This new edition of 'a book that offers the best available grounding in its huge subject,' as the Sunday Times called it, includes color plates and a revised and expanded bibliography. Professor Hamilton traces the origins and growth of modern art, assessing the intrinsic qualities of individual works and describing the social forces in play. The result is an authoritative guide through the forest of artistic labels-Impressionism and Expressionism, Symbolism, Cubism, Constructivism, Surrealism, etc.-and to the achievements of Degas and Cezanne, Ensor and Munch, Matisse and Kandinsky, Picasso, Braque, and Epstein, Mondrian, Dali, Modigliani, Utrillo and Chagall, Klee, Henry Moore, and many other artists in a revolutionary age.
“Matt Heard writes winsomely and compellingly, answering that quiet aching so many people – yes, even Christians – have that there must be more to life…. I highly recommend Life With a Capital L!” - Joni Eareckson Tada, Joni and Friends International Disability Center What is it that you long for? Dream about? Hunger after? We all desire more than just the endurance of our daily routines. But often we feel limited and stuck — like we’re merely existing instead of living. That’s not the way it was meant to be. God intends the humanity in each of us to be deeply experienced, lavishly enjoyed, and exuberantly celebrated. In fact this is what the gospel is all about. Yes, the gospel. Contrary to conventional thinking — inside and outside the church — following Jesus is not about denying our humanness but embracing it. Rather than acting more spiritual or being more religious, we’re called and enabled to become more fully human… and alive. Matt Heard escorts us on a journey of discovery: that Jesus didn’t come to save us from our humanity — Christ instead yearns to restore it to what God originally intended. Matt then explores ten key areas where everyday life can become extraordinary Life. Christ promised we could “live life to the full.” He didn’t just mean eventually. Life with a Capital L is the Life you are longing for. Now.
A painting by the Renaissance artist Carpaccio has disappeared from the collection of the late Lord William Elmley, an Englishman who lived in Venice for many years, and the engaging American art historian Emma Darling is determined to find it. Art thieves come sniffing and a battle of wills ensues. Emma’s new friends Riccardo and Vittoria struggle with her to discover and protect the missing masterpiece. Led by Venice Police Inspector Luigi Dario and aided by Dr. Sam McGregor, she struggles, her bravery sorely tested. Follow her and her companions as they visit the Lido, Venice’s island of beaches, the artisan haven of Dorsoduro, raucous open-air markets of the Rialto, and the sleepy island of Torcello—all in search of the painting. As surely as the gondolas skim the Grand Canal, this gripping book will keep you at the edge of your seat as suspense proliferates with each flip of the page. Comments "Emma has replaced Miss Marple in my life! Good for you, Alice!" — Charlotte Jacobs, California "I absolutely loved the book. Most of the places were familiar to me and the few others, I found with Mapquest. It was like a trip to Venice, and I said as much on my Facebook page. I also appreciate the readable print. Three of my granddaughters visited Venice last summer and I know they'll love the book too!" — Terry Stacy, Kentucky "I'm so excited to read Tracking the Carpaccio and to order the other two books of the trilogy." — Amanda H. Fields, Minnesota "Most of all we need to find Signorina Darling!" With those words from Police Inspector Luigi Dario I gave my heart to the search for Emma Darling. Building on the literary appeal of Venice as a city of conspiracy and danger, the author took me on a thrilling track following, and losing, the Darling art historian through canals and islands known for hiding secrets. Secrecy feeds the underlying drama of law, art history and family in this thriller. —Mary Faraci, Florida
An engaging history of the surprising, poignant, and occasionally scandalous stories behind scientific names and their cultural significance Ever since Carl Linnaeus’s binomial system of scientific names was adopted in the eighteenth century, scientists have been eponymously naming organisms in ways that both honor and vilify their namesakes. This charming, informative, and accessible history examines the fascinating stories behind taxonomic nomenclature, from Linnaeus himself naming a small and unpleasant weed after a rival botanist to the recent influx of scientific names based on pop-culture icons—including David Bowie’s spider, Frank Zappa’s jellyfish, and Beyoncé’s fly. Exploring the naming process as an opportunity for scientists to express themselves in creative ways, Stephen B. Heard’s fresh approach shows how scientific names function as a window into both the passions and foibles of the scientific community and as a more general indicator of the ways in which humans relate to, and impose order on, the natural world.
This book is the product of a lifelong fascination with iconic hotels and tells of the people who have lived in them. Hotel living has always seemed exotic. Why did Claude Monet, Greta Garbo, Janis Joplin, Vladimir Nabokov, Howard Hughes, and many other mercurial individuals desire such a life? Besides answering that question, The Suite Life features interviews with high-profile celebrities who have also chosen hotel living, such as Johnny Depp, Warren Beatty, Keanu Reeves, Richard Harris, and Criss Angel. Author Christopher Heard was conceived in The Fairmont Royal York Hotel in Toronto and now lives there as the writer-in-residence. The Suite Life is the culmination of a lifelong fascination with iconic hotels and those who have opted to reside in them. It tells of the enchantment of being exposed to many varied energies at the same time and describes the uniqueness of life lived in a place where people can let their inhibitions relax. Living in a hotel is many things, but first and foremost it is magical.
