputation. Instead they have been viewed as abnormal, neurotic, or simply undesirable-attitudes that result in part from the long-standing belief that single women would not have chosen her life. Even the single career-woman is seldom viewed as enjoying the success she has achieved. No one believes she is truly fulfilled. Modern American culture has raised generations of women who believed that their true and most important role in society was to get married and have children. Anything short of this role was considered abnormal, unfulfilling, and suspect. This female stereotype has been exploited and perpetuated by some key films in the late 40's and early 50's. But more recently we have seen a shift in the cultural view of the spinster. The erosion of the traditional nuclear family, as well as a larger range of acceptable life choices, has caused our perceptions of unmarried women to change. The film industry has reflected this shift with updated stereotypes that depict this cultural trend. The shift in the way we perceive spinsters is the subject of current academic research which shows that a person's perception of particular societal roles influences the amount of stress or depression they experience when in that specific role. Further, although the way our culture perceives spinsters and the way the film industry portrays them may be evolving, we still are still left with a negative stereotype. Themes of choice and power have informed the lives of single women in all times and places. When considered at all in a scholarly context, single women have often been portrayed as victims, unhappily subjected to forces beyond their control. This collection of essays about "women on their own" attempts to correct that bias, by presenting a more complex view of single women in nineteenth- and twentieth-century United States and Europe. Topics covered in this book include the complex and ambiguous roles that society assigns to widows, and the greater social and financial independence that widows have often enjoyed; widow culture after major wars; the plight of homeless, middle-class single women during the Great Depression; and comparative sociological studies of contemporary single women in the United States, Britain, Ireland, and Cuba. Composed of papers presented to the Rutgers Center for Historical Analysis project on single women, this collection incorporates the work of specialists in anthropology, art history, history, and sociology. It is deeply connected with the emerging field of singleness studies (to which the RCHA has contributed an Internet-based bibliography of more than 800 items). All of the essays are new and have not been previously published.
Including tales from Sir Arthur Conan Doyle, Agatha Christie, Ray Bradbury, and Joan Aiken, this collection of eighteen stories offers a marvelous sampling of the mystery genre from classic detective to humorous contemporary.
A collection of nineteen mysterious stories involving surprising circumstances, unexpected crimes, and eerie events, by such authors as Vivien Alcock, Ray Bradbury, Arthur Conan Doyle, and Diana Wynne Jones.
This compilation features writers as diverse as Joan Aiken, Emily Bronte and Carl Jung. The stories included are mysterious and full of intrigue, with occasional hints of the supernatural.
Fifteen horror stories by Benson, Dunsany, Sturgeon, Bradbury, and other masters show the innocent to be suspect, the ordinary to be bizarre, and the expected to be full of surprise
Warfare in medieval times was never static or predictable - although there were ideals and conventions to follow, in the field commanders had to use their initiative and adapt to the needs of the moment. In this concise, wide-ranging study, Helen Nicholson provides the essential introductory guide to a fascinating subject. Medieval Warfare - Surveys and summarises current debates and modern research into warfare throughout the whole of the medieval period across Europe - Sets medieval warfare theory and practice firmly into context as a continuation and adaptation of practice under the Roman Empire, tracing its change and development across more than a millennium - Considers military personnel, buildings and equipment, as well as the practice of warfare by land and sea
In terms of visual impact, television has often been regarded as inferior to cinema. It has been characterised as sound-led and consumed by a distracted audience. Today, it is tempting to see the rise of HD television as ushering in a new era of spectacular television. Yet since its earliest days, the medium has been epitomised by spectacle and offered its viewers diverse forms of visual pleasure. Looking at the early promotion of television and the launch of colour broadcasting, Spectacular Television traces a history of television as spectacular attraction, from its launch to the contemporary age of surround sound, digital effects and HD screens. In focusing on the spectacle of nature, landscape, and even our own bodies on television via explorations of popular television dramas, documentary series and factual entertainment, and ambitious natural history television, Helen Wheatley answers the questions: what is televisual pleasure, and how has television defined its own brand of spectacular aesthetics?
