Big Data, Big Design provides designers with the tools they need to harness the potential of machine learning and put it to use for good through thoughtful, human-centered, intentional design. Enter the world of Machine Learning (ML) and Artificial Intelligence (AI) through a design lens in this thoughtful handbook of practical skills, technical knowledge, interviews, essays, and theory, written specifically for designers. Gain an understanding of the design opportunities and design biases that arise when using predictive algorithms. Learn how to place design principles and cultural context at the heart of AI and ML through real-life case studies and examples. This portable, accessible guide will give beginners and more advanced AI and ML users the confidence to make reasoned, thoughtful decisions when implementing ML design solutions.
This is a bundle of the best Harlequin comics! The vol. 98 is featuring the theme Fate Love vol.2. It contains This bundle offers "KISS ME KATE","NO HONOURABLE COMPROMISE", and "The Rich Man's Virgin".
Creativity is no longer the sole territory of the designer and other creative professionals. Amateurs are drawn to websites such as Flickr, Threadless, WordPress, YouTube, Etsy, and Lulu, approaching design with the expectation that they will fill in the content. Never has user-driven design been easier for the public to generate and distribute. How will such a fundamental shift toward bottom-up creation affect the design industry? Designing for Participatory Culture considers historical and contemporary models of making that provide ideas for harnessing user-generated content through participatory design. The authors discuss how designers can lead the new breed of widely distributed amateur creatives rather than be overrun by them. DPC challenges designers to transform audiences into users, and completed layouts into open-ended systems. The book opens with an introductory essay entitled 'Ceding Control,' which explores the general concept of participatory culture and the resulting emergence of systems-oriented models of co-creation. Four chapters Modularity, Flexibility, Community, and Technology explore the various approaches to participatory design through critical essays, case studies, and interviews with leading designers in the field.
¿I love adventure. Ratties do.¿ This is the opening line of this wonderful story, narrated by Ratty himself. The peace of the city farm where he lives with his friends Cow and Woolly is shattered by a marauder, and he learns that there are wild animals planning to get their own back on humans by attacking the animals they love. In a rollercoaster adventure with a wildly exciting ending, brave Ratty ¿ helped by Cow and Woolly and his new friend Chee the chihuahua ¿ saves the day. The talented Helen Armstrong tells a gripping story that retains all the humour, charm and originality that characterized THE ROAD TO SOMEWHERE.
Nip the terrrier and his friend Suky the saluki escape from the nasty burglars they belong to and set out to find a new home. They spend some time with a circus, where Nip becomes Dingo the Dog Man's star turn, and they make friends with Jezzaralda the orang utan. After an interlude in the woods where they meet a dancing deer, and some adventures on a canal boat and at a car boot sale, Nip and his friend journey to the seaside and finally find the home they long for. Told with sunny charm in Nip's own innocent voice, this a fast-paced adventure story that is both thought-provoking and immensely engaging.
It is the eve of Janet Royd's wedding to Dallas Chaynor. The house is in a state of turmoil with the dressmaker hovering, the caterers arrangements to be made, the telephone continually ringing, wedding presents arriving and being listed and acknowledged and displayed, and relations turning up and behaving with the boisterous humour or coy suggestiveness, which they think suitable for the occasion. It is all too much for Janet's nerves; she feels that the lovely and precious relationship between Dallas and herself is being stifled, and gets to the pitch of telling him that she cannot go through with the wedding. Dallas acts drastically, taking her away in his car to talk things out, and in the flat which has been prepared for their future life they re-establish peace and sanity. And there they remain for the night. Unfortunately their car breaks down on the return journey, and Janet only just succeeds in getting back to her home in time to be ready for the wedding. Her absence has been concealed by a sympathetic aunt, with the connivance of the housekeeper and Janet's father.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.