Combining the expertise of many of Australia’s leading native bee researchers, this book is a guide to observing and keeping Australia’s broad range of native bee species. Australian native bees, a brand new AgGuide, provides a wealth of advice on how you can support and enjoy our native bees, whether you grow broad-acre crops or have an urban backyard. You can learn about: • how bees build nests, forage and provide crucial pollination services • how you can examine and recognise our solitary and semi-social bees: blue banded bees, teddy bear bees, carpenter bees, leafcutters, resin bees, cuckoo bees and more • urban bee ecology • how to build a bee hotel • how to keep the popular stingless bees in specialised hives • the importance of native bees and other crop pollinators, and how managed native bees can be used to pollinate crops • bee biosecurity.
In A Place for Wonder, Georgia Heard and Jennifer McDonough discuss how to create a landscape of wonder, a primary classroom where curiosity, creativity, and exploration are encouraged. For it is these characteristics, the authors write, that develop intelligent, inquiring, life-long learners. The authors’ research shows that many primary grade state standards encourage teaching for understanding, critical thinking, creativity, and question asking, and promote the development of children who have the attributes of inventiveness, curiosity, engagement, imagination, and creativity. With these goals in mind, Georgia and Jennifer provide teachers with numerous, practical ways—setting up wonder centers, gathering data though senses, teaching nonfiction craft—they can create a classroom environment where student’s questions and observations are part of daily work. They also present a step-by-step guide to planning a nonfiction reading and writing unit of study—creating a nonfiction book, which includes creating a table of contents, writing focused chapters, using wow words, and developing point of view. A Place for Wonder will help teachers reclaim their classrooms as a place where true learning is the norm.
Imagine sitting in a blossoming orchard beside an unknown Vincent van Gogh, watching him paint as he talks of his hopes, his dreams. Minette Ginoux, a young Arlesienne, befriends him when he arrives during a February snowstorm and quickly becomes his confidant. The friendship deepens, but dark clouds threaten this arcadia as Minette discovers Vincents secret moods and habits which shock and repel. The arrival of Paul Gauguin precipitates a string of disasters affecting them both when conflicts erupt between the two men. Set in a land of idyllic natural beauty, the novel describes the art of van Gogh at its most compelling and reveals a young girls deepest feelings for the artist. Aunt Titi, sister Colette, handsome Etienne Martin who is seeking a wife, the townspeople of Arles, mingle in a rich and suspense- filled drama celebrating the struggles of a gifted yet tormented painter. READING GROUP GUIDE for Seeking the High Yellow Note, Vincent Van Gogh in Provence 1. Seeking the High Yellow Note is a novel about the artist Vincent Van Gogh told by Minette Ginoux, a young girl living in Arles with whom he shares a friendship. Set in Provence, during his most productive artistic period, the novel describes the setting and his works in rich detail. Discuss some of the reasons why Van Gogh flourished as a painter in this setting. 2. Through Van Goghs interaction with Minette and the people around him, the personality of the artist is revealed. Vincent tells Minette of his previous failed attempts to succeed in a relationship with women. (See p. 51). Why do you think he was successful in forming a friendship with Minette? 3. It becomes quickly apparent to the reader how dependent Vincent became on the support of his brother Theo, both financially and emotionally. Would you describe such a close bond with a sibling usual or unusual within the bonds of family? Why? Do you think Vincent could have painted as he did without his brothers support? 4. The arrival of Paul Gauguin is fully described in the book (p. 81). What did Gauguin contribute to Van Gogh in furthering his painting? What responsibility does he bear for Vincents decline and illness? Discuss differences in painting techniques of the two artists. 5. Follow the development of the friendship between Minette and Etienne Martin, the young joiner from Nimes. At what point does she give up the possibility of Vincent as a suitor? (See p. 75). Vincent painted The Girl with Coffee Tinted Skin (Minette) and The Young Frenchman of Modern Times (Etienne). Discuss the friendship of Vincent and Etienne. 6. When Vincent speaks of The High Yellow Note in his painting, what does he mean? (p. 126). 7. The book is meant to give a picture of life in Provence in the late 1800s. What was your feeling about farm life as described by Minette on the Martin mas, or farm? Minette and her sister Colette worked as waitresses in the cafe of their Aunt Titi in the town of Arles. How was their life different from that of young girls today? 8. In 1889 Vincent voluntarily entered the asylum at Saint Remy, hoping to receive treatment for his illness. Minette paid one visit to him during this time (p. 175). How would you describe the asylum and the treatment Vincent received there? What caused Vincents illness? Several possibilities have been mentioned, but no conclusions drawn (p.183). 9. Vincent Van Gogh sold only one painting during his lifetime, The Red Vineyard, now in the Pushkin Museum, Moscow. (See p. 99). What do you think was the reason for this? Why did sales of his paintings begin so soon after his death? What was the effect of his death on Minette and Etienne? On Theo Van Gogh?
In one short decade, Dan and Martha Albrecht have put together one of the finest private collections of Inuit art ever assembled - nearly 4,000 pieces, most of which they have generously donated to the Heard Museum in Phoenix, Arizona. In Arctic Spirit, writer and sculptor Ingo Hessel, the Albrechts' main advisor, presents the best of these works, 190 sculptures, prints, drawings, and textiles, from prehistoric carvings to contemporary mixed media, and including works from Siberia, Greenland, Alaska, and the Inuit heartland of northern Canada.
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