AS FAR AS FITTING THE STEREOTYPES bestowed to infamous chain-link murderers that exist outside African American culture, there was a time when black serial killers were recognized, to some extent, implausible by purported experts who probably cared not to explore the primary nature of the slayers transgressions. Nevertheless, the obscured story of handyman Morris Solomon Jr. has to be one of the most interesting tales untold as it is one of the most horrific yarns in the annals of American crime. The handymans misdeeds, when briefly brought to the publics attention, virtually reminded society that killers continuously come in all colors, shapes, and sizes. Solomon was convicted of killing six young women, ages 16 to 29, in the Sacramento, California, neighborhood of Oak Park between 1986 and 1987. The handymans grisly method of murder left detectives and medical examiners mystified. The identification process of his victims remains was distinctly a laborious assignment, too. The victims drug addicts, prostitutes, and devout mothers were stuffed in closets, hidden under debris, and arguably, one court judge strongly considers, buried alive. In retrospect, the handyman was first accused of murder in the mid-1970s; and authorities suspect him to be linked to four more homicides in Sacramento. Solomon once declared as a Mentally Disordered Sex Offender is now on death row in Northern Californias San Quentin State Prison awaiting execution. The unassuming handymans 18-year reign of terror includes a record of sexual assaults, attempted kidnappings, and separate despicable sex acts performed strictly for humiliation. In The Homicidal Handyman of Oak Park: Morris Solomon Jr., author and journalist Tony Ray Harvey recounts the black serial killers dysfunctional upbringing, atrocious crimes, and hardly noticeable court trial. Harveys book also provides explicit crime scene photos, the history of the death penalty system in the state of California, the city of Sacramentos drug culture in the mid-1980s, and exclusive prison interviews of the mild-mannered handyman.
This important book sheds light on more than 1,400 brief life histories of mostly enslaved Black people, with the goal of recovering their individual lives. Harvey Amani Whitfield unearths the stories of men, women, and children who would not otherwise have found their way into written history. The individuals mentioned come from various points of origin, including Africa, the West Indies, the Carolinas, the Chesapeake, and the northern states, showcasing the remarkable range of the Black experience in the Atlantic world. Whitfield makes it clear that these enslaved Black people had likes, dislikes, distinct personality traits, and different levels of physical, spiritual, and intellectual talent. Biographical Dictionary of Enslaved Black People in the Maritimes affirms the notion that they were all unique individuals, despite the efforts of their owners and the wider Atlantic world to dehumanize and erase them.
The history of race and religion in the American South is infused with tragedy, survival, and water—from St. Augustine on the shores of Florida’s Atlantic Coast to the swampy mire of Jamestown to the floodwaters that nearly destroyed New Orleans. Determination, resistance, survival, even transcendence, shape the story of race and southern Christianities. In Christianity and Race in the American South, Paul Harvey gives us a narrative history of the South as it integrates into the story of religious history, fundamentally transforming our understanding of the importance of American Christianity and religious identity. Harvey chronicles the diversity and complexity in the intertwined histories of race and religion in the South, dating back to the first days of European settlement. He presents a history rife with strange alliances, unlikely parallels, and far too many tragedies, along the way illustrating that ideas about the role of churches in the South were critically shaped by conflicts over slavery and race that defined southern life more broadly. Race, violence, religion, and southern identity remain a volatile brew, and this book is the persuasive historical examination that is essential to making sense of it.
Many Canadians believe their nation fell on the right side of history in harbouring black slaves from the United States. In fact, in the wake of the American Revolution, Loyalist families brought slaves with them to settle in the Maritime colonies of British North America. The transition from slavery in the American colonies to slavery in the Maritimes required slaves to use their traditions of survival, resistance, and kinship networks to negotiate their new reality. While some local judges chipped away at slavery, Maritime slaves fought against the institution of slavery by refusing to work, by running away, by reconstituting their families, and by challenging their owners in court. Harvey Amani Whitfield’s book, the first on slavery in the Maritimes, is a startling corrective to the enduring and triumphant narrative of Canada as a land of freedom at the end of the Underground Railroad.
