The tall sculpture on the front cover of this book was created from an striking experience the author had in the late 1970s when looking at the news on the TV. In the course of approximately four seconds, a tall young German boy - absent of mind, aimless and sad - wandered across the screen and left the analyst artist in a powerful, shocked, puzzled state. He was in the midst of what became a failed ’69-‘79 training analysis, and during it, he developed an original, real-scientific method that, from ’80 to ’90: dismantled late-child symptoms in self; went to the causal roots of several art forms and ended them; re-stirred the memory of that boy; and led to the carving. He continued in that art form for some years until continued self-analytic studies went to absolute symptom roots and endings. And in September, 2018, the little fellow on the left opened his unconscious experiences to complete physical display in days. Then the analyst’s still-operative Self analytic research dismantled any further dangers that the Symptom Self had had to share (in disconnected, heavily secreted pieces), as it systematically moved to its real, and thoroughly-finished end on Nov. 4, 2019.
Think of it. When our car breaks down and we take it for repair, we want a mechanic who has a scientific basic knowledge of its parts and internal operations. We also want one who can find our particular problem. We worry if we see that his(her) own vehicle is in disrepair. And if he misperceives our badly-behaving beast and takes a dislike to it, we worry more. And if the vehicle is our mind, and the service person a mental health specialist, and we come late and surly for our initial appointment, we want him(her) to realize that he has just witnessed the first sign of its malfunction. Of course a friendly relationship would be welcome, but that is not our primary desire. With deep and lovely years to spend and miles to go before we end, it's reliable transportation we're after. So is it impossible to achieve a level of expertise that could help us get it? Yes, there are differences. The human mind was not conceived and built by an engineer who could rhyme off its intricacies at will. But scientific clinical studies of its after-creation states could lead to such. Botanists and zoologists have developed testable theories of phenomena that they did not produce. During his medical training, Dr. Harry M. Anderson was inspired by the apolitical curiosity, courage, and determination of the scientists he encountered, and he carried their example into a career in the psychoanalytic domain. It led him to test the definability of its concepts and the predictive capability of its principles, and methods for doing so during treatments were developed. Some held up to validation procedures while others did not, and a reliable body of theory began to emerge from the work. As it proved repeatedly accurate in sessions with patients, he applied it in a parallel analysis of self after his training analysis. Then, new research data emerged from several sources to expand its range, and as the roots of some of life's most severe symptoms were reached and dismantled, the goal of providing "complete analyses" became more than possible. It also became apparent that unsuspected artistic creative potentials could be released in self and others; and that theoretically-informed analyses could create extensive ripple effects in families, career situations, marriages, and friendships. None of his specific research was planned, but retrospective notations revealed that each had followed naturally upon the one before. Initial offerings had energized the curious part of his mind and pulled the rest of it with them.
It's the years 1964 and 1965 . . . Malt Shops . . . jukeboxes with rock and roll . . . souped-up cars at the dragstrip . . . high school games . . . house and school parties . . . high school games . . . movies at the theater . . . and the Vietnam War! Paul Edmonds is head over heels in love with his fellow classmate, Rosa Kay Robinson, at Detroit's Southwestern High School. Paul has a crush on her and is going out of his way to develop a relationship with her, despite her mother's objections. As members of the Class of 1965, Paul is an outstanding athlete on the school football, basketball and track teams; while Rosa is a member of the cheer team. They use that time to see each other. Her good friend and classmate, and fellow cheerleader, Patty Wisniewski, also makes sure they spend time together. Paul is an outstanding drag racer at Detroit Dragway with his 421 Pontiac Tempest nicknamed Little Rosa. But the dark cloud of the Vietnam War comes into focus and drives them closer together. They make an effort for their love to work!
The year 1964 was the year horsepower began to rule Detroit! It's the summer of 1964...the Motown sound, hot rod tunes, hot R&B, Beatle-mania, ice-cold Coca Cola, drive-in movies, 007, burger joints, and the brink of Vietnam! Adam Knight, a high school graduate from Detroit's Southwestern High School, gets a brand new 1964 Pontiac Royal Bobcat GTO as a graduation gift . With his friends, girlfriend, and the sounds of rock and roll music, Adam brings John Delorean's creation to full circle at the drag strip and movie and burger drive-ins!
Harry van der Hulst's model of Radical CV Phonology has roots in the framework of Dependency Phonology, but proposes a rather different 'geometry', which reduces the set of unary elements to just two: |C| and |V|. The model explains the phonological distinctions that function contrastively in the world's languages rather than presenting it as a 'random' list. Van der Hulst shows how this model accounts for a number of central claims about markedness and minimal specification. He explains how the representational system accounts for phonological rules and shows how this theory can be applied to sign language structure. Through comparison to other models, he also provides insight into current theories of segmental structure, commonly used feature systems, as well as recurrent controversies.
While a few select foreign filmmakers have been widely recognized for their contributions to Hollywood, scores more have gone largely unrecognized. Arranged alphabetically, this volume provides detailed information on the filmmakers and their films.
The story of an ambitious family at the forefront of the great middle-class land grab that shaped early American capitalism American Aristocrats is a multigenerational biography of the Andersons of Kentucky, a family of strivers who passionately believed in the promise of America. Beginning in 1773 with the family patriarch, a twice-wounded Revolutionary War hero, the Andersons amassed land throughout what was then the American west. As the eminent religious historian Harry S. Stout argues, the story of the Andersons is the story of America's experiment in republican capitalism. Congressmen, diplomats, and military generals, the Andersons enthusiastically embraced the emerging American gospel of land speculation. In the process, they became apologists for slavery and Indian removal, and worried anxiously that the volatility of the market might lead them to ruin. Drawing on a vast store of Anderson family records, Stout reconstructs their journey to great wealth as they rode out the cataclysms of their time, from financial panics to the Civil War and beyond. Through the Andersons we see how the lure of wealth shaped American capitalism and the nation's continental aspirations.
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