Harry Bingham’s Talking to the Dead introduced readers to one of the most compelling new heroines in crime fiction, Detective Constable Fiona Griffiths, earning comparisons to Stieg Larsson’s Lisbeth Salander. Now D.C. Griffiths returns to investigate a series of gruesome murders—and their connection to her own shadowy past. D.C. Fiona Griffiths is facing the prospect of a dull weekend when the call comes in, something about illegal dumping in a Cardiff suburb. But when she arrives on the scene she finds, in a garage freezer, a severed human leg, complete with a pink suede high-heeled shoe. South Wales police are able to ID the body part as that of a young woman who went missing five years earlier; a young woman who once made a living as an exotic dancer. All at once, Fiona’s job as a detective and her role as a loving daughter collide: Fiona’s father owns a Cardiff strip club and was once deeply involved in the local crime scene. Still in recovery from a devastating psychotic breakdown, Fiona is wary of exploring a path that might end at her father’s door . . . yet her obsessive approach to criminal investigation leaves her no other option. But Fiona’s specialty is not the living, it is the dead. And as she is just starting to get into the murdered girl’s head, a severed hand is found—and this one is male. Soon, police are swamped with an increasing number of body parts found in and around suburban gardens, sheds, and garages. Media attention is intense, and investigators are working from a list of hundreds of persons of interest. When the department identifies the second victim, Fiona struggles to connect him with the dead stripper. What do the victims have in common? And why this macabre method of disposing the corpses? The answers may be more than Fiona can handle. Because in order to solve the riddle of these hideous murders, D.C. Fiona Griffiths will have to delve into the mysteries of her past—and hope she comes out intact . . . and alive. Praise for Love Story, with Murders “A most intriguing, if peculiar, detective . . . Although his volatile protagonist certainly dominates the first-person narrative, [Harry] Bingham doesn’t stint on plot (very complicated), procedures (very detailed) or action (very brutal). . . . Satisfying.”—Marilyn Stasio, The New York Times Book Review “Love Story, with Murders is a dark delight, and I look forward to Fiona’s future struggles with criminals, her demons and the mysteries of her past.”—The Washington Post “Bingham’s superb second police procedural featuring Det. Constable Fiona Griffiths delivers an even more intense plot and richer character study than his first. . . . Fiona’s past mental problems and her unconventional personality make her a distinctive lead.”—Publishers Weekly (starred review) “Some of the most memorably staccato narration in the genre . . . [Bingham’s] remote, unquenchable heroine makes her stand apart from every one of her procedural brothers and sisters.”—Kirkus Reviews “Compelling . . . [Love Story, with Murders] amply proves the freshness and flair that [Bingham] has brought to the police procedural. . . . Surprisingly delicate, it weaves a sinuous, seductive spell and confirms we have a new crime talent to treasure.”—Daily Mail (UK) “Love Story, with Murders boasts what must be the most startling protagonist in modern crime fiction.”—The Sunday Times (London) From the Hardcover edition.
Celebratory, witty and incredibly insightful, Harry Bingham explores the eccentricities and customs of the British nation in a bid to answer a question which has everyone debating -- Who are we?
Celebratory, witty and incredibly insightful, Harry Bingham explores the eccentricities and customs of the British nation in a bid to answer a question which has everyone debating – Who are we?
A mesmerizing and thrilling novel—perfect for fans of Tana French and Stieg Larsson—that introduces a modern, unforgettable rookie cop whose past is as fascinating and as deadly as the crimes she investigates. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Boston Globe • The Seattle Times SHE KNOWS WHAT IT’S LIKE. . . . At first, the murder scene appears sad, but not unusual: a young woman undone by drugs and prostitution, her six-year-old daughter dead alongside her. But then detectives find a strange piece of evidence in the squalid house: the platinum credit card of a very wealthy—and long dead—steel tycoon. What is a heroin-addicted hooker doing with the credit card of a well-known and powerful man who died months ago? This is the question that the most junior member of the investigative team, Detective Constable Fiona Griffiths, is assigned to answer. But D.C. Griffiths is no ordinary cop. She’s earned a reputation at police headquarters in Cardiff, Wales, for being odd, for not picking up on social cues, for being a little overintense. And there’s that gap in her past, the two-year hiatus that everyone assumes was a breakdown. But Fiona is a crack investigator, quick and intuitive. She is immediately drawn to the crime scene, and to the tragic face of the six-year-old girl, who she is certain has something to tell her . . . something that will break the case wide open. Ignoring orders and protocol, Fiona begins to explore far beyond the rich man’s credit card and into the secrets of her seaside city. And when she uncovers another dead prostitute, Fiona knows that she’s only begun to scratch the surface of a dark world of crime and murder. But the deeper she digs, the more danger she risks—not just from criminals and killers but from her own past . . . and the abyss that threatens to pull her back at any time. BONUS: This edition includes an excerpt from Harry Bingham's Love Story, with Murders. Praise for Talking to the Dead “Gritty, compelling . . . a procedural unlike any other you are likely to read this year.”—USA Today “With Detective Constable Fiona ‘Fi’ Griffiths, Harry Bingham . . . finds a sweet spot in crime fiction . . . think Stieg Larsson’s Lisbeth Salander . . . Denise Mina’s ‘Paddy’ Meehan [or] Lee Child’s Jack Reacher. . . . The writing is terrific.”—The Boston Globe “The mystery-thriller genre is already so staffed with masterminds that it’s hard to make room for another. But along comes a book like Talking to the Dead, and suddenly an unadvertised opening is filled. . . . [This] has the feel of something fresh and compelling.”—New York Daily News “A stunner with precision plotting, an unusual setting, and a deeply complex protagonist . . . We have the welcome promise of more books to come about Griffiths.”—The Seattle Times “Recommended highly . . . [a] riveting procedural thriller.”—Library Journal (starred review)
Invaluable to writers of all kinds" Mark Le Fanu, The Society of Authors Written emphatically from the author's point of view, this is an expert guide to the process of getting published, from submitting your work and finding an agent, to working with a publishing house and understanding the book trade. Together with interviews from authors, agents and publishers (including the CEO of Harper Studio, and the Editorial Director of Pan Macmillan) as well as buyers from Waterstones and Asda - this is an expert guide to: * finding an agent or publisher * successful approaches for covering letters and synopses * understanding contractual terms * working with publishers and the editorial process * your role in helping to publicise your work Getting Published will enable you to market your work more professionally, understand the relationship you will have with both agent and publisher and offers a contemporary inside view of the publishing industry. Along with the essential contacts in the Writers and Artists Yearbook, this is a professional tool you will not want to be without.
