Derived from the renowned multi-volume International Encyclopaedia of Laws, this monograph provides a survey and analysis of the rules concerning intellectual property rights in Vietnam. It covers every type of intellectual property right in depth – copyright and neighbouring rights, patents, utility models, trademarks, trade names, industrial designs, plant variety protection, chip protection, trade secrets, and confidential information. Particular attention is paid throughout to recent developments and trends. The analysis approaches each right in terms of its sources in law and in legislation, and proceeds to such legal issues as subject matter of protection, conditions of protection, ownership, transfer of rights, licences, scope of exclusive rights, limitations, exemptions, duration of protection, infringement, available remedies, and overlapping with other intellectual property rights. The book provides a clear overview of intellectual property legislation and policy, and at the same time offers practical guidance on which sound preliminary decisions may be based. Lawyers representing parties with interests in Vietnam will welcome this very useful guide, and academics and researchers will appreciate its value in the study of comparative intellectual property law.
Derived from the renowned multi-volume International Encyclopaedia of Laws, this monograph provides a survey and analysis of the rules concerning intellectual property rights in Vietnam. It covers every type of intellectual property right in depth – copyright and neighbouring rights, patents, utility models, trademarks, trade names, industrial designs, plant variety protection, chip protection, trade secrets, and confidential information. Particular attention is paid throughout to recent developments and trends. The analysis approaches each right in terms of its sources in law and in legislation, and proceeds to such legal issues as subject matter of protection, conditions of protection, ownership, transfer of rights, licences, scope of exclusive rights, limitations, exemptions, duration of protection, infringement, available remedies, and overlapping with other intellectual property rights. The book provides a clear overview of intellectual property legislation and policy, and at the same time offers practical guidance on which sound preliminary decisions may be based. Lawyers representing parties with interests in Vietnam will welcome this very useful guide, and academics and researchers will appreciate its value in the study of comparative intellectual property law.
Few classical stories are as exciting as that of Jason and the Golden Fleece. The legend of the boy, who discovers a new identity as son of a usurped king and leads a crew of demi-gods and famous heroes, has resonated through the ages, rumbling like the clashing rocks, which almost pulverised the Argo. The myth and its reception inspires endless engagements: while it tells of a quest to the ends of the earth, of the tyrants Pelias and Aetes, of dragons' teeth, of the loss of Hylas (beloved of Hercules) stolen away by nymphs, and of Jason's seduction of the powerful witch Medea (later betrayed for a more useful princess), it speaks to us of more: of gender and sexuality; of heroism and lost integrity; of powerful gods and terrifying monsters; of identity and otherness; of exploration and exploitation. The Argonauts are emblems of collective heroism, yet also of the emptiness of glory. From Pindar to J. W. Waterhouse, Apollonius of Rhodes to Ray Harryhausen, and Robert Graves to Mary Zimmerman, the Argonaut myth has produced later interpretations as rich, salty and complex as the ancient versions. Helen Lovatt here unravels, like untangled sea-kelp, the diverse strands of the narrative and its numerous and fascinating afterlives. Her book will prove both informative and endlessly entertaining to those who love classical literature and myth.
Traces the development of Homer as a watercolorist, shows a selection of his landscapes, seascapes, and portraits, and discusses his distinctive style and techniques.
Historian Helen Rappaport brings the four daughters of the last Tsar to life in their own words, illuminating the opulence of their doomed world and their courage as they faced a terrible end.
A young woman's life is forever changed in the summer after World War I when she befriends a group of independent, motorcycle-riding women in a seaside town on the English coast—a captivating novel from the bestselling author of Major Pettigrew's Last Stand "You may find you've fallen head over heels for Ms. Simonson's funny, barbed, delightfully winsome storytelling" —The New York Times It is the summer of 1919 and Constance Haverhill is without prospects. Now that all the men have returned from the front, she has been asked to give up her cottage and her job at the estate she helped to run during the war. While she looks for a position as a bookkeeper or (horror) a governess, she's sent as a lady's companion to an old family friend who is convalescing at a seaside hotel. Despite having only weeks to find a permanent home, Constance finds herself swept up in the social whirl of Hazelbourne-on-Sea after she rescues local baronet’s daughter, Poppy Wirrall, from a social faux pas. Poppy wears trousers, operates a taxi and delivery service to employ local women, and runs a ladies' motorcycle club (to which she plans to add flying lessons). She and her friends enthusiastically welcome Constance into their circle. And then there is Harris, Poppy's recalcitrant but handsome brother—a fighter pilot recently wounded in battle—who warms in Constance’s presence. But things are more complicated than they seem in this sunny pocket of English high society. As the country prepares to celebrate its hard-won peace, Constance and the women of the club are forced to confront the fact that the freedoms they gained during the war are being revoked. With sharp humor, biting wit, and a warm heart, Simonson captures the mood of a generation facing the seismic changes brought on by war. The Hazelbourne Ladies Motorcycle and Flying Club is a timeless comedy of manners, refreshing as a summer breeze and bracing as the British seaside.