Viewpoint is an innovative course thatâ€(TM)s based on extensive research into the Cambridge English Corpus, taking students from a high intermediate to advanced level of proficiency (CEFR: B2 â€" C1). Viewpoint Level 1 Workbook provides follow-up exercises for each lesson in the Level 1 Student's Book, providing additional practice of vocabulary, grammar, and conversation strategies, as well extra reading, writing and listening activities.
The true story of a family’s daring four-month Mississippi River journey—a tale of danger, childbirth, and a massive earthquake that “reads like a novel” (Publishers Weekly). In 1811, the steamboat New Orleans was the first to travel the Mississippi River in a four-month journey between Pittsburgh, Pennsylvania, and New Orleans, Louisiana. The only people brave enough to embark upon the journey were Nicholas Roosevelt; his pregnant wife, Lydia Latrobe; and their young daughter. During the course of the trip, the brilliant but reckless Roosevelt led his family through navigational perils, hostile Indians, and fire aboard. The small, fire-engine-powered steamboat saw not only the birth of Roosevelt and Latrobe’s second child, but also the greatest earthquake ever to strike the eastern United States. That cataclysmic event, described in the book from firsthand accounts, destroyed villages, swallowed islands, and reversed the course of the Mississippi River. Mr. Roosevelt’s Steamboat is an authoritative account of a twenty-five-hundred-mile voyage that significantly contributed to America’s transportation revolution. The dynamic main characters share tender romance and great courage. Their incredible trip down the Mississippi assured the future of steam navigation—and the progress of the great westward movement. “A vivid, fast-moving story.” —New Orleans Times-Picayune “In a class by itself . . . Surges with excitement.” —Louisiana History “Well-researched, vividly told.” —Waterways Journal “Intriguing romance, [a] taut, suspense-filled story, cataclysmic drama . . . A whale of a book.” —Christian Herald
This book interweaves an authoritative authorial commentary – significantly expanded from the last edition - with extracts from a diverse and contemporary collection of cases and materials from three leading academics in the field. It provides an all-encompassing student guide to constitutional, administrative and UK human rights law. This fourth edition provides comprehensive coverage of all recent developments, including the Fixed Term Parliaments Act 2011, restrictions on judicial review (Criminal Justice and Courts Act 2015), changes to judicial appointments (Crime and Courts Act 2013), the 2014 Scottish Independence Referendum, Scotland Act 2016 and draft Wales Bill 2016. Recent devolution cases in the Supreme Court, including Imperial Tobacco (2012) and Asbestos Diseases (2015) are fully analysed, as is the 2015 introduction of English Votes for English Laws. The remarkable Evans (2015) ‘Black Spider memos’ case is considered in a number of chapters. The common law rights resurgence seen in Osborn (2013), BBC (2014) and Kennedy (2014) is analysed in several places, along with other key developments in judicial review such as Keyu (2015) and Pham (2015). Ongoing parliamentary reform in both Lords and Commons, including major advances in controlling prerogative powers, are fully explained, as is the adaptation of the core Executive to Coalition Government (2010-2015). There is comprehensive coverage of key Strasbourg and HRA cases (Horncastle (2010), Nicklinson (2014), Moohan (2014), Carlile (2014)), and those in core areas of freedom of expression, police powers and public order (Animal Defenders (2013), Beghal (2015), Roberts (2015), Miranda (2016)) and the prisoners’ voting rights saga, up to Chester (2015).
From the author of Stylish Academic Writing comes an essential new guide for writers aspiring to become more productive and take greater pleasure in their craft. Helen Sword interviewed 100 academics worldwide about their writing background and practices and shows how they find or create the conditions to get their writing done.
This book covers the main topics of Constitutional and Administrative Law courses and is intended to give students a clear idea of what the examiners are looking for. This edition has been comprehensively revised to take account of the radical programme of constitutional reform introduced by the Labour government since 1997. It gives clear examples of how to answer questions on the following topics: devolution; the Human Rights Act, including the interpretation by the courts of its chief provisions and the Act's on the key areas of police powers, public order law and freedom of expression; the Freedom of Information Act 2000; the recent Shayler litigation under the Official Secrets Act; plans for reform of the House of Lords and the Wakeham Report, the government's White Paper; and proposed reforms to the Ombudsmen system. Material on recent reforms to the European Convention system and to domestic judicial review is also included. It will be especially useful for students who may be feeling bemused by the rapid rate of change in this subject.
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