Dans un avenir étrangement proche de nos préoccupations contemporaines, où l'air et l'eau sont devenus les plus précieuses de nos richesses, deux frères rebelles découvrent une femme effondrée, au coeur de la forêt. Contre son coeur, un bébé. Serré entre ses doigts, un révolver. Lorsque les jeunes hommes décident de lui porter secours, ils allument la mèche à combustion lente de la vengeance et de la trahison. Des combustibles bouillonnant dans l'âme humaine, que bien peu sont en mesure d'apaiser. Un combat désespéré pour ce qu'il reste des États-Unis les attend. La révolution, ou la mort. A mi-chemin entre la Route et Mad Max, The Few est le fruit de la rencontre entre Sean Lewis (Saints, Coyotes) et Hayden Sherman (Cold War, Wasted Space) et le meilleur de ce qu'Image Comics peut offrir en matière d'univers dystopique. Un one-shot qui vous transperce et qui ne vous quitte plus, comme les fantômes d'Edan Hale refusent de la laisser partir. « Formidable ! The Few est un univers profondément cool, riche, fort d'un story-telling passionnant et le digne rejeton de Mad Max, Lone Wolf & Cub et Popbot. » Riley Rossmo « The Few invoque aussi bien les Fils de l'Homme de Cuaron qu'Escape From New York de John Carpenter. Le meilleur des histoires dystopiques que seuls les Comics peuvent offrir, dans la droite lignée de Tank Girl et Judge Dredd. » Steve Orlando « L'histoire est complexe, s'adresse à son lecteur, et c'est exactement ça que nous demandons » Graphic Policy Retrouvez les autres sorties sur HiComics.fr
A supernatural Western about DIRT, a man out to avenge his wife’s death with nothing but a bloodthirsty vulture to guide his way. What happens when the story of Dirt’s pain gets stolen by others and the world he thought he understood turns upside down? Featuring the incredible work of the team behind THUMBS and THE FEW, this thrilling new series is best described as Deadwood meets The Sandman. Select praise for ABOVE SNAKES: “Like a gloomy ballad strummed on a heavily tuned guitar, telling a rising story in the dry winds full of violence. The vibrant artwork and colorful language, coupled with the steady yet descriptive narration, create a haunting tune.” —Comic Book Resources “If you like revenge stories and Westerns, then look no further.” —AIPT Collects ABOVE SNAKES #1-5
Panacea Cryonics prometía la vida después de la muerte, para lo que congelaba la cabeza de sus clientes con la intención de revivirlos en un futuro cercano, cuando la tecnología les garantizase una vida sin enfermedades ni problemas. Sin embargo, cuando por fin los devuelven a la vida, los clientes descubren que las promesas de la empresa eran demasiado buenas como para ser ciertas y que, en vez de despertar en la vida de sus sueños, han despertado en una pesadilla interminable. El mundo está en guerra y a todas estas personas revividas les entregan un arma y una armadura personal y les dan un ultimátum: o luchan contra oponentes y horrores desconocidos para asegurarse un lugar en un mundo feliz —que no los quiere— o mueren. A medida que sobrevive a una oleada tras otra de horrores tecnológicos, esta gente normal y corriente va dándose cuenta de que las respuestas a sus preguntas no les reconfortan y de que es muy posible que el futuro que anhelaban no llegue jamás.
A "high porch picnic" is a Texas expression for "an exceptionally good time." Considering Hayden Fry's glorious career as one of college football's most unique coaches, that's a good way to describe his life. Ranked 10th on the all-time collegiate list for Division I victories, Fry successfully combined his football coaching savvy with a down-home charm to make him one of the game's most colorful personalities. Hayden Fry tells of his childhood days in Odessa, Texas, his introduction of African-American athletes to the Southwest Conference, his relationships with various politicians and celebrities, such as George Bush and Roy Orbison, and his rise to fame as the State of Iowa's most recognizable citizen.
PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...
From the Author of Frida, the Moving and Heroic Story of One of the Central Painters of the Twentieth Century Born in Turkey around 1900, Vosdanik Adoian escaped the massacres of Armenians in 1915 only to watch his mother die of starvation and his family scatter in their flight from the Turks. Arriving in America in 1920, Adoian invented the pseudonym Arshile Gorky-and obliterated his past. Claiming to be a distant cousin of the novelist Maxim Gorky, he found work as an art teacher and undertook a program of rigorous study, schooling himself in the modern painters he most admired, especially Cézanne and Picasso. By the early forties, Gorky had entered his most fruitful period and developed the style that is seen as the link between European modernism and American abstract expressionism. His masterpieces influenced the great generation of American painters in the late forties, even as Gorky faced a series of personal catastrophes: a studio fire, cancer, and a car accident that temporarily paralyzed his painting arm. Further demoralized by the dissolution of his seven-year marriage, Gorky hanged himself in 1948. A sympathetic, sensitive account of artistic and personal triumph as well as tragedy, Hayden Herrera's biography is the first to interpret Gorky's work in depth. The result of more than three decades of scholarship-and a lifelong engagement with Gorky's paintings-Arshile Gorky traces the progress from apprentice to master of the man André Breton called "the most important painter in American history.
