This is the 2007 Supplement to Hazard, Tait and Fletcher's Cases and Materials on Pleading and Procedure, State and Federal, Ninth Edition. The authors have thoroughly revised and updated this popular casebook for the Ninth Edition.
From divorce proceedings to personal injury disputes to lawsuits over busing, affirmative action, and labor relations, most conflicts in American society may eventually find their way into a courtroom. Such civil conflicts, which do not involve violations of the criminal code, encompass both actions between private parties and public controversies. This clear and direct book by two distinguished professors of law describes and analyzes civil litigation in the United States. Geoffrey C. Hazard, Jr., and Michele Taruffo discuss both specific details and broader themes of American civil litigation, explaining (without legalese) jury trial, the adversary system, the power of courts to make law as well as to "declare" it, and the role of civil justice in government and in the resolution of controversial social issues. Hazard and Taruffo examine the stages of civil procedure, including the lawyers' role in: preparing and presenting cases; the pretrial, pleading and discovery, trial, and appeal process; and procedural variations. They explore the historical evolution of common law and procedure and compare American civil procedure with that in other modern societies in Europe, Latin America, and Japan. They conclude by discussing the economic, political, and moral constraints on litigation, possible innovations to the process, and the political significance of public access to civil justice.
Examining legal ethics within the framework of modern practice, this book identifies two important ethical issues that all lawyers confront: the difference between the role of lawyers and the role of judges in pursuing justice, and the conflicting responsibilities lawyers have to their clients and to the legal system more broadly. In addressing these issues, Legal Ethics provides an explanation of the duties and dilemmas common to practicing lawyers in modern legal systems throughout the world. The authors focus their analysis on lawyers in independent practice in modern capitalist constitutional regimes, including the United States, Japan, Europe, and Latin America, as well as the emerging legal systems in China and the former Soviet bloc, to develop connections between the legal profession and political systems based on the rule of law. They find that although ethical tension is inherent in the legal practice of all these societies, the legal profession is essential to stable political institutions.
Known for his prophetic and imaginative works of poetry, painting, and printmaking, William Blake was also a prolific reader and annotator of other writers' works. This is the first work of criticism to consider Blake's annotations in their entirety, and it covers such topics as art, poetry, theology, madness and philosophy, as well as the authors Lavater, Swedenborg, Bacon, Spurzheim, Berkeley, and Wordsworth, among others.
Monday's child is fair of face . . . and too young to marry a man she doesn'tlove, merely for money. That's what a beautiful young widow thinks--until shemeets a modest young farmer who makes her think there might be a way out. Thefirst book in a sparkling new series. Original Regency Romance.
Blake was not only a poet, but also a prolific commentator on both his own art and art in general. This is the first text to discuss all of the writings except the annotations to Reynolds' Discourses, covered in a previous volume, Blake's Margins (McFarland, 2009). Topics include his opinions on his predecessors and his contemporaries, his reaction to critics, and his artistic intentions. This valuable addition to Blake scholarship includes reproductions of some of the drawings and paintings in Blake's one exhibition of 1809, plus reproductions of other prose texts by Blake.
A leading scholar of English romanticism and literary theory and criticism, Hazard Adams writes of a lifetime as a student, a teacher and an academic administrator. The child of academically-minded parents, both teachers at Cleveland's Hawken School, Adams tells of his family's experiences at Hawken and later Seattle's Lakeside School, then his Marine Corps service and education at Princeton and the University of Washington. In addition to an illuminating account of his academic career--his experiences researching and teaching in Ireland, his administrative work in the founding faculty at the University of California's Irvine campus, and finally his experiences under the first endowed professorship in the humanities at the University of Washington--the memoir also voyages into memories of family, friends and colleagues and offers singularly well-informed comments on the current state of higher education and the academic experience.
Elizabethan Silent Language is an anatomy of an alternative or supplementary mode of communication in a culture prized for its literary contributions. Through the use of nonverbal media, Elizabethans coexpressed, enhanced, andøsometimes even subverted the medium of the written or spoken word. Besides written documents and works of art, extant material reveals new referents and deeper meaning for Elizabethan verbal expression. Funeral monuments, jewelry, costume, foodstuffs, protocol, sumptuary laws, portraits, architecture, management of public appearance, absence, and silence?all were forms of a silent language. The main elements of the semantic system of Elizabethan silent language were in many cases those of literal language, with resources in religion, in antiquity as translated through humanist tradition, in custom and law, in the Continental Renaissance, and in Tudor historiography?syntactic elements translated through word and practice and subject to personal inflection. Assumed as given values were the masculine norm, young adulthood, courtly service, discernment of ethical and aesthetic dimensions in all aspects of life, a comprehensive rule of decorum, and the preservation of religious, political, and social hierarchy. Elizabethan Silent Language is a unique book. Although Renaissance scholars have focused their attention on individual components of texts, such as ceremony, costume, architecture, protocol, and portrait, no other source synthesizes these components.
