Every Tale has its beginning, though this one begins in the middle. In the World of the Nine Goddessi, in the South Woods where the branches of the trees twist so tightly amongst themselves that light only bleeds through at the height of noons, a strange girl is born, fully grown and fully clothed. At her side is a man whose touch burns her skin and a beast who appears and disappears like a shadow. In her head is a voice that insists it is the real owner of both her body and her Tale. She is led through the World by the man with the burning hands until he bursts into flames and falls to ashes. A chat with the goddess of death assures her that he is not dead but still at large somewhere, beginning her journey through the lands of the World. But while every step changes her Tale, her Tale begins to change the World, for she is like nothing the World has ever seen. Welcome to the World Travel the World of the Nine Goddesi, the burning lands of the Greater and Lesser Deserts where the orthodox fire goddess's worshipers hunt and race and war among themselves. Watch the barely-clad bathing beauties of the water goddess by the lakes and on the shore of Kalilandrau, the Great Salt Sea. The stolid stone people carve their homes from the hearts of mountains and carve a trade track for ever-moving Caravans across the World, even unto the White Lands where the people of the Fallen Star go about ever in masks and create things too wondrous to be mere magic. In the forests where the Twins reign, their worshippers live in eternal twilight and bend their backs at hoeing grains and drive their herds through the dangerous swaths of highgrass where the Bane lie in wait to steal children and cut the throats of intruders to drink of their blood. But should these dangers overcome you, the grey people of the goddess of Death will be there to guide you to the Far Lands, where good and bad go alike to live again. And beyond it's strange geography and cultures, the World is an even more foreign place. Here, men make Tales. And Tales make men and thing far stranger than men. In the World, all Tales are true. Come. The World awaits.
At the intersection of translation studies and Latin American literary studies, The Translator's Visibility examines contemporary novels by a cohort of writers – including prominent figures such as Cristina Rivera Garza, César Aira, Mario Bellatin, Valeria Luiselli, and Luis Fernando Verissimo – who foreground translation in their narratives. Drawing on Latin America's long tradition of critical and creative engagement of translation, these novels explicitly, visibly, use major tropes of translation theory – such as gendered and spatialized metaphors for the practice, and the concept of untranslatability – to challenge the strictures of intellectual property and propriety while shifting asymmetries of discursive authority, above all between the original as a privileged repository of meaning and translation as its hollow emulation. In this way, The Translator's Visibility show that translation not only serves to renew national literatures through an exchange of ideas and forms; when rendered visible, it can help us reimagine the terms according to which those exchanges take place. Ultimately, it is a book about language and power: not only the ways in which power wields language, but also the ways in which language can be used to unseat power.
The Servants of Desire in Virginia Woolf's Shorter Fiction proposes an insight into the ways in which Virginia Woolf engaged with the questions of how class influences working women's occupation of private and public space and how material privilege or economic distress inhibits or encourages their likelihood of obtaining their intellectual, spiritual, and physical desires. This groundbreaking book uses class as the determining factor to assess how servants and working class women occupy private and public space and articulate or fail to realize their desires. Drawing upon published and unpublished holograph and typescript drafts of the shorter fiction in The Monks House Papers as well as the Berg Collection, this book examines Woolf's oscillating patterns of elision, idealization, and contempt for the voices and desires of female servants, lesbians, gypsies, and other disenfranchised women. The Servants of Desire in Virginia Woolf's Shorter Fiction also assesses how the portrayal of working class women in the shorter fiction becomes a vital template for the representation of working class women in Woolf's novels and essays. This study of the cumulative portrayal of the working class woman in all of Virginia Woolf's shorter fiction will also be compelling for anyone interested in social justice, especially for advocates of equality in gender/race/class/sexuality conflicts.
“I’m doing the right thing, not feeding myself. It’s the only thing I can do, so I will do it. Gloria can somehow have the energy I don’t take in, and it will help her stay alive.” Twenty years ago, fourteen-year-old Valerie rushed off for lunch with her boyfriend instead of properly putting away a packet of balloons, and her little brother choked to death on his third birthday. In response, Valerie locked down every aspect of her life so she could never lose control like that again, and she’s still doing that today. So when her sister Gloria is found comatose after an apparently random attack, Valerie is desperate to do something, anything, to save her only remaining sibling. But as a financial controller for a “nothing bigger than a size six” fashion designer, she has no medical background and no idea of how to help. But she has to find a way. Since Gloria has always wanted to be a size zero, Valerie hits on food as the answer: by eating less, she will lose the weight Gloria now can’t and somehow save her sister that way. But when “eating less” turns into a frantic starvation diet to reach size zero before Gloria dies, will Valerie’s self control save her sister or destroy her own life?
Based on a true story of a courageous woman who overcomes the struggles of marriage to an alcoholic, and discovers her own strength and identity in the midst of changing times in South Africa. Join Heather in her journey from innocence to independence. Follow Heather's journey "Over the Lotion" in this gripping 'Coming to America' story. A MUST Read!
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