This book reminds me, in the sweetest way possible, that I probably should have never left Nashville.— CHRIS THILE Introduction by Pulitzer Prize-winning Author Jon Meacham. A dynamic, experiential, and intimate portrait that explores the many sides of the legendary Southern city and country music capital, from award-winning writers Ann Patchett, Jon Meacham, and acclaimed photographer Heidi Ross. Nashville is a creative collaboration that awakens the senses, providing a virtual immersion in this unique American city hailed as the Athens of the South. Patchett, Ross, and Meacham in his introduction, at once capture both the city’s iconic historical side—its deep, rich Southern roots, from its food and festivals to its famous venues, recording studios, and style—and its edgier, highly vibrant creative side, which has made it a modern cultural mecca increasingly populated by established and upcoming artists in art, film, and music. Nashville celebrates Nashvillians’ beloved locales and events, both established and new, that are the heart of the city’s character including: Bobbie’s Dairy Dip Broadway Cumberland River Buchanan Arts District Bolton’s Chicken and Fish Dino’s East Nashville Tomato Arts Festival Germantown The Gulch Grand Ole Opry Pie Town (SoBro) Pride Festival Prince’s Hot Chicken Schermerhorn Symphony Center Stanley Cup Playoffs Tennessee Performing Arts Center Tennessee State Fair Third Man Records WXNA Independent Radio Here, too, are engaging vignettes spotlighting the diverse talent that makes the Tennessee city a significant cultural incubator and influencer, including singer-songwriters Marty Stuart, Gillian Welsh, and Dave Rawlings; film director Harmony Korine, textile designer Andra Eggleston, country music fashion designer to the stars Manuel, chef Margot McCormack, acclaimed pastry chef Lisa Donovan, and model and musician Karen Elson. Blending exceptional narrative, evocative photography—including 175 black-and-white and color photographs—and a bold graphic design, Nashville is an intimate, textured panorama that brilliantly illuminates one of America’s most remarkable treasures.
Taking Teaching Seriously expands and enriches discussions about teacher preparation in the United States. Its authors describe the unique contexts for teacher preparation offered by liberal arts institutions and analyze the effects of these programs on their graduates and on K-12 schools. They emphasize that the goals and conditions for teacher preparation differ from larger public institutions in several key respects including supervisor-student teacher relationships, philosophical foundations, and approaches to clinical fieldwork. Taken together, the essays provide compelling evidence that educational studies programs in liberal arts colleges and universities constitute a vital component of the teacher education system in the United States.
Elyse and John had a perfect love. It seemed that nothing could shake their devotion to one another and their future seemed very bright. Then one day in the early morning hours something happend that would forever change their lives. Would they be able to weather the storm that brought them to this place?
Organized by the Museum of Contemporary Craft, the exhibition, publication, and online resources bring together work by nine Oregon-based mid-career artists. Through interviews and photographs of each artist's studios, this publication reveals critical shifts in today's artscape, the evolution of each individual artist's practice, and, more broadly, transitions as age-old juxtapositions and outmoded hierarchies of artistic media make way for new narratives and new realities of the contemporary art world.
Thirty years after the Race Relations Act, racism remains endemic in British society. How successful have policy measures been in addressing the causes of racism? What lessons can we learn from countries outside Britain? This important and timely book reviews the evidence and asks 'what really works?'.
In Fashioning Spaces, Heidi Brevik-Zender argues that in the years between 1870 and 1900 the chroniclers of Parisian modernity depicted the urban landscape not just in public settings such as boulevards and parks but also in dislocations, spaces where the public and the intimate overlapped in provocative and subversive ways. Stairwells, theatre foyers, dressmakers' studios, and dressing rooms were in-between places that have long been overlooked but were actually marked as indisputably modern through their connections with high fashion. Fashioning Spaces engages with and thinks beyond the work of critics Charles Baudelaire and Walter Benjamin to arrive at new readings of the French capital. Examining literature by Zola, Maupassant, Rachilde, and others, as well as paintings, architecture, and the fashionable garments worn by both men and women, Brevik-Zender crafts a compelling and innovative account of how fashion was appropriated as a way of writing about the complexities of modernity in fin-de-siècle Paris.
This book investigates the ways in which context shapes how cognitive challenges and strengths are navigated and how these actions impact the self-esteem of individuals with dementia and their conversational partners. The author examines both the language used and face maintenance in everyday social interaction through the lens of epistemic discourse analysis. In doing so, this work reveals how changes in cognition may impact the faces of these individuals, leading some to feel ashamed, anxious, or angry, others to feel patronized, infantilized, or overly dependent, and still others to feel threatened in both ways. It further examines how discursive choices made by healthy interactional partners can minimize or exacerbate these feelings. This path-breaking work will provide important insights for students and scholars of sociolinguistics, applied linguistics, medical anthropology, and health communication.
The much anticipated and darkly comic first novel from a prize-winning storyteller "I grew up on a farm." The year is l974, the place Sweetwater College, and Beatrice Wolfe is telling the story of her life to the glamorous young professor Philippa Sayres. So begins the achingly funny, often heartbreaking story of Beatrice's double quest to find out who she might be, and to escape the gothic eccentricity of her family. Married in a misbegotten passion, her parents are totally unsuited to any kind of business. The four Wolfe children's lives are ruled by their mother whose larger-than-life demands and fears encircle them in a darkly comic web of contradictions. When their father's ping pong business collapses and he loses their "farm," Bea's family spirals out of control. Bea, under Philippa's romantic spell, joins a lesbian community and is so committed to her new gay identity that she barely notices she's falling in love with a man--a man just risen from the ashes of addiction, whose re-creation of himself she threatens to undo. In The Bride of Catastrophe, Heidi Jon Schmidt explores the magnetic effect of love in all its variations--its power to form and sometimes deform us, to make us who we are.
This book is a selection of candid and often amusing interviews with independent singer/songwriters around Australia. From the wide-eyed innocence of teens starting out to the older more experienced musicians who have faced the disappointments and frustrations of competing against the major labels. Each published article concludes with the web links of the musician interviewed. The idea being that, having been introduced to them as an individual, the reader can then visit their website, check out their music, and show much needed support.
In January 1999, five women were elected to the highest offices in Arizona, including governor, secretary of state, attorney general, treasurer, and superintendent of public instruction. The “Fab Five,” as they were dubbed by the media, were sworn in by U.S. Supreme Court Justice Sandra Day O’Connor, herself a former member of the Arizona legislature. Some observers assumed that the success of women in Arizona politics was a result of the modern women’s movement, but Winning Their Place convincingly demonstrates that these recent political victories have a long and fascinating history. This landmark book chronicles for the first time the participation of Arizona women in the state’s early politics. Incorporating impressive original research, Winning Their Place traces the roots of the political participation of women from the territorial period to after World War II. Although women in Arizona first entered politics for traditional reasons—to reform society and protect women and children—they quickly realized that male politicians were uninterested in their demands. Most suffrage activists were working professional women, who understood that the work place discriminated against them. In Arizona they won the vote because they demanded rights as working women and aligned with labor unions and third parties that sympathized with their cause. After winning the vote, the victorious suffragists ran for office because they believed men could not and would not represent their interests. Through this process, these Arizona women became excellent politicians. Unlike women in many other states, women in Arizona quickly carved out a place for themselves in local and state politics, even without the support of the reigning Democratic Party, and challenged men for county office, the state legislature, state office, Congress, and even for governor. This fascinating book reveals how they shattered traditional notions about “a woman’s place” and paved the way for future female politicians, including the “Fab Five” and countless others who have changed the course of Arizona history.
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