Race, Gender and Image Restoration Theory: How Digital Media Change the Landscape explores themes that are relevant to the socio-political landscape of twenty-first-century America, including race and gender representation, social media and traditional media framing, and image restoration management. This book provides a comprehensive discussion of Critical Race Theory (CRT) and Image Restoration Theory (IRT) to establish a baseline for a conversation on celebrity image restoration tactics used on social media platforms such as Twitter and Facebook as well as traditional media platforms. Case studies offer a broad overview of politics, sports and entertainment image management and restoration. Recommended for scholars interested in public relations, crisis management, Image Repair Theory (IRT), and representations of race and gender in mass media.
Henry James is famed for the psychological depth of his characters and his remarkable ability to penetrate the inner life, yet the story of his own inner life remains curiously obscure— until now The best known facts about James— his illustrious, wealthy family and famous siblings; his prolific literary output with its numerous quirky female heroines; his long-term bachelorhood and the rumors that accompanied it; and his flamboyant adoption of British citizenship in 1915— have created a certain mythology surrounding the author. In this succinct new biography, Hazel Hutchison examines the man behind the writing. Exploring the author's life, works, and critical heritage, this fresh take on one of the central figures in the English canon is perfect for both the general reader as well as the James enthusiast.
In this moving autobiography, James delivers time-tested lessons that readers might be able to use in their daily life. This enlightening book provides direction and guidance to make the right decision in life, to reach a long-term goal, and to continue to Struggle to Survive.
The past had been buried. But now someone has remembered . . . Prolific lawyer Charlie Priest has bet his career on one case, but when his star witness turns up brutally murdered on the first morning of the trial, things start to fall apart. Priest knows there's a vicious killer out there, but as the bodies begin to pile up, he soon realises that he's caught in a web of corruption that protects a deadly secret: one that threatens to tear him and those he cares about apart. And Priest has demons of his own to battle, suffering from dissociative disorder, a condition so destructive that it leaves him questioning the truth of his own existence. Can Priest uncover the truth before it's too late? 'Had me gripped form the first page . . . Engaging, complicated and compelling' Adam Hamdy, author of Pendulum 'Macabre and magnificent, The Ash Doll cranks up the tension from page one and doesn't let go until its breathless conclusion' Mark Hill, author of His First Lie
In this provocative study, Hazel Hutchison takes a fresh look at the roles of American writers in helping to shape national opinion and policy during the First World War. From the war's opening salvos in Europe, American writers recognized the impact the war would have on their society and sought out new strategies to express their horror, support, or resignation. By focusing on the writings of Henry James, Edith Wharton, Grace Fallow Norton, Mary Borden, Ellen La Motte, E. E. Cummings, and John Dos Passos, Hutchison examines what it means to be a writer in wartime, particularly in the midst of a conflict characterized by censorship and propaganda. Drawing on original letters and manuscripts, some never before seen by researchers, this book explores howthe essays, poetry, and novels of these seven literary figures influenced America's public view of events, from August 1914 through the Paris Peace Conference of 1919, and ultimately set the literary agenda for later, more celebrated texts about the war"--
T. S. Eliot was raised in the Unitarian faith of his family in St. Louis but drifted away from their beliefs while studying philosophy, mysticism, and anthropology at Harvard. During a year in Paris, he became involved with a group of Catholic writers and subsequently went through a gradual conversion to Catholic Christianity. Many studies of Eliot's writings have mentioned his religious beliefs, but most have failed to give the topic due weight, and many have misunderstood or misrepresented his faith. More recently, scholars have begun exploring this dimension of Eliot's thought more carefully and fully. In this book readers will find Eliot's Anglo-Catholicism accurately defined and thoughtfully considered. Essays illuminate the all-important influence of the French Catholic writers he came to know in Paris. Prominent among them were those who wrote for or were otherwise associated with the Nouvelle Revue Française, including André Gide, Paul Claudel, and Charles-Louis Philippe. Also active in Paris at that time was the notorious Charles Maurras, whose influence on Eliot has been exaggerated by those who wished to discredit Eliot's traditionalist views. A more measured assessment of Maurras's influence has been needed and is found in several essays here. A wiser French Catholic writer, Jacques Maritain, has been largely ignored by Eliot scholars, but his influence is now given due consideration. The keynote of Eliot's cultural and political writings is his belief that religion and culture are integrally related. Several contributors examine his ideas on this subject, placing them in the context of Maritain's ideas, as well as those of the Catholic historian Christopher Dawson. Contributors take account of Eliot's intellectual relationship with such figures as John Henry Newman, Charles Williams, and the expert on church architecture, W. R. Lethaby. Eliot's engagement with other contemporaries who held a variety of Christian beliefs—including George Santayana, Paul Elmer More, C. S. Lewis, and David Jones—is also explored. This collection presents the subject of Eliot's religious beliefs in rich detail, from a number of different perspectives, giving readers the opportunity to see the topic in its complexity and fullness.
