In clinical practice, the most important points for accurately diagnosing neonatal infections are: immediate results at the bedside (quickness), accuracy of results (reliability), the degree of invasiveness to the sick baby is as low as possible (less invasiveness), the examination is not too expensive (cost performance), and the examination can be repeated (repeatability). This book describes the acute phase reactant (APR) score, in which one test item is 10 µL, and three APRs can be measured within 3 minutes in total at the bedside and scored. With clinicians’ keen observability and this APR score, neonatal infections can be confidently assessed. In addition, this book does not only refer to APR score, but also publishes the measurement results of cytokine profiles in comparison with APR scores throughout. This book will also increase understanding of the pathophysiology of neonatal infectious diseases.
In clinical practice, the most important points for accurately diagnosing neonatal infections are: immediate results at the bedside (quickness), accuracy of results (reliability), the degree of invasiveness to the sick baby is as low as possible (less invasiveness), the examination is not too expensive (cost performance), and the examination can be repeated (repeatability). This book describes the acute phase reactant (APR) score, in which one test item is 10 µL, and three APRs can be measured within 3 minutes in total at the bedside and scored. With clinicians’ keen observability and this APR score, neonatal infections can be confidently assessed. In addition, this book does not only refer to APR score, but also publishes the measurement results of cytokine profiles in comparison with APR scores throughout. This book will also increase understanding of the pathophysiology of neonatal infectious diseases.
Classical Japanese: A Grammar is a comprehensive, and practical guide to classical Japanese. Extensive notes and historical explanations make this volume useful as both a reference for advanced students and a textbook for beginning students. The volume, which explains how classical Japanese is related to modern Japanese, includes detailed explanations of basic grammar, including helpful, easy-to-use tables of grammatical forms; annotated excerpts from classical premodern texts. Classical Japanese: A Grammar - Exercise Answers and Tables (ISBN: 978-0-231-13530-6) is now available for purchase as a separate volume.
Human beings create knowledge as a result of interaction with others. This book is devoted to the idea that collective knowledge management can be strategically promoted through these interactions in order to enhance a firm�s competitiveness. Ha
In this dictionary of the Nez Perce language, linguist Haruo Aoki illustrates how each word is used by citing examples from published Nez Perce oral literature. In addition, Aoki retranscribes and incorporates words from earlier publications that are recognized by today's Nez Perce speakers. The dictionary includes an English-Nez Perce index, appendixes listing phonosymbolic words and Nez Perce animal and plant names, and illustrations from Nez Perce life. Originally published in 1994, the Nez Perce Dictionary continues to be a reference and resource for new generations of speakers and scholars.
The shift in attitudes and concerns that took place in the Taisho period (1912-1926) was signaled by the emergence of a new and authentically contemporary Japanese sense of self. For many, Sato Haruo's novella Gloom in the Country marked that shift. Originally entitled The Sick Rose, this story has long been regarded as an icon of the period and is the masterpiece that made Sato instantly famous when it burst on the literary scene in 1918. Introduction by Thomas J. Rimer
Haruo Shirane's critically acclaimed Traditional Japanese Literature: An Anthology, Beginnings to 1600, contains key examples of both high and low styles of poetry, drama, prose fiction, and essays. For this abridged edition, Shirane retains substantial excerpts from such masterworks as The Tale of Genji, The Tales of the Heike, The Pillow Book, the Man'yoshu, and the Kokinshu. He preserves his comprehensive survey of secular and religious anecdotes (setsuwa) as well as classical poems with extensive commentary. He features no drama; selections from influential war epics; and notable essays on poetry, fiction, history, and religion. Texts are interwoven to bring into focus common themes, styles, and allusions while inviting comparison and debate. The result is a rich encounter with ancient and medieval Japanese culture and history. Each text and genre is enhanced by extensive introductions that provide sociopolitical and cultural context. The anthology is organized by period, genre, and topic—an instructor-friendly structure—and a comprehensive bibliography guides readers toward further study. Praise for Traditional Japanese Literature: An Anthology, Beginnings to 1600 "Haruo Shirane has done a splendid job at this herculean task."—Joshua Mostow, University of British Columbia "A comprehensive and innovative anthology.... All of the introductions are excellent."—Journal of Asian Studies "One of those impressive, erudite, must-have titles for anyone interested in Asian literature."—Bloomsbury Review "An anthology that comprises superb translations of an exceptionally wide range of texts.... Highly recommended."—Choice "A wealth of material."—Monumenta Nipponica
In 2005, the celebrated scholar of Japanese literature Haruo Shirane published Classical Japanese: A Grammar. Now, with Classical Japanese Reader and Essential Dictionary, he completes his two-volume textbook for learning classical, or literary, Japanese--the primary written language in Japan from the seventh to the mid-twentieth century. The text contains carefully selected readings that address a wide array of grammatical concerns and that steadily progress from easy to difficult. The selections encompass a wide range of historical periods and styles, including essays, fiction, and poetry from such noted works as The Tale of Genji, The Tales of Ise, The Pillow Book, The Tales of the Heike, and Essays in Idleness, and such authors as Ihara Saikaku, Matsuo Basho, Ueda Akinari, Motoori Norinaga, and Fukuzawa Yukichi. Each reading is accompanied by a short English introduction, a vocabulary list, and extensive grammatical notes, and ends with a comprehensive grammatical annotation. The classical Japanese-English dictionary composes the last third of the book and features approximately 2,500 key words, highlighting those used most frequently. The first of its kind, this volume is a vital tool for students, scholars, and translators of classical Japanese.
