HARRY HOUDINI, "the World's Handcuff King and amazing Prison Breaker," a title universally and unanimously bestowed upon him, has had a career as adventurous and romantic as the most imaginative writer could possibly conjure. Indeed, this wonderful genius, with a science concerning bolts, bars, locks, and chains that will yet revolutionize the world's methods of safeguarding itself against "the men that prowl in the night," confirms the truth of the ancient adage that "truth is stranger than fiction." Just remember for a moment that he is the man to whom the shrewdest police, the sharpest detectives, and the most watchful jail wardens look with awe and anxiety. And they are eminently right in this attitude of disquiet, because they know that buried in the brain of Houdini lies the secret of an unknown power he alone possesses that makes their prisons as powerless as Japanese screens, and renders their multiple-locking handcuffs, leg irons, and all the other prison paraphernalia, no more binding than store twine. Suppose the innate and inherent integrity of character that Houdini possesses, in common with most men brought up within the circle of a mother's sweet influence, were to be swept aside by the desire for riches not his own. There are many men of many millions to-day whose money is not their own. Suppose he should be captured by a band of desperate men determined to wrest from Houdini this secret worth millions. Suppose a great hypnotist were to obtain dominance over this mystery-enveloped genius and use his baneful powers for evil designs. What then? A slight knowledge of the marvels Houdini has accomplished mixed with a little imagination would create as many more suppositions of this kind as this book could contain. But, to be brief, admitting the possibility of the happening of any of these suppositious instances, and you will gain a clear idea of the extraordinary character and quality of Houdini's powers. It is often the best way to see the full scope of a cause by carefully ascertaining its effect. This analytical method is equally applicable to Houdini, and recognizing the harm he would receive were his secrets confided to unworthy hands, you gain an adequately impressive idea of the enormity of responsibility that rests upon him.
With this remarkable book, the legendary magician conducts a master class in crime by revealing the trade secrets of crooks. Harry Houdini is known not only as an illusionist and escaper of handcuffs and jail cells, but also as a debunker of phony spiritualists and other charlatans. His interest in exposing fakery led Houdini to interview both police and criminals around the world. The result is this captivating volume, intended to help readers avoid being victimized by pickpockets, con artists, and other thieves. Written with verve and humor, these lively chapters recount the techniques of burglars, sneak thieves, shoplifters, and pickpockets as well as those of faith healers, fortune tellers, art forgers, card sharks, and counterfeiters. The instructive and amusing book concludes with an autobiographical essay, in which Houdini discusses the early days of his career and the experiences that contributed to his renown as the Handcuff King and Prison Breaker.
HARRY HOUDINI, "the World's Handcuff King and amazing Prison Breaker," a title universally and unanimously bestowed upon him, has had a career as adventurous and romantic as the most imaginative writer could possibly conjure. Indeed, this wonderful genius, with a science concerning bolts, bars, locks, and chains that will yet revolutionize the world's methods of safeguarding itself against "the men that prowl in the night," confirms the truth of the ancient adage that "truth is stranger than fiction." Just remember for a moment that he is the man to whom the shrewdest police, the sharpest detectives, and the most watchful jail wardens look with awe and anxiety. And they are eminently right in this attitude of disquiet, because they know that buried in the brain of Houdini lies the secret of an unknown power he alone possesses that makes their prisons as powerless as Japanese screens, and renders their multiple-locking handcuffs, leg irons, and all the other prison paraphernalia, no more binding than store twine. Suppose the innate and inherent integrity of character that Houdini possesses, in common with most men brought up within the circle of a mother's sweet influence, were to be swept aside by the desire for riches not his own. There are many men of many millions to-day whose money is not their own. Suppose he should be captured by a band of desperate men determined to wrest from Houdini this secret worth millions. Suppose a great hypnotist were to obtain dominance over this mystery-enveloped genius and use his baneful powers for evil designs. What then? A slight knowledge of the marvels Houdini has accomplished mixed with a little imagination would create as many more suppositions of this kind as this book could contain. But, to be brief, admitting the possibility of the happening of any of these suppositious instances, and you will gain a clear idea of the extraordinary character and quality of Houdini's powers. It is often the best way to see the full scope of a cause by carefully ascertaining its effect. This analytical method is equally applicable to Houdini, and recognizing the harm he would receive were his secrets confided to unworthy hands, you gain an adequately impressive idea of the enormity of responsibility that rests upon him.