Who are the "race men" standing for black America? It is a question Hazel Carby rejects, along with its long-standing assumption: that a particular type of black male can represent the race. A searing critique of definitions of black masculinity at work in American culture, Race Men shows how these defining images play out socially, culturally, and politically for black and white society--and how they exclude women altogether. Carby begins by looking at images of black masculinity in the work of W. E. B. Du Bois. Her analysis of The Souls of Black Folk reveals the narrow and rigid code of masculinity that Du Bois applied to racial achievement and advancement--a code that remains implicitly but firmly in place today in the work of celebrated African American male intellectuals. The career of Paul Robeson, the music of Huddie Ledbetter, and the writings of C. L. R. James on cricket and on the Haitian revolutionary, Toussaint L'Ouverture, offer further evidence of the social and political uses of representations of black masculinity. In the music of Miles Davis and the novels of Samuel R. Delany, Carby finds two separate but related challenges to conventions of black masculinity. Examining Hollywood films, she traces through the career of Danny Glover the development of a cultural narrative that promises to resolve racial contradictions by pairing black and white men--still leaving women out of the picture. A powerful statement by a major voice among black feminists, Race Men holds out the hope that by understanding how society has relied upon affirmations of masculinity to resolve social and political crises, we can learn to transcend them.
«Un male che viene da lontano, ma che adesso è vicino, troppo vicino a noi. In corso di pubblicazione in tutta Europa.» «Ephemera è quello che Fleming avrebbe definito un "thriller spudorato": Hazel riempie ogni pagina di suspense, tensione e adrenalina.» The Australian 1945. Gli orrori della guerra hanno da poco lasciato il posto alla pace quando il colonnello dei servizi segreti britannici Albert Ruck riceve l’incarico di interrogare un medico nazista autore di terribili esperimenti sui prigionieri del lager di Buchenwald. Ma pochi giorni dopo il medico, Schneider, viene trovato in fin di vita e le indagini sui suoi crimini e sulle sue ricerche sulla stricnina si interrompono bruscamente. Sessantacinque anni dopo, l’avvocato ed ex ispettore di polizia Charlie Priest riceve una visita non gradita: un uomo, fingendosi un agente di polizia, lo aggredisce nel suo studio e gli intima di consegnargli una misteriosa chiavetta. Sfuggito all’attacco, Priest scopre l’identità del suo aggressore: si tratta di Miles Ellinder, scapestrato rampollo tossicodipendente della famiglia che gestisce una delle maggiori case farmaceutiche del Regno Unito. Ma scopre anche che, la stessa notte del loro incontro, Ellinder è stato trovato morto in uno dei magazzini del padre. Sospettato dell’omicidio, per dimostrare la propria innocenza Priest si ritrova a indagare sulla misteriosa Casa dell’Ephemera, una società segreta che risale agli ultimi giorni della seconda guerra mondiale, legata a una serie di delitti efferati… Mentre Priest cerca di salvare se stesso, potrà impedire alla storia di ripetersi?
A Genealogical History of the Descendants of George and Mary Boone who Came to America in 1717; Containing Many Unpublished Bits of Early Kentucky History
A Genealogical History of the Descendants of George and Mary Boone who Came to America in 1717; Containing Many Unpublished Bits of Early Kentucky History
George Boone IV (1690-1753), a Quaker, emigrated from England to Abington, Philadelphia County, Pennsylvania, married Deborah Howell in 1713, and moved to Berks County, Pennsylvania. Descendants lived in Pennsylvania, Ohio, Kentucky, Tennessee, Texas, New Mexico, Colorado, California and elsewhere.
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