Published during the heyday of fascism in Europe, It Can’t Happen Here is a chilling cautionary tale by one of the greatest American writers of the twentieth century, which is still startlingly relevant almost a century later. Charting the rise to power of Berzelius ‘Buzz’ Windrip, who whips his supporters into a frenzy while promising drastic reform under a banner of patriotism and traditional values, It Can’t Happen Here decries the tactics used by politicians to mobilise voters, and exposes the danger of authoritarianism arising from populist platforms, and the chaos such regimes can leave in their wake. 'An eerily prescient foreshadowing of current affairs.' (Guardian) 'The novel that foreshadowed Donald Trump’s authoritarian appeal.' (Salon)
Haskell tells the tale of the Kansas City Star's rise and decline, taking readers into the city room and executive offices of one of the most respected American newspapers. This story includes Kansas City notables as Tom Pendergast, J. C. Nichols, Frank Walsh, William Rockhill Nelson, Henry J. Haskell and Roy A. Roberts"--Provided by publisher.
Published during the heyday of fascism in Europe, It Can’t Happen Here is a chilling cautionary tale by one of the greatest American writers of the twentieth century, which is still startlingly relevant almost a century later. Charting the rise to power of Berzelius ‘Buzz’ Windrip, who whips his supporters into a frenzy while promising drastic reform under a banner of patriotism and traditional values, It Can’t Happen Here decries the tactics used by politicians to mobilise voters, and exposes the danger of authoritarianism arising from populist platforms, and the chaos such regimes can leave in their wake. 'An eerily prescient foreshadowing of current affairs.' (Guardian) 'The novel that foreshadowed Donald Trump’s authoritarian appeal.' (Salon)
Harry Levin--one of America's major literary critics--offers a brilliant and original study of the whole world of comedy, concentrating on playwrights through the centuries, from Aristophanes and Plautus in classical times to Bernard Shaw and Bertolt Brecht and their recent successors. Viewing the comic repertory as a richly varied yet broadly unified whole, Levin provides a synthesis of theories and practice. Isolating two fundamental aspects of comedy--the ludicrous and irreverent "playboy," whom we laugh with, and the ridiculous and forbidding "killjoy," whom we laugh at--he traces the dialectical interplay of these components throughout history and across various cultures and media. While mainly focusing on the plays and the stage, with discussions of such major dramatists as Shakespeare, Ben Jonson, Molière, and William Congreve, Levin also includes essays on such related topics as humor, satire, and games.
This compilation of "my STUFF" (as George Carlin might have me refer to it) includes ruminations, essays and, frankly, spoofs that I wrote during the last decade of the twentieth century through the first decade of the twenty-first. Admittedly and predictably, some of the items betray my long-term affiliation with and dedication to the discipline of sociology. Throughout my career, I succeeded in ignoring Archibald MacLeish's warning not to "commit a social science," but I did manage to heed his other caution not to "sit with statisticians." Now, in items some of which bear an affinity to sociology, I am not above taking liberties that exceed the bounds imposed by professional sociological constraints. Thus, I commit value-judgments, I trifle with the ludicrous, and I allow myself to be opinionated!
A witty round-up of writers' habits that includes all the big names, such as Dickens, Flaubert, Tolstoy, Hemingway At public events readers always ask writers how they write. The process fascinates them. Now they have a very witty book that ranges around the world and throughout history to answer their questions. All the great writers are here — Dickens, dashing off his work; Henry James dictating it; Flaubert shouting each word aloud in the garden; Hemingway at work in cafés with his pencil. But pencil or pen, trusty typewriter or computer, they all have their advocates. Not to mention the writers who can only keep the words flowing by writing naked, or while walking or listening to music — and generally obeying the most bizarre superstitions. On Shakespeare’s works: “Fantastic. And it was all done with a feather!” — Sam Goldwyn “I write nude, seated on a thick towel, and perhaps with a second towel around me.” — Paul West “I’ve never heard of anyone getting plumber’s block, or traffic cop’s block.” — Allan Gurganus “I’m a drinker with a writing problem.” — Brendan Behan
15 lectures on novelists and literature, ranging from broad problems of critical theory and esthetic formulation to specific analyses of forms and texts.