REVEALING THE PERSONAL SECRETS OF HARRY HOUDINI WAS HE A CLOSET PSYCHIC? CLAIRVOYANT? OR MEDIUM? HIS LIFE LONG FRIEND SIR AUTHOR CONAN DOYAL INSISTED HE HAD THE EVIDENCE THAT THE WORLD'S GREATEST ESCAPE ARTIST WAS NOT THE SKEPTIC HE MADE HIMSELF OUT TO BE THE CREATOR OF SHERLOCK HOLMES ASKED? --WAS HOUDINI'S FANATICAL DEBUNKING OF PSYCHICS AND MEDIUMS A SUBTERFUGE TO CONCEAL HIS OWN REMARKABLE PARANORMAL ABILITIES? . . At his burial some curious and suggestive words were used by the presiding rabbi: -- "HOUDINI POSSESSED A WONDROUS POWER THAT HE NEVER UNDERSTOOD AND WHICH HE NEVER REVEALED TO ANYONE IN LIFE! . .The creator of Sherlock Holes, Sir Arthur Conan Doyle, and Harry Houdini were strange bedfellows. Doyle was a contemporary of the world's greatest magician and escape artist, who continually battled his friend over the legitimacy of life after death, and the reality of spiritualism. Doyle was a "true believer," while Houdini made it his "mission" to denounce just about all things preternatural. . . -- Doyle was convinced - from what he personally witnessed and what others confided to him - that Houdini could read minds, dematerialize, possessed supernatural strength, and was guided by angelic forces which shielded him from harm even during the most dangerous of escape performances which likely would have caused death to others. . . Doyle stated that Houdini had once remarked, "There are some of my feats which my own wife does not know the secret of." And a famous Chinese conjurer who had seen Houdini perform added, "This is not a trick, it is a gift." Sadly, many of Houdini's feats died with him, even though they would have been an invaluable asset. "What can cover all these facts," states Doyle, "save that there was some element in his power which was peculiar to himself, that could only point to a psychic element -- in a word, that he was a medium." . . . -- Here is both sides of the story -- in the actual words of the famed Sherlock Holmes originator and Houdini himself, who went out of his way to create the impression that fakes and phonies were afoot everywhere in the "shady world" of table tapping, levitating trumpets, spirit photography, slate writing, as well as the materialization of ectoplasmic forms in the darkening shadows of the seance room.
It's 1903. Harry Houdini, the great escape artist, seeks the help of Sir Arthur Conan Doyle, creator of Sherlock Holmes, to discredit Maximillian Cairo, an infamous occultist and the most debauched man in London. But the two men get more than they bargained for when they interrupt a magic ritual. That night, they set something loose - something no one can face and stay sane. Something that runs amok, spreading death and madness throughout an unsuspecting Edwardian London. Both men are tortured by self-doubt for the first time in their lives. Have their logical minds been tainted by this brush with frenzy? Their sole hope to understand what is happening to them lies with the only witness to the first murder. But the man refuses to reveal what he's seen, even to save his life. All Houdini's talents and all Conan Doyle's powers of deduction combined may not be enough to save them from what they have unleashed on the world.
The first in the Corner House series, set in a Lyons Corner House in London on the brink of the Second World War. When cousins Jo and Phyl decide to become Lyons Corner House waitresses, or 'Nippies', as they are known for their speedy service, they have no idea how their lives are about to change. They are whisked from family life in Woolwich to digs in London; they are transported from a factory and a grocer's shop to the wonderful dining rooms of Lyons, Marble Arch, and they swap their old overalls for the smart uniforms of the Corner House girls. Jo and Phyl settle in and make friends with both waitresses and customers. There are boyfriends, lovers and fiancés, friendship and romance, but as the Second World War becomes increasingly imminent, the future of these men and women seems more and more uncertain.
This book is about a clairvoyant who uses his powers and that of professional psychics to transform a corrupt, abusive work place. His Uncle George would actually communicate from the Other Side as to what the supervisors were planning. Harry Barok also utilized ESP and holistic health, plus traditional medicine, to conquer bladder cancer. This is a journey of spiritual and personal growth, but with a very psychic bent. Its also a tale of inspiration, faith, and belief in overcoming tremendous adversity. This reading inspires one to contemplate lifes destiny and purpose.
Harry Brod situates superheroes within the course of Jewish-American history: they are aliens in a foreign land, like Superman; figures plagued by guilt for abandoning their families, like Spider-Man; and outsiders persecuted for being different, like the X-Men. Brod blends humor and sharp observation as he considers the overt and discreet Jewish characteristics of these well-known figures and explores how their creators integrated their Jewish identities and their creativity."--From publisher description.
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