Sato Haruo has been called one of the most representative writers of the Taisho era (1912-1926), a transitional period following Japan's monumental push toward modernization. Although he never identified himself as a modernist, Sato exhibited what some writers have identified as a characteristic of modernism: a complex net of contradictory impulses that embrace both the revolutionary and the conservative, revealing both an optimistic looking to the future and a pessimistic nostalgia for the past. Six stories of amazing diversity and two critical essays revealing the understated Japanese ideals of beauty make up this volume, all translated into English for the first time. Forming a sequel to the three stories published in Sato's The Sick Rose, these stories exhibit an extraordinary variety of themes and styles, ranging from poetic fairy tales to psychological portraits to who-done-it crime stories. The title story is a utopian dream of a better city, populated by ideal people, that vanishes in a mirage. Another tale portrays the loneliness of a man unsuccessful with women. A third embellishes a bare Basho haiku about the man next door. Here too are the dream ballad of a Chinese prince, the imaginary world of a mad Japanese artist in Paris, and the probing search for an opium-drugged murderer. Sato's critical essays that conclude this volume have their themes in an exploration of the sad beauty of impermanence, the nature of enlightenment, the awareness of self, the merging of the instant and the eternal, and the "self-indulgent, unrestrained beauty" of the Japanese language. This collection not only affords insights into the complexity of the work of a gifted writer, but also significantly broadens the perspective of the literary world of the Taisho period.
Ayukawa Yoshisuke (1880–1967) was the founder of the Nissan conglomerate and the leader of the Manchuria Industrial Development Corporation, one of the linchpins of Imperial Japan’s efforts to economically exploit its overseas dependencies. Despite his close association with the Japanese government from the 1920s to the 1950s, Ayukawa was a proponent of free trade and global economic interdependence. He sought to lessen state control of Japan’s economy by trying to attract foreign—especially American—capital and technology in the years surrounding World War II. In the postwar era in particular, Ayukawa actively pushed the growth of small- and medium-sized firms, yet his efforts were ultimately unsuccessful. In Unfinished Business, through exploring the reasons for Ayukawa’s failure, Haruo Iguchi illuminates many of the economic problems of today’s Japan.
The Tales of the Heike is one of the most influential works in Japanese literature and culture, remaining even today a crucial source for fiction, drama, and popular media. Originally written in the mid-thirteenth century, it features a cast of vivid characters and chronicles the epic Genpei war, a civil conflict that marked the end of the power of the Heike and changed the course of Japanese history. The Tales of the Heike focuses on the lives of both the samurai warriors who fought for two powerful twelfth-century Japanese clans-the Heike (Taira) and the Genji (Minamoto)-and the women with whom they were intimately connected. The Tales of the Heike provides a dramatic window onto the emerging world of the medieval samurai and recounts in absorbing detail the chaos of the battlefield, the intrigue of the imperial court, and the gradual loss of a courtly tradition. The book is also highly religious and Buddhist in its orientation, taking up such issues as impermanence, karmic retribution, attachment, and renunciation, which dominated the Japanese imagination in the medieval period. In this new, abridged translation, Burton Watson offers a gripping rendering of the work's most memorable episodes. Particular to this translation are the introduction by Haruo Shirane, the woodblock illustrations, a glossary of characters, and an extended bibliography.
The Bridge of Dreams is a brilliant reading of The Tale of Genji that succeeds both as a sophisticated work of literary criticism and as an introduction this world masterpiece. Taking account of current literary theory and a long tradition of Japanese commentary, the author guides both the general reader and the specialist to a new appreciation of the structure and poetics of this complex and often seemingly baffling work. The Tale of Genji, written in the early eleventh century by a court lady, Murasaki Shikibu, is Japan's most outstanding work of prose fiction. Though bearing a striking resemblance to the modern psychological novel, the Genji was not conceived and written as a single work and then published and distributed to a mass audience as novels are today. Instead, it was issued in limited installments, sequence by sequence, to an extremely circumscribed, aristocratic audience. This study discusses the growth and evolution of the Genji and the manner in which recurrent concerns--political, social, and religious--are developed, subverted, and otherwise transformed as the work evolves from one stage to another. Throughout, the author analyzes the Genji in the context of those literary works and conventions that Murasaki explicitly or implicitly presupposed her contemporary audience to know, and reveals how the Genji works both within and against the larger literary and sociopolitical tradition. The book contains a color frontispiece by a seventeenth-century artist and eight pages of black-and-white illustrations from a twelfth-century scroll. Two appendixes present an analysis of biographical and textual problems and a detailed index of principal characters.
Elegant representations of nature and the four seasons populate a wide range of Japanese genres and media. In Japan and the Culture of the Four Seasons, Haruo Shirane shows how, when, and why this practice developed and explicates the richly encoded social, religious, and political meanings of this imagery. Shirane discusses textual, cultivated, material, performative, and gastronomic representations of nature. He reveals how this kind of 'secondary nature, ' which flourished in Japan's urban environment, fostered and idealized a sense of harmony with the natural world just at the moment when it began to recede from view. Illuminating the deeper meaning behind Japanese aesthetics and artifacts, Shirane also clarifies the use of natural and seasonal topics as well as the changes in their cultural associations and functions across history, genre, and community over more than a millennium. In this book, the four seasons are revealed to be as much a cultural construction as a reflection of the physical world."--Back cover.
Basho (1644-94) is perhaps the best known Japanese poet in both Japan and the West, and this book establishes the ground for badly needed critical discussion of this critical figure by placing the works of Basho and his disciples in the context of broader social change.
Franca, Mister, and their band of coyotes have only seven days to find Pirate King Bruce's treasure, which is hidden somewhere on a doomed planet--and they must find it before Madame Marciano and her gang 12 Sisters do.
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