This early work on Walter Rathenau is both expensive and hard to find in its first edition. It details the life and work of the German industrialist and politician Walter Rathenau. This fascinating work is thoroughly recommended for inclusion on the bookshelf of anyone interested in the history of early twentieth century Europe. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
In forty short and charming chapters, a former "great books" teacher from New York City adapts to his new role on a small Southern farm by observing the natural world and drawing connections to his reading life. "Erudite and engaging."—Booklist In late middle-age, Harry Kavros and his wife, Peri, pack up all the household belongings that will fit into their car and leave Manhattan, bound for their new home on a twenty-two-acre patch of pine-filled land in Hillsborough, North Carolina. As Mr. Kavros spends long hours clearing the acreage, not for farming but for sightlines, he muses about the land, the exhausting work it requires, and the rewards the effort offers. Every task he undertakes prompts him to recall and meditate over scenes from his reading life. From the great Greek epics to the writings of Frederick Law Olmstead on landscape, to Thoreau, to modern poets, to a veritable treasury of references, for the author life in the country is also life in among his reading. Witty and perceptive, Observations of an Accidental Farmer—and a Mindful Reader is about cultivation, of one’s land and one’s life.
The essays in this classic volume range from broad concerns with critical theory and aesthetic formulation to specific analysis of forms and texts. Levin discusses such matters as the symbolic interpretation of literature, the development of literary criticism during the past half-century, European attitudes toward contemporary American writers, and re-evaluations of Joyce, Proust, Balzac, Cervantes, Melville, and Hemingway. Because Levin is both a learned scholar and imaginative critic, there is no comparable book that offers the wit, taste, and learning one finds in these pages. His historical and comparative approaches to literary theory enable Levin to place a given work precisely by relating it to other works and manifestations of culture. World literature is not the province of this work. But Levin views it as the horizon against which our own traditions may be measured. Just as anthropologists discover similar processes working through diverse cultures, so through can we glean understanding of common patterns through the analysis of world literature, our own peculiarly specialized branch of the science of man. The effect of convention, in shaping the extent to which literature may be conceived as an institution, has been widely discussed. A Gallery of Mirrors raises theoretical questions that touch the methodology of humanistic scholarship, with regard to other disciplines, and the status of art, with regard to other modes of knowledge. With changing schools of critical thought, Levin relies considerably on semantics as a precision instrument for defining concepts in the terms of those for whom they were most meaningful.
Maiden Flight is the true-life story of the Wright sister who in 1926 left her world-famous and intensely possessive older brother to marry newspaper editor Harry Haskell, the man she loved, and suffered the unhappy consequences. An international celebrity in her own right, Katharine embodied the worldly, independent, and self-fulfilled New Woman of the early twentieth century. Yet she remained in many ways a Victorian. Torn between duty and love, she agonized for months before making her devastating break with Orville at age fifty-two. Cast in the form of three interwoven first-person memoirs, Maiden Flight is imaginatively reconstructed from personal letters, newspaper reports, and other documents of the period—in particular, Katharine’s lively and extraordinarily revealing love letters to Harry. In allowing Katharine to step outside of Wilbur and Orville’s shadow, it sheds new light on the central role she played in their private lives, as well as on her often misunderstood contribution to their scientific work. Above all, Maiden Flight celebrates Katharine’s abundant store of what she called “human nature”—her lively and perceptive outlook on life, her great capacity for both love and indignation, and her acute and sometimes crippling self-awareness.