Foregrounding Loy's critical interrogation of Futurist, Dadaist, Surrealist, and "Degenerate" artisthood, and exploring her poetic legacies today, Curious Disciplines reveals Loy's importance in an entirely novel way.
Discover and explore exciting Broadway rhythms while singing and playing these ten famous showtunes. Each is arranged for unison voices and three optional rhythm band instruments. Use the "practice patterns" to study and prepare first, sing and play the individual parts next, and then combine the instruments and voices for music classroom fun...or concert stage success! Titles: * Another Op'nin, Another Show (Kiss Me, Kate) * Chitty Chitty Bang Bang * Forty-Second Street (42nd Street) * Give My Regards to Broadway (Little Johnny Jones) * Hernando's Hideaway (The Pajama Game) * I Want to Be Happy (No, No, Nanette) * If I Only Had a Brain (The Wizard of Oz) * Together Wherever We Go (Gypsy) * Try to Remember (The Fantasticks) * Wouldn't It Be Loverly (My Fair Lady)
This volume provides an essential update on current thinking, practice and research into the use of restorative justice in the area of family violence. It contains contemporary empirical, theoretical and practical perspectives on the use of restorative justice for intimate partner and family violence, including sexual violence and elder abuse. Whilst raising issues relating to the implications of reporting, it provides a fresh look at victims’ issues as well as providing accounts of those who have participated in restorative justice processes and who have been victims of abusive relationships. Contributions are included from a wide range of perspectives to provide a balanced approach that is not simply polemic or advocating. Rather, the book genuinely raises the issue for debate, with the advantage of bringing into the open new research which has not been widely published previously. Given its unique experience in the development of restorative justice, the book includes empirical studies relating to New Zealand, contextualized within the global situation by the inclusion of perspectives on practices in the UK, Australia and North America. This book will be key reading for people who work with violent offending of a family nature as well as for those who are interested in the study of family violence.
This book provides an introduction to the American legal system for a broad readership. Its focus is on law in practice, on the role of the law in American society; and how the social context affects the living law of the United States. It covers the institutions of law creation and application, law in American government, American legal culture and the legal profession, American criminal and civil justice, and civil rights. Clearly written, the book has been widely used in both undergraduate and graduate courses as an introduction to the legal system; it will be useful, too, to a general audience interested in understanding how this vital social system works. This new edition follows the same basic structure as applied in the previous editions providing a thorough revision and reworking of the text. This edition reflects upon what has happened in the years since the second edition was published in 1998, and how these events and evolutions have shaped our fundamental comprehension of the workings of the American legal system today.
Here’s a great way to introduce your young singers to 10 Broadway classics while developing independent part-singing! There’s nothing more fun than a partner song, and this terrific collection features well-known favorites that will never go out of style! Includes easy-to-teach staging suggestions where appropriate. Titles: *Chitty Chitty Bang Bang (Chitty Chitty Bang Bang) *Comedy Tonight (A Funny Thing Happened on the Way to the Forum) *Ease on Down the Road (The Wiz) *The Gold Diggers’ Song (We’re in the Money) (42nd Street) *Look to the Rainbow (Finian’s Rainbow) *Soon It’s Gonna Rain (The Fantasticks) *Tea for Two (No, No, Nanette) *Together Wherever We Go (Gypsy) *Wouldn’t It Be Loverly (My Fair Lady) *Yankee Doodle Boy (Little Johnny Jones and George M.)
Negotiating in the Press presents an engaging analysis of diplomacy and the press in the aftermath of WWI. Rather than revisiting the story of lost journalistic freedom, it describes the press's newfound power in the war's aftermath -- a seminal moment when journalists discovered their ability to help broker peace deals. By challenging the assumption that the press was peripheral to the quest for peace, Hayden demonstrates that journalists instead played an integral part in the talks. Negotiating in the Press offers a fresh look at the dawn of public diplomacy, when leading nations and the press democratized foreign policy.
For centuries, Jesus’ parables have been—and still are—extensively interpreted by those who impose Christian dogma and tradition on a parable told decades before Christianity per se even existed. There was no Christian tradition when Jesus was teaching his followers, and he was teaching regular people, not theologians. No wonder then that after two millennia, Jesus’ parables, coated with a confusing overlay of Christian dogma, still puzzle readers of the New Testament. Opening the Parables is based on the premise that Jesus taught a singular spiritual truth which—once the clutter of others’ words and interpretations is cleared away—appears consistently in all his teachings, even in his parables. In the best-possible way, Jesus was a one-subject teacher (one subject, using various teaching techniques, both deductive and inductive), a one-sermon preacher (one message, told in various ways). Everything he taught or preached was about love in the infinite, here-and-now Kingdom of God. All his parables, proverbs, aphorisms, and direct statements teach one lesson: in the highest realm we can imagine, compassionate love is all that matters.
Restorative justice (RJ) and restorative approaches (RAs) are becoming increasingly valued as a way of responding to a wide range of conflicts, including problem and offending behaviours. The growth in the use of RJ and RAs has been described as a 'global social movement' that sets out to repair harm, reduce conflict and harmonise civil society. This report takes a close look at the implementation of an RJ approach in the challenging environment of children's residential care homes. It will appeal to people who are interested in the use of RJ, particularly its use with children and young people, as well as those interested in problem and offending behaviours in relation to children in care.
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