Introduction Breaking the News, Chicago Style -- The Storm before the Storm -- Day One: "If the Democratic Party can't be democratic, what hope is there for democracy?" -- Day Two: "We filibustered with Tweedle-dee and Tweedle-dum matters until the American people had gone to bed." -- Day Three: "You do what's right, you don't have to give a worry about the television medium." -- Day Four: "Maybe this is a kiss-and-make-up session, but it's not really intended quite that way, Mayor Daley." -- The Storm after the Storm -- Conclusion From Biased News to Fake News.
The rise of right-wing broadcasting during the Cold War has been mostly forgotten today. But in the 1950s and ’60s you could turn on your radio any time of the day and listen to diatribes against communism, civil rights, the United Nations, fluoridation, federal income tax, Social Security, or JFK, as well as hosannas praising Barry Goldwater and Jesus Christ. Half a century before the rise of Rush Limbaugh and Glenn Beck, these broadcasters bucked the FCC’s public interest mandate and created an alternate universe of right-wing political coverage, anticommunist sermons, and pro-business bluster. A lively look back at this formative era, What’s Fair on the Air? charts the rise and fall of four of the most prominent right-wing broadcasters: H. L. Hunt, Dan Smoot, Carl McIntire, and Billy James Hargis. By the 1970s, all four had been hamstrung by the Internal Revenue Service, the FCC’s Fairness Doctrine, and the rise of a more effective conservative movement. But before losing their battle for the airwaves, Heather Hendershot reveals, they purveyed ideological notions that would eventually triumph, creating a potent brew of religion, politics, and dedication to free-market economics that paved the way for the rise of Ronald Reagan, the Moral Majority, Fox News, and the Tea Party.
In 1999, the Reverend Jerry Falwell outed Tinky-Winky, the purple character from TV's Teletubbies. Events such as this reinforced in many quarters the common idea that evangelicals are reactionary, out of touch, and just plain paranoid. But reducing evangelicals to such caricatures does not help us understand their true spiritual and political agendas and the means they use to advance them. Shaking the World for Jesus moves beyond sensationalism to consider how the evangelical movement has effectively targeted Americans—as both converts and consumers—since the 1970s. Thousands of products promoting the Christian faith are sold to millions of consumers each year through the Web, mail order catalogs, and even national chains such as Kmart and Wal-Mart. Heather Hendershot explores in this book the vast industry of film, video, magazines, and kitsch that evangelicals use to spread their message. Focusing on the center of conservative evangelical culture—the white, middle-class Americans who can afford to buy "Christian lifestyle" products—she examines the industrial history of evangelist media, the curious subtleties of the products themselves, and their success in the religious and secular marketplace. To garner a wider audience, Hendershot argues, evangelicals have had to carefully temper their message. But in so doing, they have painted themselves into a corner. In the postwar years, evangelical media wore the message of salvation on its sleeve, but as the evangelical media industry has grown, many of its most popular products have been those with heavily diluted Christian messages. In the eyes of many followers, the evangelicals who purvey such products are sellouts—hucksters more interested in making money than spreading the word of God. Working to understand evangelicalism rather than pass judgment on it, Shaking the World for Jesus offers a penetrating glimpse into a thriving religious phenomenon.