Open up Dignity and Old Age, and you’ll find a wealth of thoughtful suggestions for how you and others can gain more respect and admiration for your relatives, neighbors, and patients who are in the latter stages of life. You’ll examine the word “dignity” as it relates to the world’s elderly population to the fullest and most challenging extent, taking into account cross-cultural, religious, and even literary influences. Throughout this provoking and thorough examination, you’ll tackle some tough questions, all of which will equip you with the theoretical and practical know-how needed to evoke change and preserve honorable relations with the elderly persons in your professional and personal relationships. The manner in which Dignity and Old Age will help you grow in your relationships with elderly people is twofold--ideally and practically. You’ll begin with a revitalizing discussion of concepts that revolve around dignity and the elderly, and from there you’ll move into the sphere of active practice, gleaning a wide variety of ways you can enhance your affairs with the elderly in health care, social services, government, and retirement entitlements and benefits. Specifically, you’ll find positive approaches in these and other areas: the dignity in old age the true meaning of “Quality of Life” in old age achieving respect for ethnic elders as a health care provider bringing spirituality and community together in the last stage of life forming a philanthropic, caring partnership between government and the elderly In this insightful volume, you’ll take an important step forward in creating a more dignified quality of life for the world’s elderly--today’s and tomorrow’s. Overall, you’ll gain the variety of perspectives necessary to ensure that everyone you come in contact with in casual, legal, leisure, and professional spheres will see you care enough to be concerned with the ideas and practices contained in Dignity and Old Age.
“Dreams played an important part in our lives in those early days in England. Our mother invented them for us to make up for all the things we lacked and to give us some hope for the future.” During the hard and bitter years of his youth in England, Harry Bernstein’s selfless mother struggles to keep her six children fed and clothed. But she never stops dreaming of a better life in America, no matter how unlikely. Then, one miraculous day when Harry is twelve years old, steamships tickets arrive in the mail, sent by an anonymous benefactor. Suddenly, a new life full of the promise of prosperity seems possible–and the family sets sail for America, meeting relatives in Chicago. Harry is mesmerized by the city: the cars, the skyscrapers, and the gorgeous vistas of Lake Michigan. For a time, the family gets a taste of the good life: electric lights, a bathtub, a telephone. But soon the harsh realities of the Great Depression envelop them. Skeletons in the family closet come to light, mafiosi darken their doorstep, family members are lost, and dreams are shattered. In the face of so much loss, Harry and his mother must make a fateful decision–one that will change their lives forever. And though he has struggled for so long, there is an incredible bounty waiting for Harry in New York: his future wife, Ruby. It is their romance that will finally bring the peace and happiness that Harry’s mother always dreamed was possible. With a compelling cast and evocative settings, Harry Bernstein’s extraordinary account of his hardscrabble youth in Depression-era Chicago and New York will grip you from the very first page. Full of humor, drama, and romance, this tale of hope and dreams coming true enthralls and enchants.
David Bennett presents a ground-breaking historical analysis of the forces shaping nativist and counter-subversive activity in America from colonial times to the present. He demonstrates that in this nation of immigrants the American Right did not emerge form postfeudal parties of privilege or from the social chaos that bred a Hitler of Mussolini in Europe.
By the man who succeeded William L. Shirer as the Berlin correspondent of the Columbia Broadcasting System, Assignment to Berlin by U.S. journalist and author Harry W. Flannery, first published in 1942, covers Germany in the crucial year 1941. Packed with lively incident, shrewd comment and startling information, it brings the story of life in Hitler’s domain up to the eve of America’s entry into the war.
The author explores this tradition in depth and defines it with a breadth of vision, a dynamic vigor and freedom rarely paralleled today....His method, flexible, generous, humane in the best sense of the word, eschews pedantry, dogma, useless theorizing and scholastic argumentation."--The New York Times Book Review. "I wish to make it clear that The Gates of Horn represents an outstanding critical accomplishment."--Saturday Review. In the Odyssey, Homer describes two gates of the imagination: one of ivory through which fictitious dreams pass, and the other of horn, through which nothing but the truth may pass. Realism is the type of literature that passes through the horn, and in this significant study of the genre Levin examines a major form of Realism--the French novel--and focuses on five of its masters--Stendahl, Balzac, Flaubert, Zola, and Proust. Now available in paperback, Levin's study is a veritable reconstruction of the artistic and intellectual life of a nation.
