Sugar Babies is a riotously funny, nostalgic trip for those who remember burlesque and a happy discovery for those too young to recall this irreverent form of American entertainment. All of the classic scenes, including a hilarious dog act are here, along with such wonderful songs as "Exactly Like You", "I Can't Give You Anything But Love Baby" and "Don't Blame Me." "--Publisher.
This classic guide presents practical information on virtually every aspect of farm equipment, machinery, and organization. Originally published in 1917, Handy Farm Equipment and How to Use It surveys every topic of importance to the challenge of equipping a successful and fully functional farm, including lighting the farm home, establishing sources of water, and arranging for sewage disposal for the farmhouse. Additional sections provide detailed discussions of such indispensable examples of farm equipment as tillage tools, seeding machinery, manure spreaders, grain binders, and corn harvesters. Fully illustrated throughout with drawings, diagrams, plans, and photographs, Handy Farm Equipment and How to Use It will prove as interesting to the current farmer for its still-prudent advice on the timeless problems of farm management as it will to the history buff who wishes to catch an image of what the American farm was like at the beginning of the twentieth century. It provides a lovely foray into the rich legacy of American agriculture and will appeal to anyone who has ever been interested in the nuts-and-bolts of farm life.
The towns of Northeast Philadelphia boast a rich and vibrant history, but many of their engrossing stories have been pushed into the background over time. In this collection of historical columns, first published in the Northeast Times, Dr. Harry C. Silcox brings their narratives back into the spotlight. From the beginning, all major roads in the region went to Frankford, the site of the nation's first psychiatric hospital and the popular Unity Street open-air market. The town of Holmesburg offered shelter to the veterans of the stage in Edwin Forrest's Home for Aged Actors. Years before the civil rights movement, Greenbelt Knoll became Philadelphia's first planned racially integrated housing development. Even the nation's first solar energy-powered machine was developed in Northeast Philly. From tales of alligator wrestling to groundbreaking feats of aviation, Silcox weaves a fascinating tapestry of everyday American life.
In 2015 University Press of Mississippi published Mississippi Fiddle Tunes and Songs from the 1930s by Harry Bolick and Stephen T. Austin to critical acclaim and commercial success. Roughly half of Mississippi’s rich, old-time fiddle tradition was documented in that volume and Harry Bolick has spent the intervening years working on this book, its sequel. Beginning with Tony Russell’s original mid-1970s fieldwork as a reference, and later working with Russell, Bolick located and transcribed all of the Mississippi 78 rpm string band recordings. Some of the recording artists like the Leake County Revelers, Hoyt Ming and His Pep Steppers, and Narmour & Smith had been well known in the state. Others, like the Collier Trio, were obscure. This collecting work was followed by many field trips to Mississippi searching for and locating the children and grandchildren of the musicians. Previously unheard recordings and stories, unseen photographs and discoveries of nearly unknown local fiddlers, such as Jabe Dillon, John Gatwood, Claude Kennedy, and Homer Grice, followed. The results are now available in this second, companion volume, Fiddle Tunes from Mississippi: Commercial and Informal Recordings, 1920–2018. Two hundred and seventy musical examples supplement the biographies and photographs of the thirty-five artists documented here. Music comes from commercial recordings and small pressings of 78 rpm, 45 rpm, and LP records; collectors’ field recordings; and the musicians’ own home tape and disc recordings. Taken together, these two volumes represent a delightfully comprehensive survey of Mississippi’s fiddle tunes.
To prepare for the role of the Joker, Heath Ledger locked himself in a London hotel room, trying to understand and become a character he saw as “an absolute sociopath, a cold-blooded, mass-murdering clown” who was not intimidated by anything and found all of life “a big joke.” In the end, Ledger’s obsession with his role contributed to his own death from drugs before The Dark Knight was released. The connections and irony are too close to ignore. The movie gives the world a curious twist on the roles of Batman and the Joker. It’s politically incorrect, and yet emotionally the Joker’s insanity becomes more endearing than Batman’s noble sacrifice. What is it? Why does this psychopath seem to have a sense of higher truths in his insanity? This is the role of the Joker or the Fool, a standard character in theatre, and a role consciously adopted by serious artists since the late 1800s. Just as Shakespeare’s Fool in King Lear used his riddles and puns and satire to reveal the truths the royal leaders of his world could not or refused to see, today’s artists are both revealing the darkness within the culture and offering a way out. Waiting for Godot has been proclaimed the greatest play of the twentieth century. But there are no great roles in it, no characters representing the equivalent of Shakespeare’s Hamlet. Rather, the two main characters are closer to T. S. Eliot’s J. Alfred Prufrock, who says he cannot be a Hamlet, only, perhaps, Hamlet’s Fool. This book explores what has happened as Europe’s culture fragmented and the world lost its center. It explores a range of different arenas, from political and social and religious happenings to scientific and artistic expressions, in order to find the centers of the human condition and how the dark expressions of meaninglessness so commonly highlighted are more rites-of-passage than the final destination.
Since the time of William Penn, the Philadelphia neighborhood of Northern Liberties has had a tradition of hard work and innovation. This former Leni-Lenape territory became one of the industrial River Wards of North Philadelphia after being annexed by the city in 1854. The district's mills and factories were powered not just by the Delaware River and its tributaries but also by immigrants from across Europe and the city's largest community of free African Americans. The Liberties' diverse narrative, however, was marred by political and social problems, such as the anti-Irish Nativist Riots of 1844. Local historian Harry Kyriakodis traces over three hundred years of the district's evolution, from its rise as a premier manufacturing precinct to the destruction of much of the original cityscape in the 1960s and its subsequent rebirth as an eclectic and vibrant urban neighborhood. In this first history of Northern Liberties, Kyriakodis unearths the story of this remarkable riverside community.
Discusses Rome's challenges in governing over different cultures, organizing an army made of non-Romans, inculcating Roman values and religion, feeding the army, trading, urbanizing, and industrializing. To make this work accessible to readers who lack an extensive background in Roman history, all Latin expressions are defined in the course of the discussion, a glossary is included, and modern as well as contemporary Latin names of places are used. Paper edition (unseen), $19.95. Annotation copyright by Book News, Inc., Portland, OR
This short 1916 guide to the history of the printed book traces the development of printing in Western Europe, from its origins in the hand-written manuscripts of fifteenth-century Germany, to the rapid growth of mechanised printing in the period following the Industrial Revolution, offering insights into early twentieth-century methods and tools.
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