Das vor allem von der Literaturwissenschaft gestellte, aber bisher kaum in vollem Umfang gel�ste Problem einer rezeptions�sthetischen Fundierung der �sthetischen Produktion wird in dieser Arbeit am Gegenstand der Bach-Aneignung des sp�ten Beethoven durchgefuehrt. Dafuer wird einerseits die �berlieferungs- und Wirklichkeitsgeschichte Bachscher Werke im 18. und fruehen 19. Jahrhundert rekonstruiert, andererseits erfolgt vor dem Bedingungs- und Erm�glichungsgrund des geschichtlich gewordenen Bach-Verst�ndnisses eine Auslegung von Beethovens Sp�twerk.
Vivid, succinct, and highly accessible, Heinrich Winkler's magisterial history of modern Germany offers the history of a nation and its people through two turbulent centuries. It is the story of a country that, while always culturally identified with the West, long resisted the political trajectories of its neighbours. This first volume (of two) begins with the origins and consequences of the medieval myth of the 'Reich', which was to experience a fateful renaissance in the twentieth century, and ends with the collapse of the first German democracy. Winkler offers a brilliant synthesis of complex events and illuminates them with fresh insights. He analyses the decisions that shaped the country's triumphs and catastrophes, interweaving high politics with telling vignettes about the German people and their own self-perception. With a second volume that takes the story up to reunification in 1990, Germany: The Long Road West will be welcomed by scholars, students, and anyone wishing to understand this most complex and contradictory of countries.
This volume begins with the origins and consequences of the medieval myth of the 'Reich,' which was to experience so fateful a renaissance in the 20th century, and ends with the collapse of the first German democracy. The author offers a synthesis of complex events and illuminates them with fresh insights.
Das vor allem von der Literaturwissenschaft gestellte, aber bisher kaum in vollem Umfang gel�ste Problem einer rezeptions�sthetischen Fundierung der �sthetischen Produktion wird in dieser Arbeit am Gegenstand der Bach-Aneignung des sp�ten Beethoven durchgefuehrt. Dafuer wird einerseits die �berlieferungs- und Wirklichkeitsgeschichte Bachscher Werke im 18. und fruehen 19. Jahrhundert rekonstruiert, andererseits erfolgt vor dem Bedingungs- und Erm�glichungsgrund des geschichtlich gewordenen Bach-Verst�ndnisses eine Auslegung von Beethovens Sp�twerk.
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