In this entertaining and informative book, Helen Taylor is the first to seek reasons for Gone With the Wind's success among viewers and readers. The author asked fans to relate their experiences with the work, to explain their fascination with the story, and describe its impact. She not only explains the enduring appeal of the work, but also identifies different kinds of response at particular historical moments (especially World War II) and through the past five decades by women of different classes, races, and generations. The result is a book that is sophisticated, accessible, and revealing. Scarlett's Women is a book for every fan, and for all students of film and popular culture.
Getting By offers an integrated, critical account of the federal laws and programs that most directly affect poor and low-income people in the United States-the unemployed, the underemployed, and the low-wage employed, whether working in or outside the home. The central aim is to provide a resource for individuals and groups trying to access benefits, secure rights and protections, and mobilize for economic justice. The topics covered include cash assistance, employment and labor rights, food assistance, health care, education, consumer and banking law, housing assistance, rights in public places, access to justice, and voting rights. This comprehensive volume is appropriate for law school and undergraduate courses, and is a vital resource for policy makers, journalists, and others interested in social welfare policy in the United States.
The first comprehensive guide to women activists from every part of the world, illuminating the broad range of women's struggles to reform society from the 18th century to the present. Despite being marginalized, disenfranchised, impoverished, and oppressed, women have always stepped forward in disproportionate numbers to lead movements for social change. This two-volume encyclopedia documents the visions, struggles, and lives of women who have changed the world. This encyclopedia celebrates the lives and achievements of nearly 300 women from around the globe—women who have bravely insisted that the way things are is not the way they have to be. Nadeshda Krupskaya, the wife of Lenin, spearheaded the drive against illiteracy in post-revolutionary Russia. American Dorothy Day founded the Catholic worker movement. Begum Rokeya Hossain organized a girls' school in Calcutta in 1911. Rachel Carson launched the modern environmental movement with her book Silent Spring. The stories of these women and the hundreds of others collected here will restore missing pages to our history and inspire a new generation of women to change the world.
Winner of the World Fantasy Award—“Should single out Marshall as one of the most accomplished writers of the fantastic being published today” (This Is Horror). Ghost thumbs. Microscopic dogs. One very sad can of tomato soup . . . Helen Marshall’s second collection offers a series of twisted surrealities that explore the legacies we pass on to our children. A son seeks to reconnect with his father through a telescope that sees into the past. A young girl discovers what lies on the other side of her mother’s bellybutton. Death’s wife prepares for a very special funeral. In Gifts for the One Who Comes After, Marshall delivers eighteen tales of love and loss that cement her as a powerful voice in dark fantasy and the New Weird. Dazzling, disturbing, and deeply moving. “Helen Marshall is a writer who creates real people in real situations, then uses the fantastic to pry her way inside her readers’ ribcages and break us wide open.” —Neil Gaiman, New York Times–bestselling author of American Gods “Helen Marshall whispers in your ear when she fits the noose around your neck, filling you with wonder and dread, urging you into a startling, beautiful darkness. These stories—which sometimes feel more like spells—are the very best kind of unsettling.” —Benjamin Percy, author of The Dark Net “In turns chilling, heart-wrenching and uplifting. Marshall has a way with words that makes even the most peculiar seem possible, and the stories here are each so layered with character and meaning, they are like perfect, condensed novels.” —Kaaron Warren, award-winning author of Tide of Stone
In Miyazawa Kenji and His Illustrators, Helen Kilpatrick examines re-visionings of the literature of one of Japan’s most celebrated authors, Miyazawa Kenji (1896-1933). The deeply Buddhist Kenji's imaginative dōwa (children’s tales) are among the most frequently illustrated in Japan today. Numerous internationally renowned artists such as Munakata Shikō, Kim Tschang-Yeul and Lee Ufan have represented his stories in an array of intriguing visual styles, reinvigorating them as picture books for modern audiences. Focusing on some of Kenji’s most famous narratives, the author analyses the ways artists respond to the stories’ metaphysical philosophies, exploring the interaction of literature, art and culture. Miyazawa Kenji and His Illustrators is richly depicted with full colour images of the representations of Kenji’s work, making the book a valuable resource on how illustrations shape story, and how these picture books continue to convey the texts’ witty and ironic messages more deeply than the written word alone.