The period from 1945 to the present day may not constitute an American century, but it can be seen as the American Moment: the time when, for good or ill, the United States became the predominant political, military, economic and cultural power in the world. This revised and updated new edition introduces the historic and tumultuous developments in American politics, foreign policy, society and culture during this period. It includes coverage of key recent events, such as the: - 2008 election of Barack Obama - global recession - protracted war in Iraq and Afghanistan - rise of the internet - transformation of American Society and Culture - challenges of new immigration and multi-culturalism - changing global status of the US in the new millennium. Examining the American Moment in a global context, the authors emphasise the interaction between politics, society and culture. America Since 1945 encourages an awareness of how central currents in art, literature, film, theatre, intellectual history and media have developed alongside an understanding of political, economic and social change.
The eighteen essays collected in this book originate from a conference of the same title, held at the Wingspread Conference Center in October of 1993. Leading scholars were invited to reflect on their specialties in American religious history in ways that summarized both where the field is and where it ought to move in the decades to come. The essays are organized according to four general themes: places and regions, universal themes, transformative events, and marginal groups and ethnocultural "outsiders." They address a wide range of specific topics including Puritanism, Protestantism and economic behavior, gender and sexuality in American Protestantism, and the twentieth-century de-Christianization of American public culture. Among the contributors are such distinguished scholars as David D. Hall, Donald G. Matthews, Allen C. Guelzo, Gordon S. Wood, Daniel Walker Howe, Robert Wuthnow, Jon Butler, David A. Hollinger, Harry S. Stout, and John Higham. Taken together, these essays reveal a rapidly expanding field of study that is breaking out of its traditional confines and spilling into all of American history. The book takes the measure of the changes of the last quarter-century and charts numerous challenges to future work.
A sweeping historical study, Building Paradise seeks to construct a garden ethic for the design arts. It is an ethic predicated on the idea that, with our recent ecological and biological insights, we can build more intelligently than the status quo of current design practices. The paradisiacal instinct is the motivation behind every artistic impulse. From its theological origins to the present, the idea of paradise—the garden as a place of peace, beauty, and happiness—has acquired numerous meanings. It was a motif expounded in the earliest cultures of Mesopotamia, Egypt, and the Indus Valley, and it later became a dominant feature of Buddhist, Judeo-Christian, and Islamic practices. It informed Greco-Roman mythologies and the design of a Japanese garden; it was a motivation for the Renaissance humanists, and was complicit in visions of a New Arcadia within the landscapes of the Americas. This book, underscoring how the built and urban environments shapes culture, takes a biophilic approach and draws upon the major advances of the human sciences of the last few decades to argue on behalf of a design ethic centered squarely on human needs and aspirations. Written for students and academics within architecture and all related fields, this book focuses on the efforts to build paradise in a material way.
Harry Beckwith is the author of Selling the Invisible and The Invisible Touch, both marketing classics. Now he applies his unparalleled clarity, insight, humor, and expertise to a new age of mass communication and mass confusion. What Clients Love will help you stand out from the crowd-and sell anything to anyone. From making a pitch to building a brand, from designing a logo to closing a sale, this is a field guide to take with you to the front lines of today's business battles. Filled with real tales of success and failure, it shows you how to: Fly a Jefferson Airplane. Everyone knows there's a Jefferson Monument, but a Jefferson Airplane? A brilliant, attention-grabbing name often includes the unexpected and the absurd. Strike with a Velvet Sledgehammer. It's not a hard sell. It's not exactly soft. Selling well means finding the fine line between modesty and bragging, and driving the message home. Speak to the Frenchman on the Street. A French mathematician believed that no theory was complete until you could explain it to the first person you meet on the street. Marketers, ecoutez! Dress Julia Roberts. Why, one scene from Pretty Woman can enlighten you more than a full year of study at a top business school. What Clients Love will help you get focused, stay focused, and follow the essential rules to success-by doing the little things right and the big things even better.