Ergonomics often seems to be involved too late in commercial project development processes to have substantive impact on design and usability. However, in the automotive industry, and specifically in relation to In-Vehicle Information Systems (IVIS), a lack of attention to usability can not only lead to poor customer satisfaction, it can also present problems. This book presents a process which will support the evaluation and modeling of driver-interface interactions in a dual-task driving context. This process consists of a framework of methods which can be used to evaluate and model the usability of In-Vehicle information Systems (IVIS). The book's focus on design and evaluation of IVIS, coupled with a systems approach to the concept of usability, sets it apart. This method presents both an autopsy and diagnostic approach to investigating usability in IVIS.
Paul Harvey uses four characters that are important symbols of religious expression in the American South to survey major themes of religion, race, and southern history. The figure of Moses helps us better understand how whites saw themselves as a chosen people in situations of suffering and war and how Africans and African Americans reworked certain stories in the Bible to suit their own purposes. By applying the figure of Jesus to the central concerns of life, Harvey argues, southern evangelicals were instrumental in turning him into an American figure. The ghostly presence of the Trickster, hovering at the edges of the sacred world, sheds light on the Euro-American and African American folk religions that existed alongside Christianity. Finally, Harvey explores twentieth-century renderings of the biblical story of Absalom in William Faulkner's Absalom, Absalom and in works from Toni Morrison and Edward P. Jones. Harvey uses not only biblical and religious sources but also draws on literature, mythology, and art. He ponders the troubling meaning of "religious freedom" for slaves and later for blacks in the segregated South. Through his cast of four central characters, Harvey reveals diverse facets of the southern religious experience, including conceptions of ambiguity, darkness, evil, and death.
The Island of Lost Maps tells the story of a curious crime spree: the theft of scores of valuable centuries-old maps from some of the most prominent research libraries in the United States and Canada. The perpetrator was Gilbert Joseph Bland, Jr., an enigmatic antiques dealer from South Florida, whose cross-country slash-and-dash operation had gone virtually undetected until he was caught in 1995–and was unmasked as the most prolific American map thief in history. As Miles Harvey unravels the mystery of Bland’s life, he maps out the world of cartography and cartographic crime, weaving together a fascinating story of exploration, craftsmanship, villainy, and the lure of the unknown.
The only previous war to match the world wars of the twentieth century in scale and impact was the French War of 1793-1815. This book is the first book to compare these conflicts, which together shaped the history of the modern world. A.D. Harvey relates the causes, conduct and outcome of these wars to the fundamental nature of the societies which fought them. Political decisions, economic power and social attitudes interfaced with the demands of military technology to determine the outcome of each case. Britain is the centre of focus, but is seen against a background of the other combatants. Harvey's ability to make large-scale generalisations is backed up by a wealth of fascinating and carefully documented detail, making this outstanding and exceptionally well-written book a pleasure to read. The author has tackled a huge subject and has not been afraid to face up to either its complexities or its implications. By asking new questions and using a range of unfamiliar sources this book provides an unusually profound analysis not only of these wars but also of the nature of modern society and of our understanding of the past.
First published in 1935, this book presents a list of the licensed medical practitioners in the Diocese of London under the act of 3 Henry VIII, c. 11, covering the period 1529-1725. Drawn from various sources, the list is divided into 2 sections. The first section contains in chronological order the names entered in the Books of the Vicars-General of the See of London, housed in the Principal Probate Registry, Somerset House, and, in like manner, the entries in the later books still at St Paul's. The second section was derived from the bundles of original papers also preserved at St Paul's, and here the names are arranged in alphabetical order. This book will be of value to anyone with an interest in British history and the history of medicine.