The Value of the Humanities provides a critical account of the principal arguments used to defend the value of the Humanities. The claims considered are: that the Humanities study the meaning-making practices of culture, and bring to their work a distinctive understanding of what constitutes knowledge and understanding; that, though useful to society in many ways, they remain laudably at odds with, or at a remove from, instrumental use value; that they contribute to human happiness; that they are a force for democracy; and that they are a good in themselves, to be valued 'for their own sake'. Engaging closely with contemporary literary and philosophical work in the field from the UK and US, Helen Small distinguishes between arguments that retain strong Victorian roots (Mill on happiness; Arnold on use value) and those that have developed or been substantially altered since. Unlike many works in this field, The Value of the Humanities is not a polemic or a manifesto. Its purpose is to explore the grounds for each argument, and to test its validity for the present day. Tough-minded, alert to changing historical conditions for argument and changing styles of rhetoric, it promises to sharpen the terms of the public debate.
This book draws on the work of the British sculptor Antony Gormley alongside more traditional literary scholarship to argue for new relationships between Chaucer’s poetry and works by others. Chaucer’s playfulness with textual history and chronology anticipates how his own work is figured in later (and earlier) texts. Conventional models of source and analogue study are re-energised to reveal unexpected, and sometimes unsettling, literary cohabitations and re-placements. The author presents innovative readings of relationships between medieval texts and early modern drama, and between literary texts and material culture. Associations between medieval architecture, pilgrim practice, manuscript illustration and the soundscapes of dramatic performance reposition how we read Chaucer’s oeuvre and what gets made of it. An invaluable resource for scholars and students of all levels with an interest in medieval English literary studies and early modern drama, Transporting Chaucer offers a new approach to how we encounter texts through time.
This resource covers the life, times, and relationships of Queen Victoria, providing information about her children, her personal interests, the historic times in which she ruled, and the leaders she influenced. In this fascinating guide to every aspect of Queen Victoria's life, author Helen Rappaport analyzes the queen's personality, celebrates her achievements, and details the shortcomings of her empire, both in Britain, with its continuing divide between rich and poor, and overseas, where Britain's great empire was won by repression and exploitation. A–Z entries—including topics barely touched in standard biographies—cover things like the various assassination attempts on her life, her interest in dancing and Jack the Ripper's murders, and how her husband Prince Albert introduced the celebration of Christmas to England. Queen Victoria also describes individuals such as her companion Lady Jane Churchill, her physician Sir James Clark, and politicians such as William Gladstone and Benjamin Disraeli; events like the Irish potato famine; inventions like steam power; and issues such as missionary activity and prostitution. It also includes bibliographies both for each entry and overall, and a chronology.
This thoughtful examination of incarceration in the United States from the 1980s to the current time offers for consideration a transparent and humane correctional model for the future. Author Helen Clarke Molanphy employs an interdisciplinary approach encompassing sociology, penology, memoir, philosophy, and history. Featuring the work of researchers as well as penal theorists of the Enlightenment era, literati who have written about crime and punishment, inmates, social justice activists, and journalists, the author incorporates first-hand interviews with participants in the landmark Ruiz v. Estelle lawsuit, which found incarceration in the Texas Department of Corrections to be cruel and unusual punishment in violation of the Eighth Amendment. Synthesizing lessons learned from years of studying the American prison system through contact with inmates, correctional authorities, legislators, and prisoner advocates, Molanphy offers a narrative of crime and punishment, degradation, and dehumanization, but with hope pointing to future correctional reforms. The book not only catalogs human rights abuses and the pain inflicted by corrupt penal systems, but also provides a roadmap for an enlightened society to conceive of ways to reduce mass incarceration and provide humane treatment of inmates. This reflective survey of the pervasive issues that afflict the prison industrial complex offers a compelling analysis of the past and possible future of the US penal system for students of criminal justice, corrections, penology, and the sociology of punishment.
Examines the proliferation of new ways of making "art" in the 1960s by focusing on the changed organization of work in society at the time. Co-published with The Baltimore Museum of Art in conjunction with an exhibition of the same name.
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