Bronze Medalist, 2014 Independent Publisher Book Awards in the Autobiography / Memoir I (Celebrity / Political / Romance) category Bronze Winner, 2013 ForeWord IndieFab Book of the Year Award in the Autobiography & Memoir Category In this powerful memoir, Harry Rosenfeld describes his years as an editor at the New York Herald Tribune and the Washington Post, two of the greatest American newspapers in the second half of the turbulent twentieth century. After playing key roles at the Herald Tribune as it battled fiercely for its survival, he joined the Post under the leadership of Ben Bradlee and Katharine Graham as they were building the paper's national reputation. As the Post's Metropolitan editor, Rosenfeld managed Bob Woodward and Carl Bernstein as they broke the Watergate story, overseeing the paper's standard-setting coverage that eventually earned it the Pulitzer Prize Gold Medal for Public Service. In describing his complicated relationship with Bradlee and offering an insider's perspective on the unlikely partnership of Woodward and Bernstein, Rosenfeld depicts the tensions and challenges, triumphs and setbacks that accompanied the Post's key role in Watergate, the most potent political scandal in America's history. Rosenfeld also tells the gripping story of growing up in Hitler's Berlin. He saw his father taken away by the Gestapo in the middle of the night, and on Kristallnacht, the prelude to the Holocaust, he witnessed the burning of his synagogue and walked through streets littered with the shattered glass of Jewish businesses. After his family found refuge in America, his childhood experiences stayed with him and ultimately influenced his decision to make journalism his life's work. At a time when newspapers and other media are under financial pressure to cut back on investigative reporting, From Kristallnacht to Watergate reminds us why journalism matters, and why good journalism is essential to our democracy.
Harry Levin's Memories of the Moderns, originally published by New Directions in 1980, is now presented in New Directions Paperbook format. This gathering of prose pieces--reviews, essays, lectures, introductions, personal recollections, and epistles, written for the most part during the 1970s--combines criticism with reminiscence and is both an exploration of the idea of modernism within the international frame of comparative literature and a valediction. By now, what was so avant-garde, experimental, difficult, and sometimes shocking in the writings of the twentieth-century modernists has permanently altered our literature--the groundbreakers have become our classics. Discussed here are Ezra Pound, T. S. Eliot, James Joyce, Heinrich and Thomas Mann, Hermann Hesse, Ernest Hemingway, John Dos Passos, William Carlos Williams, Conrad Aiken, Jean-Paul Sartre (writing on Flaubert), Francis Ponge, W. H. Auden, Delmore Schwartz, Randall Jarrell, I. A. Richards, Edmund Wilson, Vladimir Nabokov, and F. O. Mathiessen. There is as well an opening letter to James Laughlin, who published Harry Levin's seminal book on James Joyce in 1941.
Since its birth as a Greenwich Village speakeasy, the famous New York City "21" club has attracted America's social, cultural, political, business, and entertainment elite.
Modern Architectural Theory is the first book to provide a comprehensive survey of architectural theory, primarily in Europe and the United States, during three centuries of development. In this synthetic overview, Harry Mallgrave examines architectural discourse within its social and political context. He explores the philosophical and conceptual evolution of its ideas, discusses the relation of theory to the practice of building, and, most importantly, considers the words of the architects themselves, as they contentiously shaped Western architecture. He also examines the compelling currents of French rationalist and British empiricist thought, radical reformation of the theory during the Enlightenment, the intellectual ambitions and historicist debates of the nineteenth century, and the distinctive varieties of modern theory in the twentieth century up to the profound social upheaval of the 1960s. Modern Architectural Theory challenges many assumptions about architectural modernism and uncovers many new dimensions of the debates about modernism.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.