A young scientist believes she can change the world - until one day her career is ruined. Bryn Hughes, a battle-hardened banker, can guess the reason why. He wants money, she wants truth, but first of all they must survive.
I love Fiona Griffiths' Sharon Bolton A crime from the past. A murder from the future. DS Fiona Griffiths is bored. It's been months since she had a good corpse. Then she gets news; not just of a murder, but of a decapitation, and one committed with an antique sword no less. All that, and, a murder scene laid out like a gruesome crossword clue. Gaynor Charteris was an archaeologist excavating a nearby iron-age site. Genial, respected, well-liked, it was hard to see why anyone would want to kill her. But as Fiona starts to investigate, she finds evidence of a crime that seems to have its origins in King Arthur's greatest battle - a crime so bizarre that getting her superiors to take it seriously is going to be her toughest job. Especially since the crime hasn't yet been committed. Praise for the Fiona Griffiths mystery series: 'Compelling and claustrophobic. Without a doubt, Fiona Griffiths is one of crime's most memorable heroines' Sarah Hilary 'Compelling...a new crime talent to treasure' Daily Mail 'In a word - brilliant. One of the most enjoyable crime novels I've read in a while' James Oswald 'Gritty, compelling...a procedural unlike any other you are likely to read this year' USA Today 'Gripping...Fiona Griffiths kept me hooked to the last page and left me hungry for more' Rachel Abbott Fans of Angela Marsons, Peter James and Ann Cleeves will be gripped by the other titles in the Fiona Griffiths mystery series: 1. Talking to the Dead 2. Love Story, With Murders 3. The Strange Death of Fiona Griffiths 4. This Thing of Darkness 5. The Dead House 6. The Deepest Grave (coming soon!) If you're looking for a crime thriller series to keep you hooked, then go no further: you've just found it. ** Each Fiona Griffiths thriller can be read as a standalone or in series order **
On a wild October night, the body of a young woman is found in a remote country churchyard. She's wearing nothing but a thin, white dress. There are no marks of violence and no obvious cause of death. Who is the victim? Why is she here? But another young woman went missing from the area a few years back, and DC Fiona Griffiths soon suspects a crime even more chilling than she first imagined."--Amazon.com.
An ancient battle. A dead researcher. And a very modern crime. It's been more than a year since Detective Sergeant Fiona Griffiths had any sort of murder case . . . when all of a sudden, she gets the call. A local archaeologist has been found bloodily murdered. Her head severed from her body. Her eyes apparently fixed on a fragment of Latin text.The crime seems to summon the ghosts of Dark Age Britain - and the shade of King Arthur.But why are those ancient enmities alive once again? Why are armed burglars raiding remote country churches? And how many more people will die before these clues are unravelled?Fiona thinks she knows the answers to these questions . . . but the crime that underlies them all is so utterly unexpected, so breathtakingly audacious in its execution, that it hasn't yet been committed.This book will be perfect for anyone who's enjoyed the work of Ann Cleeves, Elly Griffiths, or Andrea Camilleri. Praise for the Fiona Griffiths crime thriller series British detective, Fiona Griffiths, is arguably the most compelling female protagonist in contemporary crime fiction / mystery. The series now has thousands of five-star reviews on Goodreads, sales in the hundreds of thousands, a brilliantly succesful TV adaptation - and a rapturous reception from critics."So gripping it hurts. A masterpiece."--Mark Edwards, author of The Magpies"Gritty, compelling . . . a procedural unlike any other you are likely to read this year."--USA Today"With Detective Constable Fiona 'Fi' Griffiths, Harry Bingham . . . finds a sweet spot in crime fiction . . . think Stieg Larsson's Lisbeth Salander . . . Denise Mina's Paddy Meehan [or] Lee Child's Jack Reacher. . . . The writing is terrific."--The Boston Globe"The mystery-thriller genre is already so staffed with masterminds that it's hard to make room for another. But along comes a book like Talking to the Dead, and suddenly an unadvertised opening is filled. . . . [This] has the feel of something fresh and compelling."--New York Daily News"A stunner with precision plotting, an unusual setting, and a deeply complex [female] protagonist . . . We have the welcome promise of more books to come about Griffiths."--The Seattle Times"Recommended highly . . . [a] riveting procedural thriller."--Library Journal (starred review)Chosen as a Crime Book of the Year by the Seattle Times and the Boston Globe If you're looking for a crime thriller series to keep you hooked, then go no further: you've just found it.
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