“Clever...a good introduction not only to Buckley and smart conservative thought but (strange concept) a sadly disappeared politics of civility.” — Los Angeles Times “Hendershot does more than tell the history of a uniquely influential show and personality; her thorough, compelling, and very readable book provides a three-decade journey through the center of the nation’s intellectual life.” — Publishers Weekly “A thoroughly researched work replete with intelligence, admiration, balanced criticism, and even a bit of nostalgia.” — Kirkus Reviews (starred review) “Hendershot lauds Buckley for the intelligence, honesty, wit, civility, and élan with which he developed meaningful dialogues ... A cogent reminder of what political broadcasting could be.” — Booklist (starred review) “William F. Buckley and his long-running, unique show Firing Line provides a window (if sometimes a curved mirror) through which to see a turbulent and transformative time in American politics. If you want to step into a time machine for a look back, this book is your ticket.” — Ira Glasser, American Civil Liberties Union Executive Director 1978-2001 (retired), currently Board President, Drug Policy Alliance
A riveting, blow-by-blow account of how the network broadcasts of the 1968 Democratic convention shattered faith in American media. “The whole world is watching!” cried protestors at the 1968 Democratic convention as Chicago police beat them in the streets. When some of that violence was then aired on network television, another kind of hell broke loose. Some viewers were stunned and outraged; others thought the protestors deserved what they got. No one—least of all Chicago mayor Richard J. Daley—was happy with how the networks handled it. In When the News Broke, Heather Hendershot revisits TV coverage of those four chaotic days in 1968—not only the violence in the streets but also the tumultuous convention itself, where Black citizens and others forcefully challenged southern delegations that had excluded them, anti-Vietnam delegates sought to change the party’s policy on the war, and journalists and delegates alike were bullied by both Daley’s security forces and party leaders. Ultimately, Hendershot reveals the convention as a pivotal moment in American political history, when a distorted notion of “liberal media bias” became mainstreamed and nationalized. At the same time, she celebrates the values of the network news professionals who strived for fairness and accuracy. Despite their efforts, however, Chicago proved to be a turning point in the public’s trust in national news sources. Since those critical days, the political Right in the United States has amplified distrust of TV news, to the point where even the truest and most clearly documented stories can be deemed “fake.” As Hendershot demonstrates, it doesn’t matter whether the “whole world is watching” if people don’t believe what they see.
The rise of right-wing broadcasting during the Cold War has been mostly forgotten today. But in the 1950s and ’60s you could turn on your radio any time of the day and listen to diatribes against communism, civil rights, the United Nations, fluoridation, federal income tax, Social Security, or JFK, as well as hosannas praising Barry Goldwater and Jesus Christ. Half a century before the rise of Rush Limbaugh and Glenn Beck, these broadcasters bucked the FCC’s public interest mandate and created an alternate universe of right-wing political coverage, anticommunist sermons, and pro-business bluster. A lively look back at this formative era, What’s Fair on the Air? charts the rise and fall of four of the most prominent right-wing broadcasters: H. L. Hunt, Dan Smoot, Carl McIntire, and Billy James Hargis. By the 1970s, all four had been hamstrung by the Internal Revenue Service, the FCC’s Fairness Doctrine, and the rise of a more effective conservative movement. But before losing their battle for the airwaves, Heather Hendershot reveals, they purveyed ideological notions that would eventually triumph, creating a potent brew of religion, politics, and dedication to free-market economics that paved the way for the rise of Ronald Reagan, the Moral Majority, Fox News, and the Tea Party.
“I’m doing the right thing, not feeding myself. It’s the only thing I can do, so I will do it. Gloria can somehow have the energy I don’t take in, and it will help her stay alive.” Twenty years ago, fourteen-year-old Valerie rushed off for lunch with her boyfriend instead of properly putting away a packet of balloons, and her little brother choked to death on his third birthday. In response, Valerie locked down every aspect of her life so she could never lose control like that again, and she’s still doing that today. So when her sister Gloria is found comatose after an apparently random attack, Valerie is desperate to do something, anything, to save her only remaining sibling. But as a financial controller for a “nothing bigger than a size six” fashion designer, she has no medical background and no idea of how to help. But she has to find a way. Since Gloria has always wanted to be a size zero, Valerie hits on food as the answer: by eating less, she will lose the weight Gloria now can’t and somehow save her sister that way. But when “eating less” turns into a frantic starvation diet to reach size zero before Gloria dies, will Valerie’s self control save her sister or destroy her own life?
Based on a true story of a courageous woman who overcomes the struggles of marriage to an alcoholic, and discovers her own strength and identity in the midst of changing times in South Africa. Join Heather in her journey from innocence to independence. Follow Heather's journey "Over the Lotion" in this gripping 'Coming to America' story. A MUST Read!
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