There is something offensive and scandalous about poetry, judging by the number of attacks on it and defenses of it written over the centuries. Poetry, Hazard Adams argues, exists to offend - not through its subject matter but through the challenges it presents to the prevailing view of what language is for. Poetry's main cultural value is its offensiveness; it should be defended as offensive. Adams specifies four poetic offenses - gesture, drama, fiction, and trope - and devotes a chapter to each, ranging across the landscape of traditional literary criticism and exploring the various attitudes toward poetry, including both attacks and defenses, offered by writers from Plato and Aristotle to Sidney, Vico, Blake, Yeats, and Seamus Heaney, among others. "Criticism," Adams writes, "needs renewal in every age to free poetry from the prejudices of that age and the unintended prejudices of even the best critics of the past, to free poetry to perform its provocative, antithetical cultural role." Poetry achieves its cultural value by opposing the binary oppositions - form and content, fact and fiction, reason and emotion - that structure and polarize most understandings of literature and of life. Adams takes a position antithetical to the extremes of both abstract formalism and the politicization of literary content. He concludes with an appreciation of what he calls the double offense of "great bad poetry," poetry so exceptionally bad that it transcends its shortcomings and leads to gaiety. He reminds us that Blake, in The Marriage of Heaven and Hell, identified angels with the settled and coercive and assigned the qualities of energy and creativity to his devils. According to Adams, poetry, in its broad and traditional sense of all imaginative writing, may be identified with Blake's devils.
This volume seeks to recover a specific historical moment within the tradition of anthropologists trained in the United States under Franz Boas, arguably the father of modern American anthropology. Focusing on Boasians Ashley Montagu, Margaret Mead, Melville Herskovits, and Ruth Benedict, Anthony Hazard highlights the extent to which the Boasians offer historicized explanations of racism that move beyond a quest to reshape only the discipline: Boasian war work pointed to the histories of chattel slavery and colonialism to theorize not just race, but the emergence of racism as both systemic and interpersonal. The realities of race that continue to plague the United States have direct ties to the anthropological work of the figures examined here, particularly within the context of the 20th-century black freedom struggle. Ultimately, Boasians at War offers a detailed glimpse of the long troubled history of the concept of race, along with the real-life realities of racism, that have carried on despite the harnessing of scientific knowledge to combat both.
This book explores the discourse and practice of anti-racism in the first two decades following World War II, uncovering the ways scientific and cultural discourses of 'race' continued to circulate in the early period of contemporary globalization through the lens on UNESCO.
When I first began my career [as an art appraiser in the 70s], America became enthralled with Upstairs/Downstairs. Now, forty years later, new versions of the same story lines have recaptured our fascination. While these have been pure fiction, what follows are true vignettes of Old Money life from my years among the rich and quietly famous. And I can assure my readers the real Biddles, DuPonts, and Rockefellers exhibited all the grandeur, falderaland occasional witlessnessof their made-up British counterparts. from The Appraiser Calls, Encounters with Aristocracy The knowledgeable and always entertaining John Hazard Forbes takes us along as he unlocks the secret enclaves of exclusive families, often exposing much more than the mere value of their possessions. E. Shaver, bookseller The Appraiser Calls is the latest addition to the Old Money America book series. Each chapter is a true recollection of the authors encounters with the very rich and quietly famous. Within each self-contained chapter, the reader will meet remarkable people of elegance, whimsy, courage, foolishness, and tragedy plus the cover-up of a nasty crime. The Addendum section includes notes on Old Money savior faire, the secret language of Americas oldest and richest families, and an actual room by room appraisal of every item inside an elegant New York City townhouse.
A seminal figure in Romantic poetry and visual arts, William Blake continues to influence modern literary criticism. In this book, Blake scholar Hazard Adams presents a selection of essays that span his long career exploring the work and thought of the groundbreaking artist. Topics range from the symbolic form in Blake's poem Jerusalem, the world view of Blake in relation to cultural policy and the notion of contrariety in Blake's writings to the relation of Chinese literary thought to that of the West, the critical work of Northrop Frye and Murray Krieger and the cultural and academic status of the humanities. The essays chart the evolution of Adams' own neo-Blakean literary thought over the past four decades, chronicling an effort to seek not merely a method but a philosophical base for the practice of literary criticism.
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