This biography of a distinguished historian and man of letters is the first study of William Hickling Prescott (1796–1859) to be written by a historian who has worked with the very themes explored by Prescott. And it is the first to treat him not only as creative historian but also as family man, as traveler and clubman, as investor and humanitarian, and as private citizen with strong political preferences. Prescott the socialite and Prescott the introvert writer emerge in the round as the magnificent amateur who helped establish canons that have enriched American historical scholarship ever since. Blending history and literature, his multivolume works won Prescott the first significant international reputation to be accorded to an American historian. Working despite persistent obstacles of health and against a penchant for society and leisure that was always part of his personality, Prescott came to be considered the finest interpreter of the Hispanic world produced by the Anglo-Saxon world. His Conquest of Mexico and Conquest of Peru were pronounced classics. C. Harvey Gardiner takes the reader back to the nineteenth century in style and in subject to present William Hickling Prescott, gentleman and scholar, firmly fixed in relationship to his community and his times. But Gardiner's Victorian stance and respect for nineteenth-century historiography do not prevent his presenting Prescott as a whole man, viewed in retrospect, stripped of myth, and evaluated for moderns.
Completely revised and expanded, this fourth edition covers the 986 minerals found in Arizona, showcased with breathtaking new color photographs throughout the book. The new edition includes more than 200 new species not reported in the third edition and previously unknown in Arizona. Chapters in this fourth edition of Mineralogy of Arizona cover gemstones and lapidary materials, fluorescent minerals, and an impressive catalog of mineral species. The authors also discuss mineral districts, including information about the geology, mineralogy, and age of mineral occurrences throughout the state. The book includes detailed maps of each county, showing the boundaries and characteristics of the mineral districts present in the state. Arizona’s rich mineral history is well illustrated by the more than 300 color photographs of minerals, gemstones, and fluorescent minerals that help the reader identify and understand the rich and diverse mineralogy of Arizona. Anyone interested in the mineralogy and geology of the state will find this the most up-to-date compilation of the minerals known to occur in Arizona.
A book that includes personal accounts and poems explores the experiences of adult survivors of domestic violence in childhood, addressing how to work with children exposed to domestic violence to address the issues before they grow up, as well as guidance on working with adult survivors. Original.
It's no secret that Sylvie is unravelling. Frozen in time in her Blundellsands house, she inhabits a fantasy world that never was. Garnet, her sister, is older and wiser – and wearier, with her shopping lists and tired love. She's always fanned the flames of Sylvie's fantasies. Because if she didn't... who knows where they'd both end up? But now the whole family's up in Liverpool for a birthday, and Garnet's got a secret of her own to pass on. There'll be a party... but it's not going to be pretty. Welcome to a family more messed up than your own.
Mr. Pink: "Why can't we pick out our own color?" Joe: "I tried that once, it don't work. You get four guys fighting over who's gonna be Mr. Black." —Quentin Tarantino, Reservoir Dogs Men's clothes went black in the nineteenth century. Dickens, Ruskin and Baudelaire all asked why it was, in an age of supreme wealth and power, that men wanted to dress as if going to a funeral. The answer is in this history of the color black. Over the last 1000 years there have been successive expansions in the wearing of black—from the Church to the Court, from the Court to the merchant class. Though black as fashion was often smart and elegant, its growth as a cultural marker was fed by several currents in Europe's history—in politics, asceticism, religious warfare. Only in the nineteenth century, however, did black fully come into its own as fashion, the most telling witnesses constantly saw connections between the taste for black and the forms of constraint with which European society regimented itself. Concentrating on the general shift away from color that began around 1800, Harvey traces the transition to black from the court of Burgundy in the 15th century, through 16th-century Venice, 17th-century Spain and the Netherlands. He uses paintings from Van Eyck and Degas to Francis Bacon, religious art, period lithographs, wood engravings, costume books, newsphotos, movie stills and related sources in his compelling study of the meaning of color and clothes. Although in the twentieth century tastes have moved toward new colors, black has retained its authority as well as its associations with strength and cruelty. At the same time black is still smart, and fashion keeps returning to black. It is, perhaps, the color that has come to acquire the greatest, most significant range of meaning in history.
This book is the first comprehensive study of antebellum depictions of the non-European world. Harvey proposes that U.S. cultural history cannot be fully understood without considering how Americans regarded tropical America, the Holy Land, Polynesia, and Africa.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.